Ad Lib was created by Freeman Craw for ATF in 1961. Sporting irregular character shapes, this informal typeface makes a good impression when a 1960s look is desired in advertising and display work.

Zially is a new handwriting typeface built with modern OpenType features with PUA encoded glyphs. This is a smart font that works with popular design software like Photoshop, Coreldraw, Illustrator, Microsoft Office, Cricut, Surecut even Silhoutte software, and more. This freehand typeface welcomes you to use it for various purposes such as logos, cards, wedding invitations, headings, signatures, t-shirts, letterheads, cutting stickers, hot stamping, signage, labels, posters and more. It's craft friendly!!!! OPENTYPE TECHNOLOGY: - Stylistic alternate - Standard Ligatures - Discretionary Ligatures - Initial form - Medial form - Terminal form - Numerals - Punctuations

JUNO is a soft & friendly script font for display use. Inspired by latin American vernacular signs, defined by the freshness of the freehand strokes, and mixed with the rigor of typography. Juno is well suited for packaging, headlines, advertising and any handmade feels graphic. Designed with a wide range of options, its variables move between tow poles; regular to black & condensed to expanded, plus true italics. This 40 font family sums up to 5 weight subfamilies: Regular, Semi Condensed, Condensed, Semi Expanded, Expanded. Designed with powerful opentype features, alternate characters and extended language support. We’re proud to introduce: Juno.

Eckhardt Relaxed JNL was modeled from an example of a casual, hand lettered alphabet from a page of a vintage textbook. This style of freehand lettering always lends itself well to posters, show card and sign work, but is equally at home in ad design or titling. The typeface is an addition to the group of type styles inspired by sign lettering, and is named for Jeff Levine's good friend, the late Al Eckhardt; whose shop turned out quality hand lettering from 1959 until his passing in 2005. Eckhardt Relaxed JNL is available in both regular and oblique versions.

Midnight Workers is a Modern Sans-serif typeface inspired by freelancers who work late into the night to make a living for their beloved families. The simple and dynamic shape makes it very suitable to be used as headlines, logos, or other design needs that require a formal touch but still seem dynamic.

Rimbomba is a freehand style font with long ascenders and descenders and a steep slant making it elegant yet casual. It is inspired by writing letters by hand, as it was done before, with strokes that in the normal style imitate the tip of a pen and in the medium and bold styles they imitate a round pen stroke. It is a font with strength in its movements and finesse in its curves, which creates a homogeneous set that is easy to read and which produces a certain reading speed. It is complemented with stylistic alternatives for the beginning and the end of the words.

Ember is an informal script with a judicious sprinkling of ligatures that give it a flowing freehand liveliness. Neither overly formal and stuffy nor cheap and cheerful, Ember is elegant yet friendly, sophisticated yet approachable, fun and frivolous but stylish and well bred. Ligatures are set to be on automatically, and the stylistic alternates and optional final forms for some of the characters can be toggled on and off using the OpenType panel in design applications with advanced OpenType support. Designer Rian Hughes says that he felt he was "possibly channeling the spirit of Roger Excoffon". Neither pastiche nor revival, Ember does seem to evoke the famous French designer's trademark elegance.

Bongo drums at the ready! Freeman Craw's archetypal beatnik typeface Ad Lib provided the inspiration for this indubitably eccentric excursion in coolsville typography. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

A clean and simple sans-serif, Informatic was designed as a friendlier alternative to DIN.

Sublime45-Regular Sublime Revised for 2021. One font in Opentype format as Sublime45. Families and all TT Truetype versions eliminated in this wonderful stand alone. The Spring 1997 original release of Sublime —borne an organic creature of black water soluble ink & digitized by Coniglio Type. Sublime is a fun font to use in commercial layouts. It is soft and fluid as ink. Like the wrinkles of time, it is imperfect. That in itself makes it incredibly attractive, warm and “human factor”. Sublime offers legibility so sorely missed in the current recreational font market. Sublime was inspired by World War II US fighter pilot Donald Alling. He flew missions over Nazi Germany. His squadron also dropped food, medicine and relief supplies over the Netherlands. Known as “the Colonel” to his friends. Don as a civic engineer ruled literally miles of ink letter callout’s with a template device called a LeRoy in peacetime on vellum and mylar across his career as a technical illustrator. You didn't want to screw up inking into a template with wet black permanent ink. You really had to have a steady hand and it was all done by hand. You can say Don worked “unplugged”. And that is cool! He was part of the broad stroke of postwar industrial expansion that helped keep America strong, rendering exploded views on top secret projects. Many of us were not even born yet when all this was going on. Today at over 80 years young Don is like a national treasure, savvy and bright—and the ladies love him! The Colonel remains a dedicated master airbrush man, stand–up man, caricature artist and letterman all without use of a computer! He was lucky enough to retire before a desktop cathode tube was put in his face. Today the Colonel enjoys restoring VW’s, flying and freelance consulting when not being called to supper by his lovely wife Rea.

Bapalopa is inspired by classic graffiti "blockbuster" letter forms. These letters are made to look as big and as wide as possible. Bapalopa's linework is kept very loose & relaxed, mostly smooth with some distressed edges. Viewed up-close, there is lots of texture from the individual pen strokes which gives Bapalopa it's cool freehand drawn look. Use "Bapalopa" and "Bapalopa Pa" together to create eye catching designs. To make it extra fun, a handful of the largely useless alternates, (like that dumb "currency" symbol) were replaced with big blocky hearts, stars, and arrows. Check it out! Bapalopa is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

In the nineteen-twenties and early thirties, all display typography flourished in Europe. This was especially true in Germany, where poster design set a high creative standard, stimulating the design of a fantastic group of dramatic display letterforms. Richard Lipton designed Riquet after being inspired by a handful of freehand capital and lowercase letters on posters designed by lettering and poster artist Ludwig Hohlwein. He expanded this small group of display letterforms into a variable family with a weight axis. Riquet is a low contrast, delightfully casual typeface with 6 weights and the perfect selection of alternates. All of which gives an expressive look of precisely inked letters perfect for any packaging or branding project.

Rich Dingbats & Bursts was created with graphic designers in mind. I worked for a weekly newspaper, and finding different bursts was a challenge. You either had to draw your own (and who has time for that under tight deadlines) or use the same dull bursts over and over. I wanted to give the people I worked with at the newspaper choices, and Rich Dingbats & Bursts was born. There are several uses for this font. It's great for adding graphic elements to your Photoshop artwork. In FreeHand, users can convert the burst and paste a photo inside the burst for an interesting effect. QuarkXPress users don't have to import or draw bursts, just type the appropriate character!

A bit of happenstance and accident are always full of possibility — Richard Lipton’s Dunhill Script is based on observations of the work of his left-handed calligraphy students and then from a small detail generated by his own freehand sketching. Like his other script typefaces, Dunhill was born from the desire to achieve a certain visual drama. Many details show the pen at work, like the terminal shapes and the caps and ascenders. Dunhill also has a range of alternate stylistic glyphs and contextual features that can transform it into a connected script. It’s a great choice for editorial display or advertising and branding settings on its own or paired with a Roman sans or serif.