Introducing Mottona Bold Script (OpenType Font) Mottona Bold Script is a modern script font, every single letters has been carefully crafted to make your text look beautiful. As a modern script style this font will be a perfect fit for a broad range of projects, like wedding invitations, greeting cards, posters, name cards, quotes, blog headers, branding, logo, fashion, apparel, stationery, etc. Mottona Bold Script allows you to customize your text by making use of the many character variations included: Stylistic Alternates in Stylistic Sets, Initial and Terminal Forms as well as ligatures can be activated in OpenType savvy applications like Adobe Photoshop, Adobe Illustrator or Adobe InDesign or accessed via glyphs panel. Just change the regular character variant to its design alternative to customize to the layout of your dreams! Files included: - Mottona Bold Features: - Basic Latin A-Z and a-z - Numbers & Symbols - Stylistic Set & Ligatures - PUA-encoded characters - Latin "Pro" characters Thanks for your visit :-)

The product of 5 months of work. This unicode font supports 1 latin and 16 ancient languages. When you install this font, the latin alphabet will appear if you do not have the appropriate software. Although there are other unicode fonts that print these ancient texts, this font has the design I use in all my fonts. That's the difference. You can easily use this font with related software. https://www.babelstone.co.uk/Software/BabelPad.html you can choose my font with babelstone babelpad software at this address and write it here and then copy and paste it to the relevant place. This font includes the following languages. Latin, Old Hungarian, Old Turkic, Old Italic, Runic, Tifinagh, Lycian, Lydian, Carian ,Phoenician, Cypriot, Ogham, Old South Arabian, Old North Arabian, Includes, Old Percian, and Ugaritic. This is a unicode font. Please learn how to use it and buy it.

P22 Albemarle is a smooth reworking of the popular rough textured Roanoke font. The texture change gives this style a much more elegant effect, yet retains its skilled capturing of historical handwriting. Albemarle Pro features at least one alternate for all Caps and many lower case characters. The Pro font also features a full CE character set and more with over 600 glyphs.

This antique-aged version of Monkton can be used to imitate old letterpress printed documents such as old English text. The rough edges resemble ink spread on paper to give an old look. The inspiration for this typeface family came from my childhood experiences at Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

Comforter promises to be a favorite among professional designers and people who love quality hand lettered forms. It’s a bouncy, upright brush style script. It’s look is appealing for many various usages. It’s contemporary, and non- traditional. It’s sophisticated, yet fun and funky. The Brush style of Comforter adds another touch to its “brushy” look. Comforter Pro versions come complete with multiple language options including Rob’s interpretation of a script style of Cyrillic. Unlike a “cursive” style, the script Cyrillic uses both traditional and cursive forms. In addition, the PRO versions are programmed with numerous OpenType features plus a few ornamental and word art glyphs not found in the Regular flavors. The regular versions are properly kerned, but contain none of the OpenType features found in the PRO versions. The Alternate flavors contain a few of the alternate forms found in the PRO versions of the typeface, including Cyrillic.

In the tradition of Goudy Old Style and Goudy Modern, Chong Wah drew Chong Old Style™ and Chong Modern™ as visually different – but complementary – designs. According to Chong Wah, “The extended family of typefaces started as a concept rather than a preconceived design. The concept is different sans serif type styles with a common underlying structure and a clear lineage to traditional serif designs. While there are similarities between the designs, each typeface was drawn as a separate entity.” Chong Old Style has the flavor of traditional old style designs without slavishly replicating the earlier design traits. It has the heft and color of an old style design but lacks the serifs and inclined stroke axis customarily seen in these typefaces. The result is a versatile suite of typefaces that deliver a straightforward message in large or small sizes. Chong Modern is a sans serif interpretation of the classic modern, or neoclassical, designs of Bodoni and Didot. More than a Bodoni without serifs, Chong Modern also has an elegant, Art Deco demeanor. This is a design that walks the line between traditional and contemporary with grace and aplomb. Chong Wah drew his Old Style and Modern designs in Light, Regular and Bold weights, adding an Extra Bold to the Old Style. All designs benefit from harmonizing italic counterparts. Both branches of the Chong family are also available as OpenType Pro fonts, allowing graphic communicators to take advantage of OpenType’s diverse capabilities. These fonts, in addition to providing for the automatic insertion of old style figures, ligatures and small caps, also offer an extended character set supporting most Central European and many Eastern European languages

Ray Cruz releases another typeface family, this time inspired by 1970's pop culture. Fat Albert Regular, Outline and Shadow are bold poster types that evoke the fun and funk of an era gone by. Go on bro, get Fat Albert and get down.

Based on the handwriting of Taryn Sutherland of Twinkle and Toast. Great Lakes Lettering is thrilled to release Bon Voyage. Add a flair of elegance and whimsy to your DIY designs.

Rooney is based mainly on old-style serif construction principles, such as the angle of stress, the open letterforms and the medium contrast, which lends the typeface a serious feel. Nonetheless Rooney is equipped with rounded shapes and soft curves that add a warm and smooth overall impression. Rooney combines these two different approaches: It has distinctive, original letterforms, but remains very readable and versatile. It includes six weights from Light to Black and Italics. The Rooney family comes with a Pro version, which is intended for professional designers. It contains lots of OpenType features such as small caps, ligatures, different figure sets and alternate glyphs. With around 840 glyphs, Rooney Pro is a powerful tool for any kind of typographical task.

This is a more artistic version of "Elah Pro" containing Regular and alternative version as well as Dingbats and Ornaments.

Unique elegant font with condensed biblical scent. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

Amelia Jayne is Ted Staunton's updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.)