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  1. The font Offshore Banking Business, designed by Vic Fieger, is a distinctive typeface that effortlessly encapsulates a sense of modernity while echoing a nod to the industrial and utilitarian styles ...
  2. As of my last knowledge update in April 2023, there is no widely recognized or standard font specifically known as "Mika" within the graphic design or typography communities. However, the name itself...
  3. Sure thing! The Danube font, created by Levi Halmos, is a distinct and stylish typeface that captures the eye with its contemporary and sleek design. It offers a fresh perspective on sans-serif fonts...
  4. Paternoster AH is a font that seems to capture the essence of tradition and modernity, blending them seamlessly into a design that feels both familiar and innovative. Its name, evoking the ancient "O...
  5. Ah, Inspector 39! If fonts were guests at a soiree, Inspector 39 would saunter in with the mysterious allure of a noir detective, blending the charm of classic cinema with the intrigue of a whodunit....
  6. The KG Shadow of the Night font, designed by Kimberly Geswein, stands as an emblem of creativity that gracefully bridges the gap between whimsical charm and gothic elegance. Kimberly Geswein, known f...
  7. Once upon a time, in the bustling metropolis of Typography Town, there lived a unique and rather intriguing font named EU-Sym. This font wasn't your typical character in the neighborhood, like the bo...
  8. Quake & Shake, a vibrant and dynamic font created by the renowned type foundry Iconian Fonts, embodies an incredible blend of creative quirks and a noticeable energy that is as captivating as it is f...
  9. As of my last update in April 2023, "Kick The Font" might not refer to a widely recognized or standard font available in common design or typography circles. Nevertheless, based on the playful and en...
  10. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  11. The "Argor Priht Scaqh" font is a distinctive creation by the talented Jean-Pierre Mallaroni. This font stands out for its enchanting blend of medieval inspiration and modern flair, making it particu...
  12. Ah, the font named "Immoral," a typographical riddle wrapped in an enigma, dressed scandalously in serifs and swashes. This is not your grandmother's font, oh no. It's the font that sneaks out at nig...
  13. CoasterPoster by Nick Curtis stands as a tribute to the vibrant and boisterous spirit of vintage amusement parks and circuses, encapsulating the essence of fun and excitement through its design. As y...
  14. The Lohengrin font is a compelling display font that captures the essence of historical artistry and craftsmanship within its letterforms. Created by Dieter Steffmann, a renowned German typographer a...
  15. Ah, the illustrious Writers Bold – a font that struts into the room with the confidence of a novelist who knows they've penned the next bestseller. Imagine if the letters on your screen were wearing ...
  16. Yanone Kaffeesatz is a distinctive and versatile typeface that carries a unique blend of modernity and nostalgia. It was first created by Yanone, a German type designer, in 2004. The inspiration behi...
  17. Ah, Clementine Sketch by TheBlueJoker - imagine if a lemonade stand in mid-July decided it wanted a career change and became a font. This is that font. It's as if each letter, in its whimsical noncha...
  18. As of my last knowledge update in April 2023, the font named "Triangler" by Tim Ko does not have a widely recognized or documented description in the major typographic and design resources available ...
  19. You're Gone is an evocative typeface designed by the prolific Canadian type designer Ray Larabie, famous for his wide-ranging and impactful contributions to the typography world. This particular font...
  20. Idolwild by PizzaDude is an intriguing and distinct font that immediately catches your eye due to its unique characteristics and playful energy. Created by Jakob Fischer, the Denmark-based designer b...
  21. Manfred Klein's "Fatsans" is a visually intriguing and robust font that embodies simplicity with a playful twist, emerging from the creative prowess of the renowned font designer. As of my last updat...
  22. The "DMF Studio D Clear2" font embodies a fresh, modern approach to type design, tailored to meet the needs of a wide range of creative projects. This typeface stands out due to its clean lines, uncl...
  23. As of my last update in early 2023, Rosetta Tones isn't recognized as a widely known or established font, but let’s imagine what it could be, drawing from its evocative name that hints at a blend of ...
  24. The New Metropolitan font, crafted by The Original 19, is a testament to both modernity and tradition, embodying a unique fusion of aesthetic principles. This font takes inspiration from the architec...
  25. The Rivanna font, crafted by the talented Nick Curtis, is a unique amalgamation of historical elegance and contemporary flair, making it a standout addition to any typographic collection. Named presu...
  26. Burton's Nightmare is a captivating display font that appears as if sprung from the feverish dreams of a storyteller who dances on the edge of whimsy and the macabre. Its design pays homage to the go...
  27. Ah, Harrington, the font that dresses for dinner! Imagine if the 19th century decided to take up typography, and right before it put on its top hat, it scribbled down the essence of its spirit. That,...
  28. As of my last update, An Creon is not a widely recognized or standard font in popular typographic resources. However, in envisioning what An Creon might be like, let's create an illustrative descript...
  29. The TrixieExtra font, belongs to a category of typographic designs that resonate with a bygone era, imparting a distinctive vintage flair to the text it forms. This typeface is reminiscent of the man...
  30. Ah, Bebas Neue by Dharma Type, the slender, tall glass of water of the typeface world. Picture this - if fonts were people, Bebas Neue would be that incredibly cool, unfailingly stylish friend who kn...
  31. Aron Grotesque is a distinctive typeface designed and released by Monofonts, showcasing a modern and versatile sans-serif design. This font family distinguishes itself through a blend of contemporary...
  32. Bestermind, created by Thirtypath Studio, epitomizes modern elegance and artistic expressiveness, embodying a blend of classic charm and contemporary flair. Bestermind dives into the world of typogra...
  33. Colchester by Dieter Steffmann is a font that seems to capture the essence of historical depth and artistic elegance, marrying them into a cohesive typeface that's both visually intriguing and laden ...
  34. The Rolling No One font, meticulously crafted by the renowned typeface artist Dieter Steffmann, stands as a testament to the intricacy and charm that typefaces can bring into the realm of design. Thi...
  35. Once upon a time, in the enchanted lands of typography, nestled between the bold warriors of Arial and the elegant serifs of Times New Roman, there lived a whimsically charming font named TagettesPlu...
  36. Monoment, designed by the renowned typeface designer Måns Grebäck, stands as a testament to the intersection of tradition and modernism in the world of typography. Characterized by its sleek and refi...
  37. As of my last update in April 2023, the FC Basic Font doesn't stand out as a widely recognized typeface within the vast landscape of typography. However, based on the name 'FC Basic Font,' I can offe...
  38. Alright, folks, let’s dive into the whimsical world of the font named LAZYTOWN, crafted by none other than the font wizard, SpideRaY. Picture this: a font so playfully quirky, it decided to ditch the...
  39. Squealer, designed by the talented Ray Larabie, is a font that vividly captures the essence of rock and roll's rebellious spirit, drawing heavily on the design aesthetics of the late 20th century. It...
  40. Oliandre Demo, designed by Katario Studio, is a font that effortlessly captures the essence of modern sophistication and artistic expression, blended with a hint of whimsicality. This distinctive fon...
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