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  1. Once upon a time, in a world bursting with the solemnity of serif and the sternness of sans-serif, there emerged a font so whimsically charming and cheekily vivacious, it could only be known as Comic...
  2. Ah, Inspector 39! If fonts were guests at a soiree, Inspector 39 would saunter in with the mysterious allure of a noir detective, blending the charm of classic cinema with the intrigue of a whodunit....
  3. Blank Manuscript by Aah Yes, $14.95
    Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave
  4. Ah, the illustrious Writers Bold – a font that struts into the room with the confidence of a novelist who knows they've penned the next bestseller. Imagine if the letters on your screen were wearing ...
  5. Oh, HandPrinting! If fonts were people, HandPrinting would be that fun, quirky friend who shows up to a digital party dressed in a tie-dye T-shirt, holding a handmade sign that says, “I'm here to mak...
  6. Ah, the jovial and whimsical world of fonts, where each typeface has its own distinct personality and charm. Nestled within this realm of typographic delights, you'll find a gem named joeHand 3, craf...
  7. "Just Me Again Down Here" by Kimberly Geswein stands out as a beautifully crafted font that embodies a casual and personal touch. At its heart, this font feels like a handwritten note from a friend, ...
  8. Ah, Equestrian by Darrian, a font that prances gracefully across the page like a well-groomed stallion at the Kentucky Derby. This isn't your average, run-of-the-mill typeface. Oh no, it carries the ...
  9. Ah, Fh_Ink by Fictionalhead! Picture this: It's like taking a dip into a pool of creativity and emerging with ink-stained fingers, ready to leave your mark on the world. Fictionalhead has crafted som...
  10. Sure thing! Rainy Days by PizzaDude is a truly special font that carries a unique essence, making it stand out in a sea of typefaces. At its core, Rainy Days embodies a playful yet slightly melanchol...
  11. Nadia Serif, crafted by the talented Nadia Knechtle, is an eloquent testament to the harmony between traditional typeface design and modern aesthetic sensibilities. At its core, Nadia Serif embodies ...
  12. Haunting Attraction is not a font that can be easily overlooked. Crafted with a masterful touch, it embodies a uniquely ethereal and captivating essence that seems to draw the eye and imagination int...
  13. The ID-POPMARU-LightOT font, created by the renowned designer Inoue Masaru, stands as a paragon of creativity and versatility within the realm of typography. Crafted with an eye towards modernity and...
  14. As of my last update in April 2023, the DECOST font, if not widely recognized in mainstream font libraries, could either be a lesser-known typeface or a custom creation not widely distributed. Withou...
  15. The font "Pea Bethany's Doodles" by Fonts For Peas is an embodiment of whimsy and casual artistry, captivating users with its playful and hand-drawn aesthetic. Created with a light-hearted touch, thi...
  16. Platonick-Normal is a font that beckons to those who appreciate a marriage of contemporary design and classic typography sensibilities. At first glance, it may appear unassuming, yet its beauty lies ...
  17. Ah, Pacmania! The very name conjures up a whirlwind of nostalgia, doesn't it? Created by the font wizard Neale Davidson, it's like stepping into a time machine and zooming straight back to the golden...
  18. The font "Nanosecond Thick BRK" by AEnigma is a distinctive typeface that captures the essence of modernity and boldness, appealing to designers looking for a robust and attention-grabbing font. Crea...
  19. The Angel Tears font, designed by the talented Billy Argel, is a captivating and emotionally evocative typeface that stands out for its unique blend of elegance and raw expressiveness. At its core, t...
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  22. As of my last update in early 2023, "Regal Box" isn't a widely recognized or documented font within the prevalent typographic resources or major font libraries. However, I can hypothesize about a fon...
  23. Fashion Passion is a font that embodies the dynamic and ever-evolving spirit of style and creativity in the world of fashion. As its name suggests, this font is specifically designed for those who ha...
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  26. "Japan Deko" is a typeface that embodies a fascinating blend of traditional Japanese aesthetics and the Art Deco movement, which was a dominant style in the 1920s and 1930s, known for its bold geomet...
  27. Jellyka Castle's Queen, crafted by Jellyka Nerevan, is a font that truly stands out in the realm of typography due to its whimsical and unique design. It belongs to a category of fonts often describe...
  28. The Rodrigues PERSONAL USE ONLY font, designed by the renowned typographer Måns Grebäck, is a testament to his craftsmanship in creating visually compelling and unique typefaces. This font captures a...
  29. Brie Light, as its name suggests, is a font that embodies a blend of lightness and elegance. This typeface falls into a sophisticated category of fonts that balance between formality and a touch of p...
  30. Kreepshow 'Frigid' is a unique and visually captivating font that seems to have been carefully crafted to evoke a sense of chilling suspense, perfect for uses that require a touch of the eerie or the...
  31. The "Hello Pirates - Personal Use" font by Typhoon Type is a distinctive and playful typeface that captures the adventurous spirit of pirate lore and sea voyages. It presents a mix of whimsy and bold...
  32. Ah, KG Seven Sixteen, a font that confidently saunters into the world of typography, tipping its hat with a cheeky grin. Crafted by the whimsical wand of Kimberly Geswein, it's as if this font was sp...
  33. The "AprendizCaligrafico" font by Intellecta Design embodies a delicate balance between elegance and expressiveness, capturing the essence of traditional calligraphy while infusing it with a contempo...
  34. Imagine stepping into a bibliophile's dream, a realm where ancient manuscripts and regal scripts of yore come alive. This is the world of Basileus, a font that hails from the illustrious archives of ...
  35. Alison, if it were a person, would be the charming friend who can walk into any room and instantly make everyone feel more cheerful and at ease. Picture a font that balances the line between casual a...
  36. Ah, let me take you on a whimsical journey through the typographic landscape with the font, Magical Mystery Tour Outline Shadow, crafted by the artistic maestro Keith Bates. It’s not just a font; thi...
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  38. The font "Kallot" by Junkohanhero is a striking typeface that intriguingly blends contemporary design elements with a touch of vintage charm. Designed by the talented artist behind the moniker Junkoh...
  39. LetterOMatic!, crafted by the renowned font foundry Blambot Fonts, is an epitome of creativity and functionality meshed into one captivating typeface. Blambot Fonts, known for its extensive collectio...
  40. The Pea Marcie font, brought to life by Fonts For Peas, embodies a captivating charm that instantly warms the heart. It's a font that seems to have been crafted with love, bearing the marks of a tale...
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