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  1. Baby Font, as evocative as the name suggests, is a typeface imbued with whimsy, warmth, and the tender feel reminiscent of childhood. Designed with a gentle nod to the softness and playfulness that c...
  2. As an AI model, I cannot browse the internet or access new databases in real-time; my last update was in April 2023. As of my last update, "Recognition" by WhoAmI Design was not a widely recognized o...
  3. As of my last update in April 2023, there's no specific, widely recognized font officially named "TR-909" that has gained mainstream acceptance or acknowledgment in the design community. However, the...
  4. As of my last update in April 2023, there may not be a widely recognized or standardized font specifically named "Evil Cow" as it does not appear to be among the commonly referenced fonts in graphic ...
  5. Ah, Ruthless Wreckin TWO, the font that sauntered into the digital typeface scene with the swagger of a vintage gangster movie protagonist, yet bears the charm of an old-school comic book. Picture th...
  6. BD Renaissance is a font that seems to evoke the beauty and grandeur of the Renaissance era, a period known for its revival of the arts, literature, and philosophy. This typeface, while fictional in ...
  7. Declaration by Vladimir Nikolic is an evocative and historical typeface that commands attention through its thematic and visual references to the past. Its design is heavily influenced by the handwri...
  8. The "Scribble" font, as its name suggests, belongs to a category of typefaces that mimic the hurried, erratic characteristics of handwritten scribbles. It encapsulates the essence of spontaneity, cre...
  9. Ah, the Aerosol font by Bright Ideas! Imagine diving into the spirited world of street art, where each letter crafted is an embodiment of rebellion, laced with a mellow undertone of creativity. That'...
  10. Deco Freehand by S. John Ross is an intriguing font that encapsulates the essence of Art Deco style while infusing it with a personal touch. This font is characterized by its distinctiveness; it's ne...
  11. The Overspray font, developed by Michael Tension, is a vivid embodiment of artistic freedom and dynamic expression. It stands out for its ability to capture the spontaneous, rebellious spirit of stre...
  12. Prepare yourself to delve into the whimsically wicked world of EvilGenius BB, a font that could only spring from the vibrant minds at Blambot Fonts. This is a font that puts on a cape, laughs maniaca...
  13. Ah, Inspector 39! If fonts were guests at a soiree, Inspector 39 would saunter in with the mysterious allure of a noir detective, blending the charm of classic cinema with the intrigue of a whodunit....
  14. The Contour Generator font, crafted by the accomplished and prolific typeface designer Ray Larabie, is an exceptional display font that stands out due to its unique characteristics and the aesthetic ...
  15. Disparador, a font designed by Tobias Sommer (who also goes by the nickname "shyfonts"), is a visually striking typeface that imbarks a unique blend of modernity and retro inspiration. Sommer, known ...
  16. PsyType is a font that captures the essence of creativity and fluidity, evoking a sense of freedom and expressiveness that resonates with artists, designers, and creatives alike. Its design intricate...
  17. The D3 Egoistism Outline font, crafted by the innovative minds at D3, embodies a remarkable blend of creativity and sophistication that stands out in the realm of typography. This particular font is ...
  18. "Queer Theory RegularTrial" by Harold Lohner is an embodiment of artistic audacity and a celebration of diversity within the realm of typography. This font captures the essence of inclusivity and cha...
  19. As of my last update in April 2023, the font Am Sans Light, crafted by the talented designer Volker Busse, is a testament to the beauty of minimalist design in typography. This font belongs to the br...
  20. The Agathodaimon font, created by the talented Andrew D. Taylor, is a compelling and visually striking typeface that deeply resonates with those who have a penchant for the mystical and enigmatic. It...
  21. As of my last update in early 2023, the font named Fh_Scribble, created by the design entity known as Fictionalhead, represents a playful and artistic expression in typography. This font captures the...
  22. GauFontLoveRocket is an enchanting display font that captures the whimsy and excitement of unexpected love and cosmic adventures. Its design, characterized by playful curves and sharp, dynamic angles...
  23. As of my last update in early 2023, there is no widely recognized or standard font specifically named "CODE3X" within the global design community or within major font repositories such as Google Font...
  24. As of my last update in April 2023, "Rub This!" is not listed among the widely recognized or standard fonts in typographic directories or collections. However, the name suggests a playful and possibl...
  25. Sure, diving into the unique world of creative fonts, let's explore Cock Boat, a delightfully named typeface that captures attention not just with its name, but with its design as well. Though I can'...
  26. The font "Birth of a Hero" created by Last Soundtrack is a distinctive typeface that sets itself apart with its rugged, grungy appearance. Perfectly capturing the essence of a bygone era of heroism a...
  27. Mona Lisa Recut is an intriguing and artistically designed font that captivates both designers and admirers of typographic art. Its creation was inspired by the timeless beauty and mystery of Leonard...
  28. As of my last update in April 2023, there isn't a widely recognized font specifically named "Free." The term "free" in relation to fonts, however, plays a significant role in typography and design. I...
  29. "Lots of Frames" by Darrian is a distinctive and imaginative font that offers more than just letters to its users. This font is a creative trove for anyone looking to add a unique and artistic touch ...
  30. The Schwabacher font, revitalized by Dieter Steffmann, is a captivating blend of history and artistry, standing as a tribute to the rich heritage of German typography. Originating from the 15th and 1...
  31. Pavement is a contemporary font that resonates with the gritty, raw essence of urban streets and the vibrant subcultures that thrive within them. Its design captures the improvisational and unrestrai...
  32. Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
  33. The SKULL TS 2 font, designed by the notable font designer Billy Argel, stands out as an emblematic representation of creativity melded with an edgy, gothic aesthetic, reflecting Argel's penchant for...
  34. Steak, created by Last Soundtrack, is a distinctive font that immediately captures the attention of its audience. It is characterized by its bold, robust design which makes it stand out among various...
  35. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  36. Dopestyle, a captivating font crafted by the creative minds at Octotype, exudes a bold and dynamic character that's hard to ignore. This font showcases a graffiti-inspired design, making it a standou...
  37. Street Humouresque is a distinctive font design by GemFonts | Graham Meade, embodying a perfect blend of playfulness and artistry. This font captures the essence of street art aesthetics, echoing the...
  38. Swinging, a distinctive font designed by Manfred Klein, is a captivating typeface that effortlessly marries whimsy and flair with typographic precision. Its design echoes the rhythmic flow and eccent...
  39. As of my last update in April 2023, the font "Chicken Butt" designed by Tom Ledin isn't a widely recognized typeface in major font libraries or among the common databases I reference. However, in cre...
  40. "Lyrics Movement" is a distinctive font developed by Måns Grebäck, a renowned typeface designer known for creating fonts that capture the essence of artistic handwriting and calligraphy. The "Lyrics ...
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