"The Hands of Deaf" by SpideRaY is a font that truly speaks in the silent poetry of hands. Imagine a world where the alphabet dances gracefully at the tips of fingers, where each letter is a ballet o...
Starbats, created by the talented Dieter Schumacher, is a captivating display font that stands out for its unique approach to typeface design. Unlike conventional fonts that prioritize letters and nu...
Gamegirl Classic is a charming and nostalgia-infused font that seems to teletransport its audience back to the bygone era of handheld gaming, reminiscent of the iconic Nintendo Game Boy that dominate...
The "Manic" font, crafted with meticulous attention by the talented Fran Board, stands as a testament to the blend of creativity and precision that typographic design encompasses. This font emerges n...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
As of my last update, there isn't a widely recognized font named "Naxalite." However, I can create a fictional description based on the name's historical and cultural significance. If a font were to ...
Nu School Munitions isn't a font that I can specifically reference as of my last knowledge update in early 2023, suggesting it might either be a very new, specific, custom, or possibly not widely rec...
Brushstroke Plain by Altsys Metamorphosis is a captivating font that truly embodies the spirit and essence of artistic spontaneity. This font, with its bold and fluid characteristics, seems to dance ...
Font aficionados and design enthusiasts will find it a pleasure to explore "DesignPartsOne" by the seasoned and inventive type designer, Manfred Klein. This distinctive font is less about letters and...
HYERBA by Billy Argel is a distinctive typeface that encapsulates a blend of modernity and classic elegance, making it a unique addition to the plethora of fonts available to designers and typographe...
The Janda Hide And Seek font, crafted by the talented Kimberly Geswein, is a playful and charismatic typeface that exudes a sense of whimsy and warmth. True to its name, it seems to play a delightful...
Sure! The New Alphabet font is an intriguing and avant-garde typeface with a fascinating history and purpose behind its design. Created in 1967 by Wim Crouwel, a notable figure in the Dutch graphic d...
As of my last update, there is no widely recognized or officially classified typeface named Brother Bear. However, the concept of a font named "Brother Bear" immediately invokes a specific mood and a...
Ah, LT Chickenhawk! Such a name evokes images of brave, intrepid fowls, doesn't it? Crafted by the creative minds at Nymphont, this font strides into your design projects with the confidence of a chi...
As of my last knowledge update in April 2023, the font Crakos by Phuxer Designs might not be among the broadly recognized or extensively documented typefaces in the realms of graphic design or typogr...
I'm sorry, but as of my last update in April 2023, there doesn't seem to be any information available on a font specifically named "Ishirkian" by Risket Xero. It's possible that it could be a new or ...
The font LED BOARD REVERSED, created by Paul Hustava, adopts the unique allure and characteristics of classic LED displays and signs but propels its essence in a novel direction. The characteristic f...
Ah, Brassiere by Apostrophic Labs – if fonts were garments, this one would definitely be a lacy number you'd find hidden in the mischievous corner of your wardrobe. Picture this: a font that flirts w...
Ah, the Riparo font! It's like diving into the world of quirky and eye-catching typography, a playground where creativity meets functionality. Crafted by the talented Vladimir Nikolic, Riparo doesn't...
The Bazar font by Olinda Martins is a strikingly unique typeface that embodies a blend of whimsical charm and artistic flair. At first glance, Bazar presents itself with a lively irregularity that im...
As of my last update, information about a font named "Speichel" by Vladimir Nikolic specifically may not be widely recognized or available. However, Vladimir Nikolic, an accomplished font designer kn...
The font "Hugh is Life Personal Use" by Billy Argel embodies a sense of personal touch and artistic flair, distinguishing itself through its unique characteristics and design nuances. As with many of...
Foobar Pro by CheapProFonts is a versatile and elegantly designed font that finds its origins in a creative pursuit towards balancing functionality with style. This font family embodies a modern aest...
The Janda Spring Doodles font, designed by Kimberly Geswein, is a charming and whimsical typeface that captures the essence of springtime through its playful and unique doodle illustrations. As part ...
The B de Bonita Shadow font by deFharo is a testament to the intricate craftsmanship of modern typography, blending the warmth of vintage aesthetics with the sharpness of contemporary design. Conceiv...
Ah, the Edo font by Vic Fieger, you say? Imagine if a brush, after a night out drinking with its inky pals, decided to take a stroll across the canvas, leaving behind a trail filled with personality,...
The "Djs Symbols" font by Phuxer Designs is a fascinating and innovative font that stands out in the realm of typography. Rather than focusing on traditional letters and numbers, this font explores t...
"Porn Star Academy" is a font that, as provocative as its name might imply, embodies a blend of playfulness, audacity, and a touch of rebellion. Designed with an intention to stand out and capture at...
As of my last update in 2023, there isn't a widely recognized font by the name "Sanford" that's prominent in the typographic community or among mainstream font collections. However, let’s imagine wha...
As of my last update in April 2023, the specific font named 914-SOLID by E. V. Norat II doesn't have a widely recognized description or set of characteristics that are commonly known in the type desi...
As of my last update, Futured doesn't appear to be a widely recognized or standardized font in the realms of typography or design that I can directly reference or describe. However, hypothesizing bas...
Astral Groove by Imagex is a font that truly embodies a unique blend of creativity and artistic flair, capturing the essence of exploration and innovation in typography. This font stands out for its ...
The IM FELL FLOWERS 1 font, created by the talented Igino Marini, is a unique and charming typeface that transports its audience to an era of handwritten letters and ancient manuscripts. This enchant...
Barlos-Random, crafted by Manfred Klein, is an intriguing and distinctive typeface that dances on the fine line between the organized structure of traditional typography and the liberated expression ...
The Peninsula font, crafted by the talented type designer Vladimir Nikolic, is a distinctive typeface that stands out for its unique characteristics and versatile application. This font can be catego...
As of my last update in April 2023, "Twilight" is not officially recognized as a standard font by major type foundries or as part of the conventional font libraries that come with software like Adobe...
"KG Something to Believe In" is a font that embodies a charming balance between casual appeal and crafted elegance, a true testament to Kimberly Geswein's ability to blend personal expression with un...
The "Anabel" font, crafted by the type designer Toto, is a distinctive typeface that may catch the attention of both graphic designers and typography enthusiasts alike. While specific information reg...
As of my last update in early 2023, the font "Holitter Hollow" crafted by Holitter Studios, while not widely recognized in mainstream font directories, could be described based on its naming and typi...