657 search results (0.01 seconds)
  1. Downcome is a distinctive font by Misprinted Type, a foundry known for its unique and edgy type designs. It embodies a raw, grungy aesthetic reminiscent of urban street art and vintage typewriter tex...
  2. Life Support, a captivating creation by the imaginative foundry dustBUSt Fonts, stands as a testament to the innovative edge and creative spirit that characterizes the world of typography. At its cor...
  3. Polla, designed by junkohanhero, is an expressive font that immediately catches the eye due to its unique and playful characteristics. This typeface stands out because of its thick, bold lines paired...
  4. The font named Not Quite Right BRK by AEnigma is a distinctive and characterful typeface that embodies a unique blend of quirkiness and legibility. This semi-novelty font, designed by the prolific fo...
  5. Sure thing! Jailbox1 by Dirt2 is a unique font that carries a lot of characters and personality, quite befitting of its intriguing name. This font doesn't just whisper; it shouts, making it perfect f...
  6. The font "Pooplatter" by Defaulterror breathes a distinct air of unconventional creativity and bold expressiveness. Designed to break free from the shackles of traditional typography, Pooplatter is t...
  7. The EV$NT font by SpideRaY is a distinctive and eye-catching typeface that encapsulates a unique blend of modernism and edgy design aesthetics. Created by the talented designer known as SpideRaY, thi...
  8. The font named "Got heroin?" by Chris Hansen is a distinctive and provocative typeface that stands out for its edgy and unconventional style. This font is not merely a collection of characters; it is...
  9. Acid Reflux, a font designed by Jason Ramirez, is a distinct and bold typeface that captures the essence of chaotic beauty and edgy creativity. Its design appears to be inspired by the unpredictable ...
  10. Present Bold is a vivid and vibrant typeface that embodies strength and clarity in its design. With its bold and assertive strokes, this font captures the attention immediately, making it an ideal ch...
  11. The font named "Broken Toys" designed by PizzaDude is an intriguing typeface that embodies a playful yet edgy aesthetic, ideal for projects that require a touch of whimsy and rebellion. As its name s...
  12. The font MissingLinks, crafted by the prolific font designer Manfred Klein, is a captivating and unique typeface, infused with a blend of artistic flair and whimsical irregularities. Manfred Klein, k...
  13. FuturaPress: if fonts had a personality, FuturaPress would be the cool, vintage bike-riding hipster who prefers vinyl records over digital music. Designed as an homage to the classic clean lines of i...
  14. Alright, let's talk about Cocaine Sans by Chris Hansen. Imagine a font that not only captures your attention but also holds it hostage with its bold, unapologetic style. That's Cocaine Sans for you. ...
  15. The font “FD Messed Up” by Font Duster encapsulates a unique blend of chaos and creativity, an artistic paradox that draws in enthusiasts of unconventional design. Imagine letters that seem to have b...
  16. Quark Outline is a distinctive font created by dustBUSt Fonts, characterized by its innovative and creative design that stands out in the realm of typography. This font embodies a unique blend of mod...
  17. The "Whatever" font by AEnigma is a unique and expressive typeface that embodies a blend of casual flair and creative whimsy. Created by the British font designer Brian Kent, the talent behind AEnigm...
  18. BASEHEAD is a distinct typeface that embodies a bold and unapologetic character. It is a font that captures the essence of raw energy, rebellion, and creativity, making it an ideal choice for project...
  19. BobTag is an exemplary display font created by JOEBOB graphics that exudes creativity and brings a unique flair to the realm of typography. It embodies the perfect marriage of whimsy and practicality...
  20. Imagine a font that decided one day to get out of bed, stretch its limbs to the sky, and perform an impromptu dance routine. That's Kicking Limos for you. Created by the typographic maestro Ray Larab...
  21. Upheaval TT BRK by AEnigma is a testament to the creative and rebellious spirit that fonts can embody. At its core, Upheaval TT BRK is a display font that demands attention, breaking away from the co...
  22. The font "Nicotine Stains" by S. John Ross is a typeface that masterfully captures the gritty essence of its namesake—conjuring images of a bygone era tinged with the raw, unfiltered character of the...
  23. KASnake, a font designed by Vytautas Abraitis, stands out as a unique and imaginative typeface that reflects a playful yet structured approach to typography. This font bears an inventive fusion of sh...
  24. The RaveParty Oblique font by Three Mile Island is an evocative typeface that embodies the spirit of rebellious fun and electrifying energy often associated with rave culture. From its name alone, on...
  25. The Zig Zag ML font, crafted by the designer known as koeiekat, is an intriguing typeface that captures attention with its distinctive style. The word "Zig Zag" in its name already hints at the angul...
