Fountain Pen Frenzy is an enchanting typeface crafted by the creative minds at Redruth's Basement Software, designed to capture the elegance and spontaneity of handwriting with a traditional fountain...
The font "Independant" by Apostrophic Labs is an engaging typeface that stands out for its unique character and distinctive appeal. Created by the talented team at Apostrophic Labs, a foundry known f...
The Sony Sketch EF font is an engaging, charismatic typeface that brings a hand-drawn, artistic touch to any project. Crafted by Diezil, this font stands out for its unique blend of casual flair and ...
The Shredded font, as its name suggests, exudes an aura of roughness and intensity, perfect for projects that demand attention and a strong visual impact. This typeface, with its unique characteristi...
The Twin Marker font, created by the talented Tom Raaijmakers, takes its inspiration from the aesthetic and functionality of hand-drawn marker strokes, combining the casual flair of handwritten messa...
The general idea: Can You imagine to yourself, what the hydroelectric power station is? The building of this electricity production foundry is half hidden under the water, but the visible above-water part astonishes your sense. It is a construction almost 1,5 km length dammed out the powerful river stream. Besides thousand of electricity conduction lines supports it bears also the highway and the railroad. From a faraway distance the train seems like a caterpillar that has climbed up the stout tree. There are also the navigable sluices, the flood channels and other erections. The idea of this typeface outlines arrived to the authors exactly on the viewing platform, under the impression of the waterfalls, which are escaping from the dam womb, falling from almost 50 meters altitude and becoming white-haired during this flight. Release: in the form of "gorod.Volgograd" font with the one style. We work with other styles now and sometime we will be very glad to introduce the Bold and Italic styles to You. We should explain the font name meaning. "Gorod" is "city of" in Russian and Volgograd is the old, big and famous Russian city. The Volga hydroelectric power station of a name of XXII congress of the CPSU caused the Volgograd sea formation. It expands of 14 km width and more than 600 km along the Volga river-bed. But HEPS isn't the sole Volgograd sight. There are many interesting places here. The most known tourist sight, the visit card of Volgograd is the Mamaev Hill. Being here You can see almost all 100 kilometers of city length. Due to its geographical position, Mamaev Hill has got a great importance during the Great Patriotic War (1941-1945). It became and still is the Main Height of Russia. Soviet people have built the huge stately memorial ensemble here. There are many other witnesses of the heroic past of Volgograd: the Alley of Heroes, the Perished Fighters Square, the Soldiers Field and others. The line of tank turrets is stretched out along all town not far from Volga bank. It marks the line, where fascist troops was stopped in 1943. It is very amazingly when You dive under the ground on a usual tram. Volgograders have built a few underground station for the high-speed tramway. The river tram need a quarter of an hour to get an island in the Volga. And You need the same time to walk across the river station. The Volga-Don navigable channel starts from Volgograd. There are planetarium, circus, some theatres, many museums in Volgograd. One of football matches of Euro-2004 qualifying round took a place in the "Rotor" stadium in Volgograd. Volgograd holds the longest - above 50 km - park in the world. Its avenues, squares, embankments are beautiful, Volgograd central districts are built in unique architecture style called the Stalin Empire. You can enjoy fountains, parks, attractions, water-pools and other Volgograd sights. If You visit Volgograd once You'll never forget it. You can read about the ancient history of Volgograd city on the Tsaritsyn font page. Also we plan to create the Stalingrad font and give You a short story about another period in Tsaritsyn-Stalingrad-Volgograd history.
Inhuman BB is a font that stands out for its dynamic and expressive qualities, designed to capture attention with its unique character. Developed by Blambot Fonts, a foundry well-known for creating c...
Draggletail isn't a widely recognized name in the vast expanse of typography where classic, contemporary, and quirky fonts intertwine. However, the mere invocation of its unique name suggests an arti...
Rough Owl, designed by Philip Trautmann, is a mesmerizing font that captures the eye with its unique blend of roughness and charisma. Philip Trautmann, known for his versatile font designs that often...
