638 search results (0.009 seconds)
  1. Well, imagine if a jar of honey and a bouquet of flowers had a baby on a sunny spring afternoon. That baby would be the font "Feelin Sweet" by Ardian Nuvianto. It's like every letter was dipped in a ...
  2. Allow me to introduce you to the unsung hero of the typography world, Uecker, carefully crafted by the typographic maestro, Allen R. Walden. Imagine a font that decided to put on its Sunday best, but...
  3. Ah, Toonish! If a font could wear a brightly colored, oversized bow tie and dance at the edge of a page, Toonish would be the first in line, tapping its serifs and winking at the cursor. Imagine divi...
  4. Ah, the Zodiastic font by the whimsical artists of alphabets at Fontalicious—a name that sounds like a cross between a zodiac enthusiast and a plastic material, doesn't it? If fonts could dance, Zodi...
  5. Sure thing! The KR Shake font, designed by Kat Rakos, is a playful and dynamic typeface that truly brings a whimsical charm to any project it graces. Imagine the carefree joy of a sunny day or the li...
  6. Ah, Chemical Gus! If fonts were characters at a science fair, Chemical Gus would undoubtedly be the eccentric, wild-haired inventor whose experiment table teems with bubbling potions and mysterious, ...
  7. Ah, the Digital Readout Upright by ShyFoundry - it's the font that looks like it escaped from the dashboard of a 1980s sci-fi spaceship, only to find a loving home in the hearts of modern designers. ...
  8. Ah, Scatterbrained Restrained by StimulEye Fonts — a name that sounds like what happens when a caffeine-addicted squirrel tries its hand at typography. This font is the charming eccentric of the font...
  9. The Riesling font, developed by Bright Ideas, encapsulates the essence of vintage elegance and chic modernity, making it a standout choice for various design projects. Its design is inspired by the c...
  10. Imagine a font that struts in with a leather jacket flung over its shoulder, slides a comb through its slick-back hair, and orders a milkshake with an extra cherry on top. That's the 50's Headline DS...
  11. Weingut Script by FaceType, $34.00
    Blossoms, leaves, buds and tendrils create fragile objects of words and letters. · Weingut Script Flourish is a decorative display font with high contrasts, perfectly hand-drawn to the tiniest details. The font is trimmed to fairly large font sizes and is highly suitable for chapter titles or book jackets as well as Headlines, Invitations and wine labels :), although also impressing with an astounding legibility in small typesettings. Inspired by the handmade Blätterschrift from the 19th century Mettenleiter’s Schriftenmagazin, its basic structure is related to the English Script which makes it a perfect wedding font. The Weingut Family – noticable bouquet, beautiful structure with full fruit and a long finish. · Design with bicoloured capitals: In Weingut Script and Weingut Flourish, leaves and letters are available separately. You can stack them and apply different colours to the foreground and background. · Decoration and patterns: Weingut Swashes and Ornaments offers extra decorative elements in a separate font. Leaves, flourishes and borders available on their own or merged to ornaments. · Please make sure to use an application that supports the layering of text (two-coloured capitals) and OpenType features (contextual alternates). Be aware if you intend to combine Weingut Script Flourish and Weingut Flourish that these two do not go together. The floral outlines differ slightly and inaccurate overlaps will be the end result. · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for Weingut Script / 151 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic, Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cofan, Corsican, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hiligaynon, Hopi, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Latino Sine, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romansh, Rotokas, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois, Shawnee, Shona, Sicilian, Slovio, Somali, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek, Venetian, Volapuk, Voro, Walloon, Waraywaray, Warlpiri, Wayuu, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
  12. Flirt by Canada Type, $25.00
