The Intramural JL font by Ray Larabie is a distinctive and vibrant typeface that captures the spirit of vintage sports aesthetics and academic lettering often found in college apparel, banners, and r...
Fleet Street, created by the prolific type designer Ray Larabie, is a font that marries the vibrancy of modern design with the elegance of classic typography, resulting in a typeface that feels both ...
The Operational Amplifier font, crafted by the notable font designer Ray Larabie, showcases a distinctive approach to typeface creation, reflecting Larabie's penchant for unique, functional, and some...
"Teen Light," a creation by the prolific Canadian typeface designer Ray Larabie, encapsulates the spirit of youthful exuberance and casual charm. This font, part of Larabie's extensive catalogue, is ...
Mexcellent, a vibrant and retro-inspired font designed by Ray Larabie, transports its audience straight into the heart of the late 20th century's burgeoning pop culture with a particular nod to the n...
Ah, the ever-so-futuristic and slightly otherworldly font known as Nasalization, crafted by the visionary Ray Larabie, is like the Vespa scooter of typography: quirky, stylish, and with a hint of ret...
In the whimsical world of typography, where letters are not just letters but characters bursting with personality, the font Misirlou Day by Ray Larabie performs a vibrant hula dance, beckoning the su...
The font !CRASS ROOTS OFL by !Exclamachine is an intriguing and captivating typeface that stands out for its raw energy and unapologetic boldness. It's a creation that embodies a fusion of graffiti-i...
Alright, picture this: Zekton Free, a font that looks like it moonlights as a futuristic secret agent. Designed by the font wizard Ray Larabie, this typeface isn't just another font in the crowd. Oh ...
The "Astron Boy Wonder" font, a creation by the prolific font designer Ray Larabie, captures the retro-futuristic spirit of the mid-20th-century era, while infusing it with a dose of contemporary fla...
Bullpen 3D, designed by the prolific typeface designer Ray Larabie, is a distinct and engaging font that immediately captures attention with its bold three-dimensional appearance. This font is part o...
The Kimberley font, designed by the esteemed typographer Ray Larabie, stands as a testament to his ability to meld precision with creativity in his typographic creations. This particular typeface is ...
Ah, diving into the fun world of fonts, aren't we? Alright, let me introduce you to the whimsical world of the "Poke" font, crafted by the talented Ray Larabie. This particular font is like the bubbl...
Pakenham is a distinctive and versatile font designed by Ray Larabie, a Canadian type designer known for his wide range of typography contributions to both commercial and non-commercial projects. Thi...
Imagine a font that exudes personality, creativity, and a touch of whimsy while maintaining readability and a structured elegance. Thiamine, crafted by the talented Ray Larabie, is a font that embodi...
Ah, the 20th Century Font by Ray Larabie, a typeface that's as ambitious and forward-looking as its name suggests, yet marinated in the nostalgic vibes of the past century. Imagine a font that decide...
Picture this: you’re on a nostalgic trip down memory lane, or perhaps a whimsical wander through the alleys of typographic treats. There, in the neon glow of creativity and cheekiness, stands a font ...
The Tork font exists as a compelling and dynamic creation by the renowned type designer Ray Larabie, who is revered for his ability to craft fonts that carry unique character and stylistic flair. Tor...
Edgar Pirámide Fuente LCD diseñada con mucho cariño para recordar las pirámides que abundan por toda mi Nación de México desde playas al raz del mar como Tulum hasta lo más alto como Teo...
Graffiti is all repetition. Style, like brand logos, makes the repetition more recognizable, but style should never keep you from reading the word. Chanse Fresh was a project to make a handstyle font that wasn't self-concious and overworked - the font is clearly readable and fresh AF. Round is the base font with a thin version to create hierarchy or for longer pieces of text. Both round and thin have a "wet" drippy mop tag version best for key text. The font is all caps with alternates, so you can sub in capitals as needed with repetitive letters to change things up. There's a full latin alphabet so you can type all the words with accent marks natively and a ton of discretionary ligatures and accessory glyphs like arrows, stars, and crowns to make your lettering extra fresh.

