Garden Hidaleya Script is one of the Elegant script fonts that comes with a very beautiful character change, a kind of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. You will get: Garden Hidaleya Garden Hidaleya Bold Garden Hidaleya Script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Garden Hidaleya has alternate characters, including multiple language support. With OpenType features with alternative styles and elegant ligatures. The OpenType features don't work automatically, but you can access them manually and for best results your creativity will be required in combining variations of these Glyphs. I highly recommend using a program that supports OpenType features and the Glyphs panel such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so that you can view and access all variations of Glyphs. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, let me know. I'm happy to help. Thanks & Happy Designing.

«Quotes» is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written by hand, «Quotes» comes in two handwriting styles: Script and Caps. «Quotes Script» and «Quotes Caps» are thought together and complement each other filling with rhythm and infinite sensations to the spoken words. A more free and spontaneous version –Script–, joined by an uppercase system –Caps–, that offers a huge amount of alternate glyphs, ligatures and connectors, to enrich different messages brought to life with this type family. «Quotes Script» counts on a great variety of alternate signs in its lowercase as well as its uppercase letters. It hands a combination of ligatures and capital alternates that allows to shape the beginnings and endings of words and phrases intended to be inspiring and to inspire others that read them. «Quotes» also stands for the fashion universe, Gourmet, Natural, the D.I.Y. passionates, and for all those who seek for the Handcrafted spirit and agrees that it adds an added value to its products and in their communication possibilities. Nowadays, new trends in the calligraphic and drawn letters fields, have lead to the use of the brush pen as a daily practice, bringing to life phrases that motivates people to share their thoughts. «Quotes» is a typeface that invites to write, share and influence others to make their own. Sometimes a feeling can’t be explained, but «Quotes» is a font that can.

Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years. Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Moreover this script was used in margins, and to highlight specific content inside a paragraph in older manuscripts. With true cursive companions in five weights, and many opentype features, Palsam grants all the tools needed to set complex information and editorial designs applications. More than 1000 characters are included per weight, including small caps, fractions, old style and lining numbers, ligatures, contextual ligatures, and discretionary ligatures. It supports over 40 languages that use the Latin extended, as well as Arabic, Farsi, and Urdu Languages. The latin script was designed in collaboration with the Slovenian type designer Alja Herlah.