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  1. 101 Puppies SW is a charming and whimsical font that captures the joy and playfulness of young pups frolicking about. Designed with a creative spirit in mind, this font embodies the lively and affect...
  2. Valerius, conceived by Iconian Fonts, is a font that embodies a blend of contemporary flair with historical undertones, evoking a sense of timelessness and versatility. This typeface boasts elements ...
  3. Covington Condensed, designed by Apostrophic Labs, is a versatile and elegant font that seamlessly blends classic charm with modern sophistication. This typeface stands out for its condensed nature, ...
  4. The Holtzschue font is an intriguing creation by designer David Rakowski, bringing with it a unique blend of artistic expression and typographical innovation. Named after Kathryn Holtzschue, a friend...
  5. Nascent, a font created by The Type Fetish, stands out as a remarkable addition to the diverse world of typography. This typeface exudes a unique blend of modernity and functionality, making it a ver...
  6. Saginaw is an elegant and versatile typeface that stands out for its classic yet contemporary feel. Its design is a harmonious blend of traditional serifs and modern design principles, making it a ve...
  7. PR Agamemnon is a captivating and distinctive font meticulously crafted by the acclaimed Castles & Crypts. This font stands out due to its unique blend of ancient inspiration and modern design elemen...
  8. Reclaim is a distinctive font designed by the talented Nils von Blanc. This typeface stands out due to its unique blend of ruggedness and elegance, embodying an artful balance between rebellion and s...
  9. The Sangkuriang font, designed by Gregorius Wisnu Prastowo, represents an intriguing blend of traditional elegance and contemporary design sensibilities. It is a typeface that evokes a sense of nosta...
  10. Doris PP, designed by Paulo Pedott, is a font that promises to bring a unique charm to any design project it graces. It exhibits a blend of contemporary style with a nod to vintage aesthetics, making...
  11. Holitter Circle by Holitter Studios is a captivating font that carries a contemporary vibe with its unique design and circular motifs. Crafted with a creative eye, this typeface stands out for its in...
  12. Kingthings Spikeless is a unique and intriguing font designed by the talented Kevin King of Kingthings. Unlike its counterpart, Kingthings Spike, which is known for its dramatic and pointed flair, Ki...
  13. The LT Sweet Nothings font, crafted by the font designer known stylistically as Nymphont, embodies the whimsical and charming aura of handwritten notes and personal touches. This typeface stands out ...
  14. ADIstiLleRS Font, crafted by the talented typeface designer Canopus, strikes a unique balance between artistic flair and functional typography. This font effortlessly merges the aesthetic qualities o...
  15. Fletcher-Gothic is a typeface designed by Alan Carr, showcasing a unique balance between historical gravitas and a contemporary twist. The design of Fletcher-Gothic draws its inspiration from the tra...
  16. Plastic No.20, crafted by Apostrophic Labs, embodies a unique place in the world of typography due to its playful and modern essence. This typeface stands out with its distinctively stylized forms, c...
  17. SF Piezolectric is a distinctive font designed by ShyFoundry, a type foundry known for creating innovative typefaces with meticulous attention to detail. SF Piezolectric stands out because of its uni...
  18. The AGRAR Unicase font is a distinctive and versatile typeface that captures attention through its unique approach to letter case. As suggested by its name, "unicase" refers to the blending of tradit...
  19. The dearJoe series of fonts, created by the Dutch typeface designer Joe Bob, under his foundry JOEBOB graphics, is a charming collection that embodies a personal, handwritten aesthetic. This distinct...
  20. KiddoTR is a captivating typeface that breathes a delightful air of whimsy and fun into any design project it touches. This font stands out for its playful yet readable nature, making it an impeccabl...
  21. Willy 2, crafted by the talented Milos Kunst, is a typeface that captures the imagination with its playful yet refined attributes. At the heart of Willy 2's design lies a harmonious blend of whimsy a...
  22. Meet John Henry is an enchanting typeface designed by the talented John Martz. This font embodies a blend of classic charm and contemporary flair, making it a versatile choice for a variety of design...
  23. The Sweden font, crafted by Vladimir Nikolic, is an exemplar of modern design ingenuity blended with an essence of Scandinavian minimalism. This typeface stands out for its clean lines and geometric ...
  24. Champagne & Limousines by Nymphont is an elegantly modern typeface that stands out for its exquisite blend of simplicity and sophistication. Created by the talented typography artist known as Nymphon...
  25. "Frank Knows" is a captivating and versatile font designed by Chris Hansen, which exudes both personality and practicality. At first glance, it is the kind of typeface that greets you like an old fri...
  26. Ivan Filipov, a renowned designer, has made a significant contribution to the typographic landscape with the creation of Arkitech Round. This particular font is a variant of the Arkitech family, char...
  27. Dwellers is a fictional typeface that evokes a sense of mystery and exploration, designed for those with a penchant for storytelling and adventure. It's a font that marries the ancient with the moder...
  28. Phoenix font embodies the spirit of rebirth and elegance, much like the mythical bird it is named after. This font is designed to capture the essence of transformation, grace, and resilience through ...
  29. BPtypewrite is a font that effortlessly captures the nostalgic essence of an era dominated by the mechanical charm of typewriters. Designed by Backpacker, this font is meticulously crafted to embody ...
  30. Ah, the Flame on! font, not just a typeface but a fiery declaration, a typographic torchbearer of passion and intensity! Picture this: each letter, ablaze, casting a warm, flickering glow across the ...
  31. As of my last update, I don't have direct access to databases or the internet to provide real-time or highly specific descriptions of lesser-known or proprietary fonts, such as "PetalGlyph" by Essqué...
  32. The 5 Fingered Goth SWTrial font by Astigmatic One Eye stands out as a unique and captivating typeface that carries an unmistakable gothic charm. Crafted by the intriguingly named Astigmatic One Eye ...
  33. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  34. The PaddingtonSC font is a distinctive typeface that instantly communicates an aura of charm and sophistication. It falls within the script category, characterized by its elegant, flowing letters tha...
  35. The Circoex font, created by Antipixel (ANTIPIXEL.com.ar), is a remarkable display typeface that embodies a playful yet sophisticated aesthetic. Imagine the whimsical charm of a vintage circus poster...
  36. Komika Text is a distinctive font developed by Apostrophic Labs, an ensemble known for its array of innovative and eye-catching typefaces. As part of the larger Komika family, Komika Text draws inspi...
  37. Blok, a font designed by Tup Wanders, stands out in the typographic landscape with its distinctive and bold character. It belongs to a category of typefaces that draws inspiration from geometric form...
  38. As of my last update in early 2023, "Chalkie" seems to evoke images of a font that would capture the essence and whimsy of hand-drawn letters, as though crafted by a seasoned artist using nothing but...
  39. The font named "2006" by Denise Bentulan is a creative and contemporary typeface that embodies a unique blend of personality and functionality. Designed by the talented typeface designer Denise Bentu...
  40. Union Agrochem, designed by Polenimschaufenster, is an intriguing font that captures the essence of its unique branding. Its design is a noteworthy fusion of industrial robustness and agricultural ea...
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