SchilderGrotesk is an intriguing font that captures the attention of design enthusiasts and typographers alike. Crafted by Uwe Borchert, a designer with a meticulous eye for the balance and character...
The Impossible font by Apostrophic Labs is a wonderfully intricate and imaginative typeface that captures the essence of creativity and impossibility. With its unique design, this font seems to defy ...
The font "Sargento Gorila" is a compelling typeface designed by the accomplished Spanish designer, Fernando Haro, famously known under his pseudonym deFharo. The design philosophy of this font reflec...
Escobeta One is an extraordinary and captivating display font created by the talented Spanish type designer, deFharo. This peculiar and unique typeface immediately draws attention with its distinctiv...
Astigma, crafted by Kiwi Media, is a distinct font that basks in the realm of creativity and innovation. Its design exudes a strong character, blending elements of mystery and clarity that make it un...
Rexlia Free, designed by the talented Ray Larabie, is a font that manages to balance a robust, industrial aesthetic with an undercurrent of playful quirkiness. This typeface is not your average font;...
Mobile Sans is a compelling font that brings to the world of typography a clean, readable, and modern aesthetic highly suited for digital screens and mobile interfaces. Its design is a nod to the req...
Dot.com Outline by Iconian Fonts emerges as a captivating and dynamic typeface, radiating a sense of modernity and innovation. This font unifies the essence of the digital age with the timeless appea...
As an evocation of modernity meshed with elegance, the Walkway Condensed SemiBold font stands out as a stellar typographic design that merges functionality with a sleek aesthetic. This font, a varian...
Querencia Army DEMO VERSION is a bold, striking font that captures attention at first glance. Its design is robust and assertive, embodying a sense of strength and determination that is both inspirin...
Christian Crosses V by Unauthorized Type is a fascinating and unique font that stands out due to its theme and design focus. Unlike traditional typefaces that prioritize letters and numbers, this par...
Chain_Reaction is a compelling font that effortlessly walks the line between chaos and structure, evoking feelings of creativity bursting at the seams. Its design intricately combines elements of unp...
Bulka is a visually compelling font that exudes warmth and accessibility, striking a perfect balance between sophistication and playful charm. Its bold, rounded characters are designed to capture att...
Nuixyber Next, designed by ffeeaarr, is a compelling font that captivates the essence of contemporary typography while nodding to the evolution of digital aesthetics. This font distinguishes itself b...
The DecadentaFrax font, designed by the renowned typographer Manfred Klein, embodies a unique amalgamation of creativity and intricate design principles that vividly display Klein's penchant for inno...
Ah, Espresso, the font that sounds like it was brewed in the dimly lit corner of a quaint Italian café, its letters wafting towards you with the intoxicating aroma of freshly ground coffee beans. Thi...
AB UltraChic, as the name suggests, is a font striking in its elegance and modernity. Crafted carefully by Redfonts, a design entity known for its innovative approach to typography, this font manages...
The PR8 London Ads font is a fascinating typeface that immediately transports one to the bustling streets and iconic advertising spaces of early 20th-century London. It encapsulates the dynamic and t...
The Parasight font, designed by Clearlight Fonts, embodies a unique and captivating blend of creativity and artistic exploration, tailor-made for the digital age. This typeface stands out through its...
"Frizzed BRK" by AEnigma is a distinctive font that captures the essence of creativity and eccentricity wrapped in a visual treat. Designed with a unique twist on conventional typography, this font s...
OregonDry is a font meticulously designed by Pat Snyder that evokes a distinctive and captivating essence of rustic charm and vintage appeal. This font stands out with its unique take on the serif ge...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
Ah, Denmark—the font, not the country—is like the cozy sweater of typography: familiar yet stylish, and incredibly versatile. Imagine its letters with a streamlined form that manages to be both crisp...
JFRockSolid, crafted by Jester Font Studio, stands as a testament to the ingenuity and creativity embedded in the world of typography. This font embodies a robust and unwavering character, reflecting...
Commuter, a distinctive font designed by The Type Fetish, stands out for its modern and versatile aesthetic. This typeface, crafted with clarity and functionality in mind, offers a sleek and contempo...
Bamf Bold, an offering from the prolific type foundry Iconian Fonts, is a display font that embodies strength and confidence through its design. Characterized by its bold and assertive strokes, Bamf ...
As of my last update, the font KlingonBlade created by Altsys Metamorphosis stands out as an intriguing and unique typeface directly inspired by the fictional Klingon species from the Star Trek unive...
The font named "Greek House Fathouse," created by Greek House of Fonts, stands out as a distinctive typeface steeped in the aesthetic sensibilities of Greek letter organizations, particularly those f...
Prospect, as crafted by ShyFoundry, is a typeface that distinctly merges the qualities of tradition and modernity, making it versatile and adaptive to a plethora of design needs. This font is charact...
The Diablo font, much like the name suggests, embodies an aura of mystique and darkness, evoking images of ancient tomes and arcane secrets whispered in the dead of night. This font is not just a col...
Tuffy, a font designed by Thatcher Ulrich, stands as an emblem of the versatile and adaptable nature that a well-crafted typeface can embody. At its core, Tuffy is a sans-serif font, characterized by...
"Manno" is a sophisticated and versatile font that captivates with its unique blend of elegance and contemporary design. Its genesis lies in the harmonious balance between traditional typeface charac...
Nitaka, crafted by the talented designer Naoya Hirooka, emerges as a unique and compelling font that deftly blends modern flair with traditional craftsmanship. Its design intricately dances between t...
Danube, crafted by the talented Levi Halmos, is a font that refuses to just sit quietly in the corner of your document, sipping tea and discussing the weather. No, Danube is the life of the party, th...
"Lucky Typewriter" by Lukas Krakora is a distinct and charming font that captures the essence and nostalgia of vintage typewriters. This typeface, meticulously designed by Krakora, successfully bridg...
The "Hawaii Killer" font, created by Dirt2, is a vividly distinct typeface that encapsulates a unique blend of playful menace and tropical allure. This font is not merely a collection of letters; it ...
The Fattern font, crafted by the talented Bulgarian designer Ivan Filipov, is a compelling example of how creativity and functionality can converge in the realm of typography. This distinctive font s...
Imagine a font that strolled out of a whimsical art project, tip-toeing between creativity and readability with the grace of a ballet dancer. That, my dear reader, is CAC Lasko Even Weight, crafted b...
Goth Stencil by Juan Casco is a distinctive typeface that combines the boldness and readability of gothic letterforms with the modern, edgy aspect of stencil designs. This font speaks of strength, ch...