1,713 search results (0.035 seconds)
  1. The font Imperator by Paul Lloyd Fonts embodies a striking elegance mixed with a touch of historical allure, making it a distinctive choice for various design projects. Created by Paul Lloyd, a desig...
  2. TSF et Compagnie Tryout by Match Software is a vivid exploration of typeface design that echoes the intricate balance between tradition and innovation. This font weaves together a captivating aesthet...
  3. The Achilles font, crafted by the creative minds at Iconian Fonts, embodies a fusion of strength and precision, reminiscent of the ancient Greek hero it is named after. This font distinguishes itself...
  4. The Fudd font, crafted by Matthew Welch, is an intriguing and whimsical typeface that carries a unique character and charm, often drawing comparisons or associations with the playful and slightly err...
  5. The Twin Marker font, created by the talented Tom Raaijmakers, takes its inspiration from the aesthetic and functionality of hand-drawn marker strokes, combining the casual flair of handwritten messa...
  6. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  7. Graffiti Treat, designed by the prolific typeface artist Ray Larabie, is a captivating font that embodies the raw energy and expressive nature of street art. This font seamlessly blends the spontanei...
  8. Planet Megapolis is a distinctive font that embodies the essence of urban innovation and architectural grandeur, designed by the creative entity known as The Planet. Its characteristic features refle...
  9. As of my last update in April 2023, there isn't a widely recognized font specifically named "Free." The term "free" in relation to fonts, however, plays a significant role in typography and design. I...
  10. The Drogowskaz font, which emerged as a distinctive typographic development, has carved a unique niche within the realm of type design. Drogowskaz, a name that resonates with the Polish word for "sig...
  11. Radio 187.5 is a captivating typeface created by the renowned typographer Måns Grebäck, whose expertise in crafting visually striking fonts shines through in this design. The font embodies a unique b...
  12. The font MissingLinks, crafted by the prolific font designer Manfred Klein, is a captivating and unique typeface, infused with a blend of artistic flair and whimsical irregularities. Manfred Klein, k...
  13. Alpha Sentry, a font crafted by Iconian Fonts, a prolific font foundry known for its diverse and extensive range of typography styles, emerges as a unique addition to their lineup. This font embodies...
  14. Chekhovskoy, designed by the talented Marat Salychow, is a font that carries a distinct aura of refinement mixed with a touch of old-world charm. At first glance, it is immediately apparent that Chek...
  15. Brannboll Fet, a creation of the talented Swedish typeface designer Måns Grebäck, is a striking font that seamlessly bridges the gap between vintage charm and contemporary flair. Known for his master...
  16. As of my last update in April 2023, I cannot offer a detailed description of a font named "abc" specifically by Fenotype, as it might not exist or hasn't been widely recognized yet in available font ...
  17. SWEM is a genuinely captivating typeface that embodies the essence of modern simplicity while retaining a sense of warmth and approachability often sought in contemporary design. At its heart, SWEM i...
  18. The Beroga Fettig typeface, crafted by the talented German type designer Peter Wiegel, is a striking example of typographic artistry that seamlessly blends classic design elements with a modern twist...
  19. Garava is an appealing and versatile typeface that has garnered attention within the graphic design community. Its creation is attributed to a clear intention to provide a readable, elegant font that...
  20. GALLEDIS is a font that distinguishes itself with its unique blend of elegance and modern flair, designed to capture the attention of viewers through its distinctive characteristics. This typeface, m...
  21. Cyrillic Old Face, a font steeped in historical charm and artistic elegance, is a remarkable representation of the rich typographical heritage that stems from the Cyrillic script. This particular typ...
  22. LondonTwo is a captivating typeface created by the talented typographer Francois Bruel. It stands out for its unique charm and elegance, embodying a blend of classic and contemporary design elements....
  23. The Ink Tank (BRK) font, crafted by the creative entity known as AEnigma, is an embodiment of inventive typographic artistry that transcends the mere assembly of letters. This font is a bridge betwee...
  24. Broad, conceived and distributed by Apostrophic Labs, embodies a venture into the realms of boldness and legibility, meriting its place in the diverse world of typography. As its name straightforward...
  25. Avondale Outline is a distinctive font that exudes a unique blend of modernity and nostalgia, crafted by the creative minds at Apostrophic Labs. This font is part of the larger Avondale family, which...
  26. Imagine a font that struts onto your computer screen with the confidence of a star athlete making a triumphant touchdown, and you’ve got a pretty good picture of "Touchdown by Chloe". This isn't just...
  27. The "Iron Lounge Smart" font, crafted by the imaginative minds at PizzaDude, stands as a testament to the playful yet bold essence of contemporary typography. At its core, this font encapsulates a un...
  28. The Alien League font is a futuristically stylized typeface that seems to leap straight out of a science fiction narrative, embodying the essence of advanced alien technology and otherworldly enginee...
  29. Signatria, a captivating and versatile font crafted by Blankids Studio, stands out as a quintessential example of artistry meeting functionality in the realm of typography. Embellished with a delicat...
  30. The Ines font by David Matos emerges as a distinct typographic creation that embodies a harmonious blend of classic elegance and contemporary flair. Crafted with meticulous attention to detail, this ...
  31. Korean Calligraphy, known as "Seoye" (서예) in Korean, is not just a font but an art form that embodies the grace, tradition, and aesthetic precision of Korean culture. It is an artistic practice of ha...
  32. El&Font is not just a single typeface, but it's part of a larger collection created by the designer Jérôme Delage, with a unique trait that makes it stand out: its inclusion of graffiti style. When d...
  33. Kid Kosmic by Blambot Fonts is a vibrant, energetic typeface that embodies the spirit of adventure and creativity, making it an ideal choice for projects aimed at younger audiences or those seeking t...
  34. The Illuminati font by Iconian Fonts is a unique and intriguing typeface that seems to possess a certain mystique, reflecting the mystery and secrecy often associated with the name 'Illuminati'. This...
  35. FruitForEars font is at once playful and imaginative, embodying a refreshing twist on traditional typefaces. Designed to capture the whimsy and joy of summertime orchards, this font features characte...
  36. "**Walshes**" is a distinctive font crafted by the renowned font designer Ray Larabie, known for his prolific and diverse typeface creations. Walshes stands out in the typographic crowd for its uniqu...
  37. The essence of the Graffiti font mirrors the vibrant, expressive, and sometimes rebellious spirit of street art from which it draws inspiration. This type of font captures the raw energy and boldness...
  38. Cardiff, a font created by Altsys Metamorphosis, is an intriguing typeface characterized by its unique design elements and typographic qualities. This font distinguishes itself through a blend of tra...
  39. As of my last knowledge update in April 2023, there is no widely recognized or standard font specifically known as "Mika" within the graphic design or typography communities. However, the name itself...
  40. Arabolical, designed by BenTagain, is a striking font that stands out for its unique blend of traditional Arabic calligraphic art and modern design elements. This font is a visual feast, merging the ...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing