The MetroDF font is an intriguing and dynamic typeface crafted by the talented typographer Harold Lohner. This font takes its inspiration from the modernist sensibilities that were prevalent in the e...
ZirkleOne is not a specific font that's widely known or recognized within the realms of typography as of my last update. However, let's create an imaginative description of a font that would suit the...
GUNBATS is a font that embodies a striking blend of modernity and edginess, designed to capture the eye and evoke a sense of robust dynamism. Its name suggests a fusion of "gun" and "bats," conjuring...
"TRASHED" by Last Soundtrack is a captivating display of creative chaos, intricately designed to bring a rugged, edgy feel to the table. At first glance, the font boldly defies traditional typographi...
Honest John's font, designed by Harold Lohner, carries a unique charm that is hard to ignore. The design of this font draws inspiration from vintage and retro aesthetics, evoking a sense of nostalgia...
"VladTepesII (Vlads Dad)" designed by Bolt Cutter Design, conjures an image of a font that is deeply rooted in historical grandeur and mystery, much like the legacy of Vlad the Impaler, the inspirati...
Sure thing! "84 Rock!" by Jonathan Paquette is a font that captures the rebellious spirit and raw energy of the 1980s rock scene. This display font is characterized by its bold, edgy design that seem...
Kerater, a font meticulously crafted by the renowned font designer Måns Grebäck, is a striking embodiment of craftsmanship and artistry in the realm of typography. Its design is a harmonious blend of...
The Shredded font by Dieter Schumacher is a dynamic and impactful typeface that embodies a raw and energetic aesthetic. This font is characterized by its distinctive, torn appearance, as if the lette...
Querencia Army DEMO VERSION is a bold, striking font that captures attention at first glance. Its design is robust and assertive, embodying a sense of strength and determination that is both inspirin...
Teddyber V1.1 by GemFonts, created by Graham Meade, is a distinctive and playful font that stands out for its unique character and charm. Designed to bring a sense of warmth and whimsy to any project...
Imagine stepping into a comic book universe where every corner hides unseen perils and unforeseen heroes – this is where the "Super Danger" font by Last Soundtrack takes its stand, bold and unflinchi...
Alright, picture this: Armor Piercing by Blambot Fonts isn't just a grab-and-go typeface; it's like the cool edge of comic book dialogues or the daring voice in a graphic novel that refuses to whispe...
The Neighbourhood font, meticulously crafted by Andy Chung, stands as a testament to contemporary design mingled with an air of nostalgia. This serif typeface, characterized by its bold and distincti...
Downcome is a distinctive font by Misprinted Type, a foundry known for its unique and edgy type designs. It embodies a raw, grungy aesthetic reminiscent of urban street art and vintage typewriter tex...
Akvaléir is a captivating font that seems to echo the murmuring tales of mythical sea realms and the elegance of Art Nouveau design. It stands as a testimony to the beauty of fluidity in typography, ...
The font titled "Silent Witness" crafted by the artist SpideRaY is a captivating creation that stands out due to its distinctive character and evocative design. This particular font can be described ...
As an imaginative exploration, the font named "Border Corners" seems to evoke the essence of creativity and structural elegance. It's not a traditional font in the sense of letters and numbers, but r...
The font "Chopin-Bold" evokes a sense of elegance and grandeur that is truly reminiscent of its namesake, the famed composer Frédéric Chopin. Known for his romantic-era compositions that stir the sou...
The Barbarian font, designed by Anthony Robinson, is a striking and distinctive typeface that stands out for its robust and adventurous character. This font captures the essence of untamed wildness a...
The "billieKid" font created by JOEBOB graphics is a refreshing and distinctive typeface that embodies the free spirit and boldness of handcrafted artistry. This font takes its inspiration from the c...
Tevegraphy, a captivating font designed by the talented Måns Grebäck, is a beautiful embodiment of calligraphic artistry mixed with contemporary design elements, making it an exquisite choice for a v...
Carnivalee Freakshow, designed by Chris Hansen, is a distinctive and charming font that harkens back to the early 20th century and the ambiance of old carnival and circus posters. This font captures ...
Gready PERSONAL USE ONLY, designed by Måns Grebäck, is a captivating font that embodies the essence of craftsmanship and elegance. This typeface, as the name suggests, is intended for personal use, o...
The "CADILLAC PERSONAL USE" font by Billy Argel is a distinctive typeface that embodies elegance, sophistication, and a classic allure, reminiscent of the luxury and timeless beauty associated with i...
Shade Blue, designed by DM Letter Studio, stands as an epitome of elegance and versatility in the realm of typography. This font embodies a harmonious blend of contemporary design with a hint of clas...
Annabel Script is a typeface that elegantly bridges the gap between classical calligraphy and contemporary flair. It is crafted with a keen eye on the fluidity and natural flow that hallmark traditio...
Cloister Black BT is a distinctive and historic typeface that traces its origins back to the late 19th and early 20th centuries, embodying the transition from Gothic to modern type designs. Character...
Entangled (BRK) is a distinctive font designed by AEnigma, showcasing a unique blend of stylistic elements that capture the imagination. This typeface, with its intricate design, lives up to its name...
Gorilla Milkshake is a playful and dynamic font crafted by Blambot Fonts, a type foundry well-regarded for its extensive collection of comic lettering fonts. This particular font embodies a casual ye...
Básica-Unicode, a font meticulously crafted by the talented font designer Juan Casco, stands out as a distinctive choice among a wide array of typefaces available to designers. Its construction empha...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
The font "Ex Kata Damaged" is a distinctive typeface designed by the talented font designer, Vic Fieger. As the name suggests, this font carries a damaged, distressed aesthetic that conveys a sense o...
"More than Enough," designed by Kimberly Geswein, is an evocative font that captures the essence of handcrafted elegance combined with a modern twist. This typeface stands out due to its unique chara...
CoffeeMilkCrazy by Flop Design encapsulates a whimsical and playful energy that seems to dance upon the page, inviting readers into a world where font becomes more than just text - it becomes an expe...
"RaveParty Narrow" by Three Mile Island stands out in the realm of typography as a font that captures the electrifying essence of music and dance culture. Its design, shaped with narrow, elongated ch...
The Ink Tank (BRK) font, crafted by the creative entity known as AEnigma, is an embodiment of inventive typographic artistry that transcends the mere assembly of letters. This font is a bridge betwee...
The Action Man Extended font, conceived and crafted by Iconian Fonts, is a dynamic and versatile typeface that captures the essence of movement and agility. As part of the broader Action Man font fam...
The font named Bald by Eyesaw is a distinct and expressive typeface that captures attention through its bold and unapologetic style. This font is characterized by its large, block-like letters that c...