3,342 search results (0.035 seconds)
  1. Girl Next Door2 - Unknown license
  2. KR A Round - Unknown license
  3. KR Katlings Four - Unknown license
  4. KR Music Class - Unknown license
  5. KR Katlings Two - Unknown license
  6. Foot Fight - Unknown license
  7. Heleodora by Andinistas, $39.95
    The unconventional structure of this typographic family was inspired in my fonts: Rosadelia, alcira, Navaja, Ninja 1, and Ninja 2.
  8. PR Swirlies 03 by PR Fonts, $10.30
    This set of swirlies oraments is drawn with a pointed brush, for a higher contrast appearance than Swirlies 1 & 2.
  9. Ma Braille by Echopraxium, $5.00
    The "Ma" in "Ma Braille" is used as a minimalist way to say "Negative Space". "Ma" in japanese arts is an "esthetical usage of emptiness". Thus this font explicits the negative space around visible braille dots in each glyph. A. Font user guide a.1. Lowercase glyphs { A..Z } In these glyphs, dots are represented as "black squares" while the negative space is displayed as 1 or 2 white filled polygons. a.2. Uppercase glyphs { a..z } In these glyphs, dots are represented as "white squares" while the negative space is displayed as 1 or 2 black filled polygons. a.3. Digits: they are just the same than a..j, but the "North US version" is also provided in ascii codes 0xE0..0xE4 (1..5) and 0xE7..0xEB (6..0). a.5. "Dashed Border": a.5.1. "Black dashed" border glyphs; { £, ¥, µ, Â, Ä, Ê, Ë, Î, Ï, Ô } a.5.2. "White dashed" border glyphs; { Ö, Õ, °, ô, ö, î, ï, û, u, õ } B. Posters Poster 1: "Font Logo" version 1, it displays "Ma Braille" text surrounded by the "black dashed border" glyphs. Poster 2: "Font Logo" version 2, it displays "MA" glyphs in big size and smaller "Braille" glyphs within "M" and within "A" as well. Poster 3: the classical pangram to test a font "The Quick Brown Fox jumps over the Lazy dog". Poster 4: Article 1 of the Human Rights: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. Poster 5: the "Glyph set" (Border glyphs not included) with A..Z, a..z, digits and special characters.
  10. Calendar Blocks JNL by Jeff Levine, $29.00
    Calendar Blocks JNL was inspired by old-fashioned wood type used to assemble calendar pages in the days of letterpress printing. The A-Z keystrokes contain the dates 1-26. The lower case a-z keystrokes have the remaining dates 27-31, along with the split dates 23/30 and 24/31 and blank boxes. The days of the week are located on the 1-7 keys.
  11. Tme by bb-bureau, $65.00
    Tme, new lineal — Tme is an update of Sl (T = S + 1, m = l + 1 and e for natural logarithm), drawn in 2006 for the University of Arts Saint-Luc de Tournai. Its geometrical drawing is based on the directions of the hexagon, a scrupulously followed constraint which confers on some glyphs a very particular drawing. in light, regular and bold language: all latin glyphs
  12. Plakative Grotesk - 100% free
  13. Cheri Liney - Personal use only
  14. Jotting - Unknown license
  15. Alba Super - Personal use only
  16. SteveHandwriting - Unknown license
  17. Distant Galaxy Outline - Unknown license
  18. The Beetles - Unknown license
  19. Farckenzlabb - 100% free
  20. Send Cash - Unknown license
  21. Setebos - Unknown license
  22. Distant Galaxy AltOutline - Unknown license
  23. Distant Galaxy Condensed - Unknown license
  24. KR Ookie Bookie - Unknown license
  25. Samba is Dead - Unknown license
  26. Castorgate Wide - Unknown license
  27. Gobbledegook - 100% free
  28. Ketchup Spaghetti - Unknown license
  29. FarHat - Unknown license
  30. Aleia - Unknown license
  31. 101 Zebra Print - Unknown license
  32. Alba Matter - Personal use only
  33. Distant Galaxy - Unknown license
  34. I2technoBrush - Unknown license
  35. Jambon - Unknown license
  36. Webster World - Unknown license
  37. Electamine - Unknown license
  38. SpiceGrrl - Unknown license
  39. 60s Chic - Unknown license
  40. Agency FB by Font Bureau, $40.00
    ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling typeface. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase and added a bold to produce Font Bureau Agency, an immediately popular hit. Sensing its potential to be than just a useful condensed face, Font Bureau developed Agency into a major series offering five weights in five widths; FB 1990-95
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