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  1. American Dream, as conceptualized by the designer Chloe, is a font that captures the essence of aspiration, nostalgia, and the enduring spirit of the American ethos. From the first glance, it's clear...
  2. As of my last update in April 2023, "Spat Crumb" is not a widely recognized or standard font within the graphic design or typography communities. Therefore, I will approach this description by embody...
  3. Sho-Card-Caps is a distinctive typeface designed by Nick Curtis, a prolific typeface designer known for his ability to capture the essence of vintage and retro typography with a modern twist. This fo...
  4. JFRockSolid, crafted by Jester Font Studio, stands as a testament to the ingenuity and creativity embedded in the world of typography. This font embodies a robust and unwavering character, reflecting...
  5. Quarx Outline by dustBUSt Fonts presents itself as a playful and dynamic typeface, straddling the fine line between the whimsical and the geometric. This font captures the essence of innovation and c...
  6. The "Octin College Free" font, designed by the prolific type designer Ray Larabie, is part of the Octin series of fonts, which includes various styles catering to different themes and requirements. T...
  7. Feena Casual, crafted by the creative minds at ZETAfonts, is a truly unique and artistic font that embodies a relaxed yet elegant design ethos. It is a font that seems to effortlessly straddle the li...
  8. The Freshman font, crafted by William Boyd, stands as a captivating representative of bold, impactful typography that echoes the energy and dynamism of college life and athletic spirit. This typeface...
  9. Berolina, designed by the prolific German type designer Manfred Klein, is a font that commands attention through its blend of classical elegance and modern flair. Klein, renowned for his eclectic ran...
  10. Polla, designed by junkohanhero, is an expressive font that immediately catches the eye due to its unique and playful characteristics. This typeface stands out because of its thick, bold lines paired...
  11. Nasalization Free is an intriguing typeface designed by the prolific Canadian type designer Ray Larabie. It belongs to a category of fonts inspired by the mid-20th-century fascination with space expl...
  12. Goth Stencil by Juan Casco is a distinctive typeface that combines the boldness and readability of gothic letterforms with the modern, edgy aspect of stencil designs. This font speaks of strength, ch...
  13. Rock ‘n Roller is a dynamic and charismatic typeface that captures the rebellious spirit and energetic beat of rock and roll music. Its design is inspired by the vibrant aesthetics of rock culture, b...
  14. Big Blocko, created by OMEGA Font Labs, is a striking display font characterized by its bold and blocky design. The font's aesthetics lean heavily towards a solid, rectangular block-like form, giving...
  15. SF Wonder Comic Inline, designed by ShyFoundry, is a distinctive typeface that captures the essence of classic comic book lettering with an appealing twist. Its design is characterized by a playful y...
  16. Gorilla Milkshake is a playful and dynamic font crafted by Blambot Fonts, a type foundry well-regarded for its extensive collection of comic lettering fonts. This particular font embodies a casual ye...
  17. BoomBox, created by the talented Jonathan Paterson, is a captivating display font that embodies a lively and energetic spirit, perfect for designs that aim to stand out and make a bold statement. The...
  18. Waterhole by MouserFonts is a distinctive font that embodies a spirit of adventure and creativity. At its heart, Waterhole encompasses the essence of natural beauty and rugged simplicity, designed to...
  19. Alright! Picture this. Talie by Star Plus Multiply isn't just your everyday font; it's like the unicorn in the world of typography—a blend of creativity, elegance, and uniqueness. Imagine the letters...
  20. Picture this: the font Chow Fun comes sauntering into the room, a masterpiece cooked up by the ingenious Harold Lohner. It's like that one friend who's been around the world, dabbles in everything co...
  21. The font "Shadows Into Light" by Kimberly Geswein is a charming and unique handwriting font that exudes a personal touch and warmth. It has been meticulously designed to capture the essence of inform...
  22. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  23. The Pacifico font is a whimsical, yet elegant script typeface that harkens back to the surf culture of the mid-20th century. Designed by Vernon Adams, its flowing, hand-drawn appearance evokes a sens...
  24. Imagine a font that decided to wake up one morning, pull on its intergalactic superhero suit, and dive headfirst into an epic adventure across multiple dimensions. Ladies and gentlemen, meet *Battlef...
  25. The font "Missed Your Exit" encapsulates a sense of urgency intertwined with a whimsical nonchalance, creating a distinctive atmosphere that captures the attention. Picture this: each character is cr...
  26. Korneuburg Slab Regular, crafted by the talented designer flö rastbichler, beautifully marries the timeless essence of slab serif fonts with contemporary design nuances, creating a versatile and robu...
  27. Zorque, designed by the prolific typeface designer Ray Larabie, is a font that packs quite the visual punch. It blends futuristic sensibilities with a dash of whimsy, making it stand out in a sea of ...
  28. Scrogglet, designed by Kimberly Geswein, is a distinctive font that showcases its unique personality through its playful and slightly whimsical design. Kimberly Geswein, known for her ability to craf...
  29. Capture It, a font conceived and designed by Koczman Bálint, stands as a unique testament to the blending of robust design principles with a distinct aesthetic appeal. At its core, Capture It embodie...
  30. Walkway UltraBold is a striking member of the Walkway font family, known for its clean lines and contemporary aesthetic. This particular weight stands out due to its pronounced boldness, which imbues...
  31. The font named Bald by Eyesaw is a distinct and expressive typeface that captures attention through its bold and unapologetic style. This font is characterized by its large, block-like letters that c...
  32. Transistor, an evocatively named font, conjures imagery of technology, innovation, and connectivity. This font, with its futuristic yet retro vibe, bridges the gap between the golden years of analog ...
  33. Heavy Heap, designed by the talented Ray Larabie, is a font that truly stands out in the dynamic world of typography. Its design channels the bold spirit of the 1960s and '70s, particularly drawing i...
  34. The Futurex Slab font, crafted by the innovative team at Apostrophic Labs, is a distinctive typeface that bridges the gap between the future-oriented aesthetics of the digital age and the robust, gro...
  35. XPED Bold is a distinctive typeface designed by Iconian Fonts, a reputable font foundry known for their wide range of unique and versatile type designs. The XPED Bold font, as its name suggests, embo...
  36. The Vector font, crafted by the talented GautFonts, is a remarkable display typeface that stands out for its unique style and versatility. This font is a reflection of GautFonts' commitment to creati...
  37. Quad Ultra, crafted by the innovative minds at Font Fabric, stands out as a distinct and powerful typeface designed to capture attention and make a bold statement. This typeface is characterized by i...
  38. Ah, the Aerosol font by Bright Ideas! Imagine diving into the spirited world of street art, where each letter crafted is an embodiment of rebellion, laced with a mellow undertone of creativity. That'...
  39. The font "It Lives In The Swamp (BRK)" designed by AEnigma strikes a perfect chord between the eerie and the intriguing, making it an exemplary choice for projects that delve into the mystical, the m...
  40. The Dirty Headline font, crafted by the talented S. John Ross, stands out as a testament to the raw energy and unfiltered expression found in the world of typography. This font, with its unique name ...
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