CHARACTERISTICS A state-of-the-art OpenType-Feature (like Contextual Alternates (calt) and Stylistic Alternates (salt)) of “Hand Scribble Sketch Times” is, that each uppercase and each lowercase letter has automatically alternated two variations to bring humanly-random characteristics of handwriting to life. The character of the rough, ruggend and raw handwritten classic serif typeface is a very unique warmly atmosphere. An pro-version of the font “Hand TIMES”. APPLICATION AREA warmth, love, handmade. For support of human warmth. Of cooking recipes, menus in the restaurant across party flyer, music cover Art to logo (word marks), headings in magazines and websites. TECHNICAL SPECIFICATIONS ? Font Name: Hand Scribble Sketch Times ? Font Weights: Regular, Rough, Invert ? Font Category: Grunge Serif Display for Headline Size ? Font Format: OTF (OpenType Font for Mac + Win) ? Glyph coverage: 601 ? Language Support: Basic Latin/English letters, Central Europe, West European diacritics, Baltic, Romanian, Turkish ? Specials: Alternative letters, Standard & Discretionary Ligatures, extras like symbols, dingbats, Old-style Digits, Lining Figures, accents & €, incl. OpenType-Features like Contextual Alternates (calt), Glyph Composition/Decomposition (ccmp), Discretionary Ligatures (dlig), Kerning (kern), Standard Ligatures (liga), Numerators (onum), Ordinals (ordn), Stylistic Alternates (salt), Stylistic Set 01 (ss01), Stylistic Set 02 (ss02), Stylistic Set 03 (ss03), Slashed Zero (zero), Lining Figures (lnum), Tabular Figures (tnum), Old Style Figures (onum), Proportional Figures (pnum) ? Design Date: 2013 ? Type Designer: Manuel Viergutz

Sashay Script is an elegant yet friendly script font. It is a rich smooth voice that gives an immediate human connection to any design. Do you need to display: speech; thought; emotions; desires…Sashay Script says it all in a clear legible script. It struts down the runway with panache, accompanied by: 13 Icons, 42 Ligatures and 21 Alternates. Although it is clearly a font that represents handwriting, it is very versatile and usable in that it is: easy to read; has good flow and looks great in both paragraph form or as a standalone word or line. As a bonus, since each and every letter was crafted from the ground up, Sashay Script can be used at larger sizes without losing any of its elegance as its edging is well groomed, without the raw edges that can be the terror of handwritten fonts at larger sizes. Sashay Arrows & Underlines was designed to match with Sashay Script. Often a font such as Sashay is used descriptively and the flow and line-weight of the 68 arrows and underlines match Sashay Script in look and feel. Please take a look at the gallery posters that show both Sashay Script and Sashay Arrows & Underlines, in use. We just know you'll have a perfect project for this little model of a font 'Sashaying' down the font runway.

Korpen Tag is a cool and edgy graffiti font that captures the essence of street art and urban culture. With its tag-inspired handwriting and paintbrush strokes, this font brings an authentic and vibrant touch to your creative projects, making them feel dynamic and alive. Ideal for streetwear branding, album covers, posters, and other projects that require a cool, contemporary vibe, Korpen Tag is an uppercase font that adds a raw, energetic touch to your designs. Its distinctive style makes it a great choice for projects that need to stand out and make an impact. The Korpen Tag font family includes four high-quality styles to suit various design needs: Regular: A free-flowing, paintbrush-inspired graffiti style Upright: A more controlled, vertical version of the regular style Bold: A heavier, bolder version for more impactful designs Bold Upright: Combines the boldness of the bold style with the structure of the upright style Built with advanced OpenType functionality, Korpen Tag ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Axiforma was designed with the single idea of creating a font that starts with the letter A, because let's face it, this is the best letter. For those of you who didn't see it coming, Axiforma is a /drum roll/ geometric sans in 20 weights. If you are thinking "Oh boy, another geometric sans", you clearly know your stuff. Yet, Axiforma is different in at least three crucial ways: 1) It's made by me 2) It's not free 3) It's polite and humble Additionally, Axiforma is packed with Opentype such as oldstyle numbers, fractions, case sensitive alternates, localized forms, stylistic sets, cyrillic alphabets (Bulgarian & Russian) and many more. Basically it's quite extensive and kinda great. Upon using Axiforma, clients will start to behave differently around you and may even start paying you. Your spouse will start working out again just to gain your attention and your kid will become instantly popular at school. After all you are using Axiforma and rumors do spread quickly. That's what we are talking about - raw font power. With Axiforma regular typed text is suddently transformed into first class design. That includes branding, posters, headlines, display, presentation materials, websites, logotypes, etc. The world will now be your playground. To sum it up, Axiforma is badass, thus you should have it and use it everywhere.
Induction, a creation by the prolific type designer Ray Larabie, is a font that delicately balances innovation with versatility, imbuing each character with a distinct personality while ensuring it r...
Grunge Serifia is not a canonical font widely recognized under this name as of my last update in early 2023. However, the conceptual idea of a "Grunge Serifia" font paints a vivid image that blends t...
