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  1. Ah, the font "Carrois" by 04 | Yuji Oshimoto, you mean? Before we dive into the sea of glyphs and curves, let's get our facts aligned like a perfectly justified paragraph: it seems like a little mix-...
  2. As of my last update in April 2023, there isn't a widely recognized or specific font named "Paramount" that has established itself within the typography community or the broader design world. However...
  3. The SF Espionage Medium font is a creation of ShyFoundry, a foundry known for its high-quality typefaces that often blend unique character with high functionality. SF Espionage Medium, part of the SF...
  4. WARFIELD is, by definition, a stencil typeface , drawing from its military and industrial heritage, but shedding any aggressiveness to embrace absolute legibility. It is a contemporary sans-...
  5. As of my last update in April 2023, the font "Romanicum" by Jambo! represents a fascinating blend of historical inspiration and contemporary design sensibilities. While specific details about its cha...
  6. As of my last update in April 2023, the font named Glyphstream, designed by Bill Roach, is not a well-documented or widely recognized entity in the vast world of typography. However, let's explore wh...
  7. Blank Manuscript by Aah Yes, $14.95
    Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave
  8. Haunting Attraction is not a font that can be easily overlooked. Crafted with a masterful touch, it embodies a uniquely ethereal and captivating essence that seems to draw the eye and imagination int...
  9. As of my last update in April 2023, the font named "Nymph" does not correspond to a widely recognized typeface in the extensive catalogs of digital fonts. However, the concept of a font named "Nymph"...
  10. The font named GhostTown, created by SWFTE International, draws inspiration from the eerie, abandoned aesthetic often associated with ghost towns. This font has a distinctive character, blending elem...
  11. Biotrip Sans — a typeface that breathes. I've brought to life a friendly typeface family that is, above all, a journey. A journey (Trip) from the purity of geometry to the warmth of the organic (Bi...
  12. Spheris is born from a delightful contradiction: a geometric sans serif with rounded corners that seem to breathe. Spheris is a rounded, geometric sans serif family . Its curves are not a deco...
  13. Ah, the Pea Little-Ducky font by Fonts For Peas is the kind of typeface that makes you feel all warm and fuzzy inside, like a hug from a particularly friendly duck. Imagine a font that has sipped a b...
  14. Tombstone, designed by Iconian Fonts, is a distinctive typeface that captures the essence of the Wild West and evoking the rugged aesthetics of historical tombstones. This font stands out due to its ...
  15. Danube, crafted by the talented Levi Halmos, is a font that refuses to just sit quietly in the corner of your document, sipping tea and discussing the weather. No, Danube is the life of the party, th...
  16. The "VTKS Distress" font is a creation by Douglas Vitkauskas that stands out for its unique essence of roughness and wear-and-tear. This font encapsulates the visual aesthetics of something that has ...
  17. Carbonized Timber, created by GemFonts | Graham Meade, is a font that carries with it a distinctive, organic essence reminiscent of the natural textures one might associate with aged or weathered woo...
  18. The "Decaying" font, as its name vividly suggests, embodies a visual essence of decomposition and agedness, meticulously crafted to convey a sense of historical wear, tear, and a passage through time...
  19. Hacjiuza Dirty by Dirt2 isn't just any font – it's like the rebel of the typography world, marching to the beat of its own drum. Created by Dirt2, a name already suggesting a flair for the unique and...
  20. As of my last update in 2023, "Sepulcra" is not a widely recognized or established font within mainstream typographic resources or design communities. However, crafting a descriptive narrative based ...
  21. As of my last update in 2023, "Blue Jeans" by Bradford Cox is not widely recognized as a specific font in mainstream typographic resources or font directories. It's essential to clarify that Bradford...
  22. As of my last update in April 2023, I do not have specific information on a font named "WolfsRain". However, without having the specifics about this font, one can speculate and create a conceptual de...
  23. Gunplay by Ray Larabie is a font that grabs your attention as soon as you lay eyes on it. Designed with a robust and unapologetic style, it embodies a gritty, almost rebellious attitude that seems to...
  24. "A Charming Font" is a distinctive and captivating typeface designed by Graham Meade under the GemFonts foundry. As its name suggests, this font possesses a bewitching allure that sets it apart from ...
  25. Asenine Super Thin, crafted by Apostrophic Labs, is a distinct and refine typeface that epitomizes minimalism and lightness in font design. With its inception at the threshold of the 21st century, th...
  26. The Europe Underground Worn font, crafted by the skilled typographer Måns Grebäck, is a profound artistic expression that encapsulates the essence of history, culture, and resilience. With every stro...
  27. Not His Angel is a distinctive font designed to capture the essence of a unique blend of elegance and rebellion. At first glance, it might evoke a sense of intrigue and curiosity, drawing on the deli...
  28. Ah, "Silky Smoke" by DM Letter Studio; envision a font that dances on the page like a graceful wisp of smoke from an aristocrat's cigar in a swanky, dimly-lit lounge. It's not just a font; it's a per...
  29. The Diablo font, much like the name suggests, embodies an aura of mystique and darkness, evoking images of ancient tomes and arcane secrets whispered in the dead of night. This font is not just a col...
  30. As of my last update in April 2023, the font named "ESP" bears a distinct style that aptly reflects its name, which might make one think of Extra Sensory Perception – a concept tied to the supernatur...
  31. "NOW YOU SEE ME" is a captivating font created by the artist known as SpideRaY, whose work is often characterized by a passion for innovative and intriguing designs. This particular font captures the...
  32. Embracing the cosmos’ boundless beauty, Stargazers is a font that transcends traditional design to capture the essence of midnight dreams and the sparkle of distant stars. It is not just a typeface b...
  33. Sleepy Hollow 2.0, crafted by the talented Jens R. Ziehn, is an evocative typeface that beautifully encapsulates the eerie and mystical aura of its namesake. This font stands out for its unique blend...
  34. As of my last update in April 2023, Saintharpy is not a widely recognized or standardized font in mainstream typography repositories or discussions. However, let me paint a picture of what a font wit...
  35. Picture this: you've just stumbled upon a treasure trove of fonts, and there, gleaming in the midst of them all, is "More than Enough" by Kimberly Geswein. This font is like the cool breeze on a swel...
  36. As of my last update, there isn't a widely recognized font explicitly named "Playtoy" within mainstream design resources or typographic libraries. However, the fantasy or imaginative concept of a fon...
  37. The font "GHOSTS ITALIC PERSONAL USE" by Billy Argel is a striking and characterful typeface that immediately captures the attention with its unique design. Crafted by the talented type designer Bill...
  38. The Edhiron Asdhúriel v. 1.2 font is a work of typographic art that transports the imagination to realms of ancient manuscripts and elvish lore. Its design intricately weaves together elegance and my...
  39. As of my last update in 2023, "Deities" by Isis Type Foundry appears to be a fictional or nonexistent font, as it doesn't match any widely recognized typeface from known catalogues or collections wit...
  40. Ah, the Abysmal Gaze font - a creation that seems to hail from the depths of an artist's most intriguing nightmares, or perhaps, their most whimsical dreams. Crafted by the hands and imaginative geni...
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