    It's a very happy day when we stumble upon beautiful alphabets that were never digitized. It is even a happier day when the beautiful alphabet finds its way to us through friends and people who like our work. Some two months ago, the forms of this gorgeous font were pointed to us by a friend who saw it in an old Dover Publications specimen book showcasing historical alphabets. It was there under the name Vanessa, with nothing else to go by. We looked and researched for further information but found nothing else. So this gem comes to you like a coal that winked its way out of the ashes because it wanted to shine again. Flirt is very authentic art deco with a noticeable element of artistic pride, swashy delicate majuscules and very aristocratic, fashionable and flirty minuscules. The majuscules can be used as every other capitals usually are, or as initial caps. The minuscules can very nicely stand on their own quite independently from the caps whenever desired. These letters are quite similar to the hand lettering used on of the kind of theater posters, specifically burlesque and opera entertainment, which are now considered very retro-chic and fashionable to see hanging on walls in home or office. The initial specimen we worked from showed a single basic art deco alphabet with numerals which seemed as they belonged to another font. That alphabet became the base Flirt font, the numerals were redrawn to fit much better with the minuscules, and the character set was greatly expanded to include punctuation, accented characters, and many many alternates, especially for the majuscules. Majuscules with a descending right vertical stroke were a common artistic touch in the high days of theater posters, so we thought they would be great additions to the character set. These alternates can be found all over the font. So to maximize the design fun, have a character map or glyphs palette handy when you use Flirt. After the base font was finished, we thought it would be a good idea to give it a bold treatment unlike anything seen out there, and the farthest thing from the mechanical bolds seen everywhere now. This bolding treatment consisted of thickening the lowercase's vertical strokes inwards, but leaving the horizontal stroke weight as is, and thickening only the thicker vertical strokes of the uppercase. The result is quite the visual feat. We encourage you to test both the regular and bold weights and see for yourself.
  13. Well, imagine if a font decided to go on a wild adventure, sipping espresso shots in Paris, rollerblading through the streets of Los Angeles, and then winding down with meditation in a serene Japanes...
  14. Ah, LaPerutaFLF, the font that decided it was too cool for the mainstream yet not quite ready for the underground indie scene. Picture this: if fonts had personalities, LaPerutaFLF would be that quie...
  15. As of my last update in April 2023, Saintharpy is not a widely recognized or standardized font in mainstream typography repositories or discussions. However, let me paint a picture of what a font wit...
  16. Cue the sultry saxophone soundtrack and dim the lights, because the world of typography just flirted with the extraordinary—please welcome to the stage, SexyRexy. If fonts were people, SexyRexy would...
  17. Imagine diving headfirst into a vibrant, eccentric carnival where every letter is doing its own funky dance, and you'll start to capture the essence of the Messaround font by dincTYPE. Conceived in t...
  18. Ah, Harrington, the font that dresses for dinner! Imagine if the 19th century decided to take up typography, and right before it put on its top hat, it scribbled down the essence of its spirit. That,...
  19. Imagine, if you will, sneaking into a bustling cityscape deep in the heart of a neon-lit night. Everywhere you look, shimmering lights dance against the dark, outlining shapes and letters with a glow...
  20. The Eighty-Eight font crafted by Woodcutter Manero bursts with a distinct character that makes it stand out in the expansive universe of typography. Woodcutter Manero has a reputation for creating fo...
  21. Ah, Bebas Neue by Dharma Type, the slender, tall glass of water of the typeface world. Picture this - if fonts were people, Bebas Neue would be that incredibly cool, unfailingly stylish friend who kn...
  22. Ah, the elusive Font called Font, a font so enigmatic and self-referential it has become the meta of all typography. Picture, if you will, a typeface caught in an identity crisis, perpetually ponderi...
  23. Edge Of Madness, crafted by the whimsically named designer Darrell Flood, is a font that refuses to take itself too seriously. Picture this: the letters are holding a wild party, and sanity was defin...
  24. Certainly! Imagine stepping into a disco in the 1970s, but instead of dancing, everyone is gracefully swaying in loops and whorls, their movements smooth, connected, and oh-so stylish. That's the ess...
  25. Once upon a time in the whimsical world of typography, where letters dance and serifs flirt with space, there was a font named Slicker. Crafted lovingly by the artisan wizards at WSI-Fonts, Slicker w...