Green Fuz, crafted by the prolific font designer Ray Larabie, is a vibrant and quirky typeface that embodies a spirit of fun and creativity. Its design takes inspiration from the handmade signage and...
Baltar, designed by the prolific typeface creator Ray Larabie, is a distinctive font that embodies a modern yet slightly retro aesthetic, making it a standout in various design projects. Larabie, kno...
BackSplatter, created by the inventive Rev. Josh Wilhelm, is a distinctive font that embodies a raw, and somewhat rebellious, energy. Its design appears as if it were the product of ink or paint bein...
The font "28 Days Later" crafted by Jens R. Ziehn is an evocative and emotionally resonant typeface that captures a poignant blend of chaos and beauty. It draws its inspiration from the gritty and ra...
Shifty Chica 2, crafted by the prolific Canadian type designer Ray Larabie, encapsulates a spirited and whimsical flair, positioning itself as an energetic continuation of its predecessor. Larabie, k...

Before Bodoni, there was Didot. With the publication by Francois Ambroise Didot of Paris in 1784 of his prospectus for Tasso’s La Gerusalemme Liberata, the rococo typographical style of Fournier de Jeune was replaced with a spartan, neo-classical style that John Baskerville pioneered. The typeface Didot used for this work was of Didot’s own creation and is considered by both G. Dowding and P. Meggs to be the first modern face. Three years later, Bodoni of Parma is using a very similar face. Just as Bodoni’s typeface evolved over time, so did that of the Didot family. The eldest son of Francois Ambroise Didot, Pierre, ran the printing office; and Firmin ran the typefoundry. Pierre used the flattened, wove paper, again pioneered by Baskerville, to permit a more accurate impression and allow the use of more delicate letterforms. Firmin took full advantage of the improved paper by further refining the typeface introduced by his father. The printing of Racine’s Oeuvres in 1801 (seen in our gallery image #2) shows the symbiotic results of their efforts, especially in the marked increase in the sharpness of the serifs when compared to their owns works of only six years earlier. It has been suggested that one reason Bodoni achieved greater popularity than Didot is the thinner hairlines of Didot were more fragile when cast in metal type and thus more expensive for printers to use than Bodoni. This ceased to be a problem with the advent of phototypesetting, opening the door for a renewed interest in the work of the Didot family and especially that of Firmin Didot. Although further refinements in the Didot typeface were to come (notably the lower case ‘g’ shown in 1819), we have chosen 1801 as the nominal basis for our presentation of HiH Firmin Didot. We like the thick-thin circumflex that replaced the evenly-stroked version of 1795, possible only with the flatter wove paper. We like the unusual coat-hanger cedilla. We like the organic, leaf-like tail of the ‘Q.’ We like the strange, little number ‘2’ and the wonderfully assertive ‘4.’ And we like the distinctive and delightful awkwardness of the double-v (w). Please note that we have provided alternative versions of the upper and lower case w that are slightly more conventional than the original designs. Personally, I find the moderns (often called Didones) hard on the eyes in extended blocks of text. That does not stop me from enjoying their cold, crisp clarity. They represent the Age of Reason and the power of man’s intellect, while reflecting also its limitations. In the title pages set by Bodoni, Bulmer and Didot, I see the spare beauty of a winter landscape. That appeals to a New Englander like myself. Another aspect that appeals to me is setting a page in HiH Firmin Didot and watching people try to figure out what typeface it is. It looks a lot like Bodoni, but it isn't!
Hothen is a new variant of the beautiful script type with linkable hearts which is here to complete your script font collection. Hothen is perfect for branding, wedding invitations, business cards, posters, quotes and other romantic projects. Hothen features OpenType style alternatives, international binders and support for most Western Languages ??included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Hothen is encoded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/application. If you need help or have any questions, let me know. I'm happy to help. Thank you. AF Type
Baveuse, a distinctive font crafted by the talented Ray Larabie, encapsulates a unique charm that sets it apart in the diverse world of typography. Known for his prolific work and contribution to the...
Wet Pet, designed by the prolific Canadian typographer Ray Larabie, is a whimsical and expressive font that bursts with creative energy. Known for his wide range of typefaces, Larabie has a knack for...
Lady Starlight by Ray Larabie is a distinctive font that captures the essence of whimsicality and enchantment. Ray Larabie, known for his diverse and prolific contributions to the world of typography...
Alright, picture this: Budmo Jiggler is like the life of a design party, a font that truly knows how to have a good time. Crafted by the talented Ray Larabie, a name synonymous with typeface innovati...
Rexlia Free, designed by the talented Ray Larabie, is a font that manages to balance a robust, industrial aesthetic with an undercurrent of playful quirkiness. This typeface is not your average font;...