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  1. Certainly! Let's dive into the whimsically titled "Arrobatherapy" - a font that might just be what the doctor ordered for those craving a dose of typographic relief. Created by the prolific Harold Lo...
  2. Fely, though not a widely recognized font at the time of my last update, conjures an image of a font that is likely characterized by its unique blend of personality and practicality, based on the tre...
  3. Ah, Brassiere by Apostrophic Labs – if fonts were garments, this one would definitely be a lacy number you'd find hidden in the mischievous corner of your wardrobe. Picture this: a font that flirts w...
  4. Ah, the Edo font by Vic Fieger, you say? Imagine if a brush, after a night out drinking with its inky pals, decided to take a stroll across the canvas, leaving behind a trail filled with personality,...
  5. As of my last update in 2023, "Blue Jeans" by Bradford Cox is not widely recognized as a specific font in mainstream typographic resources or font directories. It's essential to clarify that Bradford...
  6. As of my last update in April 2023, "Berillia's Gaze" is not a widely recognized or documented font within the vast landscape of typography. Given this, I will conceive a fictional description based ...
  7. As of my last update in April 2023, "Twilight" is not officially recognized as a standard font by major type foundries or as part of the conventional font libraries that come with software like Adobe...
  8. The Sabandija ffp font by deFharo is a typographic creature that seems to have scurried out of the imagination of a whimsical artist, finding its way onto the digital canvas. Picture this: if fonts w...
  9. Digital Counter 7, designed by the prolific foundry Style-7, is a digital font that encapsulates the essence of digital displays from the late 20th and early 21st centuries. This font is distinguishe...
  10. Imagine if fonts could dance. Well, if any font were to throw on a pair of dancing shoes and hit the dance floor, Unity Dances by S. John Ross would be busting moves that would make even the most res...
  11. Imagine a font that captures the spirit of creativity and rebellion, all while paying homage to one of the most iconic bands in music history. That's where AbbeyRoad by Flop Design steps into the spo...
  12. Certainly! Picture this: You're strolling through the whimsical alleyways of Typography Town, where the buildings stretch impossibly tall, framing the sky in slivers of blue. Suddenly, you stumble up...
  13. Ah, COM (sRB) by sRB-Powers, a true enigma wrapped in a digital font file. Imagine if a group of pixels woke up one day, decided to become fonts, and then went on a wild, adventurous spree guided by ...
  14. Well, strap in folks, because we're diving into the whimsical world of "ChickenScratch" by Astigmatic One Eye, a font that looks like it was born from a hen party hosted by a bunch of rebellious teen...
  15. The "Wanax Demo" font by The Scriptorium presents an intriguing blend of historical intricacy and modern design finesse, synthesizing them into a unique typographic expression. The Scriptorium, known...
  16. As of my last update in April 2023, the font named "Commonwealth2" isn't widely recognized in major font catalogs or among standard typeface collections. Therefore, my description here will lean on s...
  17. As of my last knowledge update in April 2023, the font named Albatross created by Altsys Metamorphosis is not universally recognized in the catalog of commonly utilized or well-documented typefaces. ...
  18. Regrettably, as of my last update in April 2023, I don't have specific information on a font named "KING ARTHUR" designed by Maelle Keita. However, the realm of typography is a canvas for creativity,...
  19. Source Code Pro is an exquisite font meticulously crafted by Adobe Systems Incorporated, designed with developers and coders in mind. It is part of Adobe's open-source typeface family, meticulously e...
  20. The font KG Payphone, designed by the talented Kimberly Geswein, is a captivating typeface that exudes both charm and nostalgia. This carefully crafted font takes inspiration from the vintage aesthet...
  21. Droid Serif is a contemporary serif typeface family commissioned by Google and designed by Steve Matteson of Ascender Corporation. Unveiled in 2007 as part of the Droid family of fonts, it was crafte...
  22. Drum Komputer by Channel Zero! is not just a font; it's an ode to the era of early digital experimentation and the pioneering days of electronic music and computer technology. This unique typeface em...
  23. As of my last update, Rammstein isn't widely recognized as a standard or commercially available typeface in the traditional sense, such as Helvetica or Times New Roman. Instead, Rammstein's associati...
  24. Evanescent, as suggested by its name, embodies a characteristic often associated with things that are fleeting, ethereal, or gently fading into the invisible. This font manages to encapsulate the ess...
  25. The unique font "Broken 15" by Misprinted Type, also known as Eduardo Recife, is an evocative and highly characteristic typeface that dives into the artistic realms of the unconventional. Nestled wit...
  26. As a virtual being without real-time access, I can weave a narrative around what the font named Noisebaby, created by Otoko Aie, might encapsulate, based on its evocative name and potential design et...
  27. Picture this: The Psiphoon BB font, a creation sprung from the whimsical mind at Blambot Fonts - a place where typefaces come to life with personality and pizzazz. Imagine if a comic book, a late-nig...
  28. The DIN 1451 fette Breitschrift 1936, crafted by Peter Wiegel, is a typeface steeped in historical significance and functional aesthetics. A revival of the classic industrial typeface initially devis...
  29. The MonospaceTypewriter font, crafted by the renowned typeface designer Manfred Klein, is a digital throwback to the era of mechanical typewriters. This font embodies the quintessential characteristi...
  30. Ah, the NAUJOKSLOVE font, the very essence of what happens when a designer decides that the alphabet had one too many glasses of romantic comedy and decided to waltz through the moonlight! Crafted by...
  31. As of my last update in early 2023, there isn't a widely recognized or popular font specifically called "Lastman" in the vast world of typography. However, let me paint a picture for you, imagining w...
  32. Picture this: you're about to pen a love letter, the old-fashioned way. You dip your quill in ink, but instead of pressing it to parchment, you tap away at your keyboard and, voilá, out comes Jayne S...
  33. Picture this: "Teen Spirit" by Steven J. Lundeen is not just a font; it's the embodiment of youth rebellion, a visual shout that echoes through the halls of high school, sticking it to the man with e...
  34. The Penelope font, crafted by Dieter Steffmann, stands as a testament to the unique blend of artistic flourish and classical sensibility. This font is remarkably distinct, primarily due to Steffmann'...
  35. As of my last update in April 2023, CrawfishPopsicle is not a widely recognized or specific font within mainstream font libraries or the typographic community, which suggests it might be a custom or ...
  36. Lost Forever, as evocative as the name sounds, is a font that carries the weight of nostalgia, mystery, and perhaps a hint of melancholy. This typeface finds its roots deeply embedded in the world of...
  37. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  38. As of my last update in April 2023, the font named ResPublica, designed by Cybapee Creations, stands out as a refined yet distinctive typeface imbued with characteristics that lend it a unique presen...
  39. Ah, "Metalic Avocado" - a font that, sadly, exists more in the realms of our zesty imagination than in a designer's actual font library. But let's peel back the imaginary husk and savor the flavor of...
  40. The Andrei font, though not a specific font widely recognized under that exact name in popular typography databases or among standard font formats, can be imagined or conceptualized based on some ass...
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