  26. Ah, "Derail," the font that decided to be the life of the graphic design party, where it loudly proclaims, "Who needs the straight and narrow path?". Imagine if a typeface had a rebellious teenage ph...
  27. Ah, the Frankfurt font, crafted by the distinguished Alan Carr, not to be confused with the British comedian of the same name—though one could argue that Mr. Carr's creation brings its own form of vi...
  28. Imagine if a squadron of pencils, armed with quirky personalities and a shared dream of starring in a visual symphony, decided to skate across a blank canvas. That, in essence, is the font Pencilled ...
  29. Imagine strolling through a bustling vintage marketplace on a sunny afternoon; each step takes you past stalls bursting with vinyl records, hand-painted signs, and rustic wooden crates. As you meande...
  30. Imagine a font that decides to escape the mundane life of letters trapped on a dusty chalkboard, embarking on a dazzling journey into the neon-filled nights of a sci-fi metropolis. That font would be...
  31. Ah, Lelim 200, a typographic enigma birthed from the creative chambers of Stefan Motzigemba's mind! If fonts were people, Lelim 200 would be that effortlessly cool friend who knows all the best coffe...
  32. Le chant des Albatros by Octotype is a typeface that seems to gracefully dance between modern flair and timeless elegance. The name itself, French for "The Song of the Albatross," evokes an image of ...
  33. Ah, Tasmin Reference, a font that strides into the room with the confidence of a catwalk model, yet carries an air of scholarly wisdom reminiscent of a seasoned professor. Picture this: it’s as if He...
  34. The font "ButterFly" crafted by the prolific German typeface designer Manfred Klein, is a vibrant and artistic exploration of typography, characterized by its playful and whimsical nature. Manfred Kl...
  35. Ah, the whimsical world of fonts, where the personality of a text comes to live, breathe, and sometimes do a little dance. Enter the scene: Digital Tech by Phuxer Designs. Imagine if the circuits of ...
  36. Imagine a font that decided to sneak out of an elegant, old manuscript, put on a modern suit, and strut into the digital age with confidence and a pinch of whimsy. That, my friends, is ClerestorySSK ...
  37. Ah, the LED Counter 7 by Style-7, a font that hails from the digital age, winking at us from the not-so-distant past. Imagine, if you will, stepping into a time machine, only to find that instead of ...
  38. Ah, yes, the Bionic Comic Condensed font by Iconian Fonts – it's like the superhero of the typeface world, donned in its sleek, form-fitting spandex, ready to add a punch of personality to any projec...
  39. Ah, the Abysmal Gaze font - a creation that seems to hail from the depths of an artist's most intriguing nightmares, or perhaps, their most whimsical dreams. Crafted by the hands and imaginative geni...
  40. Narcis by VP Creative Shop, $15.00
    Introducing Narcis, the delightful retro bold script font that's bound to add a touch of nostalgia and flair to any project! This charming typeface boasts a unique blend of boldness and elegance, making it perfect for various design purposes. With its alternate and ligature glyphs, Narcis offers a wonderful range of creative possibilities. These additional characters add extra variety to your text, giving it a truly personalized and artistic feel. Whether you're designing a logo, poster, invitation, or any other project, Narcis' alternates and ligatures will help you achieve a distinct and eye-catching look. But that's not all! Narcis is also impressively versatile when it comes to language support, accommodating up to 87 languages. This means you can confidently express yourself in multiple languages without compromising on the font's aesthetics or legibility. Narcis comes in both regular and italic styles, allowing you to emphasize specific parts of your text or create a dynamic interplay between the two styles. The regular style offers a bold and confident appearance, while the italic style adds a touch of sophistication and movement to your design. Whether you're a seasoned designer or just starting on your creative journey, Narcis is sure to become your go-to font for adding that retro touch with a modern twist. Its warm and friendly demeanor will instantly win you over, making every project a joyful and visually captivating experience. So go ahead and give Narcis a try – you won't be disappointed! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!
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