  26. 99 Names of ALLAH Clear by Islamic Calligraphy75, $12.00
    We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Clear" because of how clear and easy to read the design is. The first "Alef" has a "hamzit wasel", this indicates that you can pronounce it as both "AR-RAHMAAN" or "R-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The "Ye" in this calligraphy doesn't have the two dots, nor does it have a decorative "Ye", just like the Holy Quran. Also, we went for the traditional "soukoun" instead of the Quranic "soukoun" & decorative symbols are at a minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Tah & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USED THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------
  27. SCR-N by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  28. SCR-I by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  29. AF LED7Seg 1 by Fortune Fonts Ltd., $15.00
    * For when you need the most realistic looking electronic display. * See User Manuals Main advantages: - Spacing between characters does not change when entering a decimal point or colon between them. - Custom characters can be produced by selecting any combination of segments to be displayed. Low cost electronic displays have a fixed number of segments that can be turned on or off to represent different symbols. A digital watch would be the most common example. Fonts typically available for depicting electronic displays are often in the artistic style of these common LED or LCD displays. They provide the look-and-feel, but fall short when technical accuracy is required. Failure to represent an accurate and consistent representation of the real thing can be a cringe-worthy experience for the product design and marketing team, or even the hobbyist for that matter. To solve this problem, Fortune Fonts has released a range of fonts that accurately depict the displays typically found on low cost electronic devices: watches, answering machines, car stereos, alarm clocks, microwaves and toys. These fonts come with numbers, letters and symbols predefined. However, they also allow you to create your own segment combinations for the custom symbols you need. When producing manuals, marketing material and user interfaces, accuracy is an all-or-nothing concept. Instructions in the user manual describe how to turn these fonts into realistic displays according to your own design, in the manner of the images above. If you cannot see a license option for your specific application, such a license may be purchased from here. By purchasing and/or using and/or distributing the font, the buyer, user and distributor (including Monotype Imaging Inc. & Monotype Imaging Hong Kong) agrees to (1) indemnify and hold harmless the font foundry and neither the font foundry nor distributor is responsible to the buyer or user or any other party for any consequential, incidental, special, punitive or other damages of any kind resulting from the use of the deliverables including, but not limited to, loss of revenues, profits, goodwill, savings or expected savings, due to; including, but not limited to, failure of the deliverables to perform it’s described function, or the deliverable’s infringement of patents, copyrights, trademarks, design rights, contract claims, trade secrets, or other proprietary rights of the foundry, distributor, buyer or other parties, (2) not use the fonts to assist in design of, or be incorporated into, non-software displays.
  30. As of my last update in 2023, the "Copyright Violations Nudged" font by GemFonts | Graham Meade isn't a widely recognized or popularly discussed font in mainstream typography circles, which suggests ...
  31. As of my last update in April 2023, "Spoonge Punk" created by Pastaza Type stands out as a distinctive addition to the typographic world. This font captures the essence of rebelliousness and innovati...
  32. As of my last update in early 2023, the font named "Insert 2 by 2 The Left Typefaces" doesn't appear to be a widely recognized or documented typeface in popular type design references or font librari...
  33. The "Ziperhead" font by pOPdOG fONTS distinctively stands out in the realm of typography due to its unique and energetic design approach. Created with a dynamic and somewhat whimsical style, this fon...
  34. As of my last update in early 2023, the font named "OZH" created by Paprika Breitholtz is not broadly recognized within mainstream font databases or among widely circulated typographic resources. How...
  35. Alright, let's dive into the font HoMicIDE EFfeCt. Just from the name, you can tell this isn't your average, everyday font. It suggests a vibe that's edgy, perhaps a bit dark, yet undeniably eye-catc...
  36. "Last N Line" by Skydog is a distinctive font that immediately catches the eye due to its unique characteristics. It is a typeface that rides the line between order and chaos, meticulously crafted to...
  37. The Wild Sewerage font, crafted by the remarkably talented Ray Larabie, emerges as a distinctive and versatile typeface, manifesting a unique blend of creativity and rebellion. This font stands as a ...
  38. The DIG DUG font, masterfully crafted by the enigmatic and presumably arachnid-inspired designer known as SpideRaY, is a delightful, quirky homage to the classic 1982 arcade game of the same name. Th...
  39. Disorder, crafted by the talented font designer Vladimir Nikolic, is a unique and intriguing typeface that embodies a striking balance between chaos and readability. This font stands out for its crea...
  40. FEMME is an intriguing and evocative typeface that embodies a fluid and expressive aesthetic, designed to capture attention at first glance. While I'm crafting a fictional description given there isn...
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