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  1. Suit Sans Pro by Just in Type, $29.00
    Suit Sans Pro is a typeface designed for multi-purposes with a wide range of 12 weights plus italics. The large set of 1377 glyphs embraces a lot of latin languages, and it’s perfect for multi-national brands. Take a look at the specimen. Suit Sans Pro is too much for you? Take a look on Suit Sans STD, a simpler version for Suit Sans.
  2. GauFontExpositionR - Unknown license
  3. GauFontExpositionW - Unknown license
  4. BR Sonoma by Brink, $30.00
    BR Sonoma is a new geometric grotesque built for the 21st century with a finely tuned modern aesthetic. BR Sonoma builds on the foundations laid by the classic Swiss grotesques such as Helvetica and Univers but combines their features with a stronger geometric base usually found in other early classics such as Avant Garde, Futura and Avenir.
  5. Ekorre PERSONAL USE ONLY Black - Personal use only
  6. Potrzebie - Unknown license
  7. Genghis Khan - Personal use only
  8. LetterOMatic! - Personal use only
  9. Designosaur - 100% free
  10. NFL Falcons - Unknown license
  11. the EV$NT - Personal use only
  12. I Want My TTR! (Condensed) - Unknown license
  13. LC Bagira - Unknown license
  14. Warzone97 - Unknown license
  15. XXII ARMY - Unknown license
  16. PassCaps - Unknown license
  17. Qbicle 2 BRK - Unknown license
  18. Oneworldonefuture - Unknown license
  19. The Aeroplane Flies High - Unknown license
  20. Vipertuism - Unknown license
  21. West point - Unknown license
  22. Broad - Unknown license
  23. Omega Sentry - Unknown license
  24. Faktos - Unknown license
  25. Plasmatica Outline - Unknown license
  26. Chain_Reaction - Unknown license
  27. Alecto Demo - Unknown license
  28. WalrusGumbo - Unknown license
  29. BASEHEAD - Unknown license
  30. ShampooSW - Unknown license
  31. Querencia Army DEMO VERSION - Unknown license
  32. Heavy Heap - Unknown license
  33. Iron Lounge Smart - Unknown license
  34. The Subway Types by HVD Fonts, $30.00
    The idea was to create a package containing prominent tag styles of graffiti strongholds like New York, Berlin and Paris. Shik (New York), Deon (Paris) and Etan (Berlin) came together to show the typical tag styles of their respective metropolitan areas. The fonts were digitized, spaced, kerned and programmed by Hannes von Döhren. The Subway Types are highly equipped. Each one consists of 4 alphabets (Uppercase, Lowercase, Small Caps & Swash). They also include ligatures and some specials like underlines and a huge range of accents for a wide language support. With the OpenType technology these features can be applied easily. For those who never used the OpenType features, we created the Std (Standard) and the SC (Small Caps) versions of the fonts. They contain the same basic characters like the OT versions but are split in two fonts. Hence you don’t need any OpenType knowledge to use the Std and SC fonts.
  35. Megatura by Haksen, $19.00
    Megatura is a Bold elegant modern vintage with upper and lowercase feel nice balanced curves. This font is inspired by lettering from couple of the good talent artist, but it still has a strong modern appearance. Its wide range of stylistic alternates allows versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and much more. Font Features : Regular and Italic version Character set A-Z Stylistic Alternates & Ligatures Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. How to access Alternate Characters? Open glyphs panel : - In Adobe Photoshop choose tool Window > glyphs - In Adobe Illustrator choose tool Type > glyphs If you have questions, just send me a message and I'm glad to help Have a great day Haksen Std
  36. Walk Da Walk Two - Personal use only
  37. Valerius - Personal use only
  38. Hennepin by Josh Grzybowski, $24.99
    Hennepin derives from a bridge, a street and a county that share the same name in Minneapolis, MN. It is a serif font comprised of three agile weights: regular, light, and extra light. The character set contains typical OpenType features in addition to small caps, and old style numbers, but most importantly, it embraces stylistic alternatives that unite and complete this font.
  39. Nicolas Jenson SG by Spiece Graphics, $39.00
    It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry’s beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941. This digital version includes a new medium and extrabold weight with intermediate small caps and swash alternates throughout the family. There is also a regular expert version with a variety of currency symbols plus a regular petite caps (regular x-height small caps) and old style figures version. Nicolas Jenson is now available in the OpenType Std format. Small caps, old style figures, and swash alternates have all been combined into one style for ease of use. You will also find an additional regular petite caps version included with the regular style. Some new characters have been added as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
  40. VLNL Tp Kurier by VetteLetters, $35.00
    VetteLetters is proud to bring you the TpKurier-family. It is cooked up by our German chef Martin Lorenz currently living in lovely Barcelona! Chef Lorenz about the TpKurier recipe: “TpKurier is the second redesign we did of Courier. The first redesign in 2000, although based on a five-unit grid, was drawn completely by hand. Six years later we designed another grid version of Courier, and the TpKurier family was born. This version is completely constructed up till its last detail. We didn't want to correct ‘mistakes’ deriving from the use of the grid, but instead make them visible (see “S”). TpKurier is based on a very simple grid, composed a proportion of four units high by two units wide. A series of other links between them make it possible to form a font from this grid. We felt it was important to consistently work within these limitations so that any unexpected asperities would help provide the font with its character. Even though it is a rough constructed typeface it was important to us to design real italic lower case letters and not just a sloped roman (see “a”, “g” or “s”). The first family published contained a serif and sans-serif version of the TpKurier, with italic and bold.”
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