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  1. Motorcade - Unknown license
  2. Digital dream Fat - Unknown license
  3. Union Agrochem - Unknown license
  4. DoradoHeadline - 100% free
  5. UA Squared - Unknown license
  6. Gimmicky - Unknown license
  7. Dead World - Unknown license
  8. Ink Tank (BRK) - Unknown license
  9. SERIESB - Unknown license
  10. EvilGenius BB - Personal use only
  11. Action Is, Shaded JL - Unknown license
  12. Victor Moscoso - Unknown license
  13. NoRefunds - Unknown license
  14. Dirty Headline - Unknown license
  15. F*ck Beans - 100% free
  16. bubble - Unknown license
  17. Monster boxes - Personal use only
  18. Deportees - Unknown license
  19. !the troubles - Unknown license
  20. Jurassic - Unknown license
  21. Amsterdam Graffiti - Unknown license
  22. Give Me The Scoop - Unknown license
  23. Temporarium - 100% free
  24. Averia Serif - 100% free
  25. Valley - 100% free
  26. FC Basic Font - Unknown license
  27. Architect - Unknown license
  28. Sanford - Unknown license
  29. id-Kaze2OT-Light - Personal use only
  30. ImperiumSerif - Unknown license
  31. Usuzi - Unknown license
  32. Daville Condensed Slanted - Unknown license
  33. Chizzler Thin - Unknown license
  34. Atlas of the Magi - Unknown license
  35. BellySansCondensed - 100% free
  36. DS CenturyCapitals - Unknown license
  37. Chopper by Canada Type, $24.95
    In 1972, VGC released two typefaces by designer friends Dick Jensen and Harry Villhardt. Jensen’s was called Serpentine, and Villhardt’s was called Venture. Even though both faces had the same elements and a somewhat similar construct, one of them became very popular and chased the other away from the spotlight. Serpentine went on to become the James Bond font, the Pepsi and every other soda pop font, the everything font, all the way through the glories of digital lala-land where it was hacked, imitated and overused by hundreds of designers. But the only advantage it really had over Venture was being a 4-style family, including the bold italic that made it all the rage, as opposed to Venture’s lone upright style. One must wonder how differently things would have played if a Venture Italic was around back then. Chopper is Canada Type’s revival of Venture, that underdog of 1972. This time around it comes with a roman, an italic, and corresponding biform styles to make it a much more attractive and refreshing alternative to Serpentine. Chopper comes in all popular formats, boasts extended language support, and contains a ton of alternate characters sprinkled throughout the character map.
  38. Mousse Script by Sudtipos, $79.00
    Mousse Script is based on Glenmoy, a 1932 Stephenson Blake typeface. Glenmoy a prime example of what display typography was in pre-WWII American ad art. It graced the pages of magazines, sold numerous products and services, then simply died out when the typographic trends shifted towards the more personalized, stylized and handwritten types of calligraphy. The current trend in typography is a revivalism that brings all of the distinctive display typography of the 20th century, without chronological discrimination, back in the name of ‘retro’. Who are we to deny the masses what they want? Mousse Script doesn’t just bring Glenmoy back from the ashes of the 20th century. It expands upon the limited metal character set nearly twice over and takes advantage of the latest type technologies. This makes Mousse Script a striking typeface, both functionally and visually. A simple, attractive display font on the surface, Mousse Script is unique in its bold upright calligraphy, something rarely found these days. The OpenType version of Mousse Script combines both the regular and alternate character sets into a single, cross-platform package that takes advantage of the extended typographic features of the OpenType format.
  39. Geoffrey - Personal use only
  40. Contane Text by Hoftype, $49.00
    Contane Text is the text optimized version of the Contane family. More solid, more robust, it repesents the down-home addition to the more subtle Contane family. Stronger hairlines, solid serifs, and slightly more comfortable proportions make it appropriate for bold headlines, as well as for small text sizes. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.
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