"KG Something to Believe In" is a font that embodies a charming balance between casual appeal and crafted elegance, a true testament to Kimberly Geswein's ability to blend personal expression with un...
Ah, Lein Bold, the typeface that struts into the typographic scene with the confidence of a peacock at a bird show. Picture this: if fonts were people, Lein Bold would be that one friend who's always...
Ah, COM (sRB) by sRB-Powers, a true enigma wrapped in a digital font file. Imagine if a group of pixels woke up one day, decided to become fonts, and then went on a wild, adventurous spree guided by ...
The "ShipsNBoats" typeface, a captivating creation by Manfred Klein, is an aesthetically distinct font that brings the essence of maritime wonders directly to the realm of typography. Klein, known fo...
Rosango is a captivating font that emerges from the creative mind of Josep Patau Bellart, a name well recognized in the typography community for crafting fonts that blend artistic innovation with fun...
Ah, Signika, the font that seems to wear a business suit with a quirky tie — sophisticated yet undeniably friendly. Crafted by the immensely talented Anna Giedrys, Signika strides into the world of t...
As of my last update, Rammstein isn't widely recognized as a standard or commercially available typeface in the traditional sense, such as Helvetica or Times New Roman. Instead, Rammstein's associati...
Garbageschrift, a font that is as unique and eclectic as its name suggests, takes typography on an adventurous journey, challenging the traditional boundaries of design and readability. The genesis o...
LoosieScript is an enchanting script font that offers a delightful blend of classic calligraphy with contemporary flair. Its design is characterized by fluid, expressive strokes that simulate the ele...
The Great Escape, designed by Kimberly Geswein, is a font that carries a sense of personal touch and warmth, embodying traits that make it stand out in a world filled with digital texts and standard ...
The VTC-RoughedUp font by Vigilante Typeface Corporation (VTC) stands out as a distinctive typeface that captures the essence of raw, gritty, and unrefined aesthetics. The design embodies a rugged ch...
The "Surrendered Heart" font, crafted by the talented Kimberly Geswein, is a testament to the raw emotional power that typography can hold. This font, with its bewitching blend of elegance and whimsy...
The "Aint Nothing Fancy" typeface by David Kerkhoff is a delightful embodiment of simplicity and authenticity, perfectly capturing the essence of its name. This font stands out for its unpretentious,...
Cardo is a classic yet sophisticated serif typeface that was designed with a clear purpose in mind: to create a font that is highly suitable for academic and professional contexts, particularly those...
Certainly! The Sachiko font by Nymphont is a testament to the charm and allure that type design can offer. At its essence, Sachiko is a script font, characterized by fluid, cohesive strokes that seem...
Great Vibes is a beautifully crafted script font that exudes elegance and sophistication. Created and distributed by GFonts, it's a typeface that truly lives up to its name, bringing a sense of great...
Korean Calligraphy, known as "Seoye" (서예) in Korean, is not just a font but an art form that embodies the grace, tradition, and aesthetic precision of Korean culture. It is an artistic practice of ha...
The Underwood1913 font by Gilles Le Corre is a striking typeface that vividly captures the essence and nostalgic charm of early 20th-century typewriting. Inspired by the Underwood No. 5 typewriter, w...
The font named "Jean-Claude's Hand" by Philippe Blondel is a handwriting style font that captures the essence of personal, hand-crafted correspondence. This particular font is characterized by its or...
Paternoster AH is a font that seems to capture the essence of tradition and modernity, blending them seamlessly into a design that feels both familiar and innovative. Its name, evoking the ancient "O...

Aphrodite Slim Pro is not just a lighter version of its sister Aphrodite Pro. Aphrodite Slim Pro has duplicated the quantity of characters of its partner, and that means more than 500 new glyphs, reaching a total of more than 1000. More delicate and meticulous, Aphrodite Slim Pro is once more a new typography with deep calligraphic ideals: We immersed ourselves into the world of each calligraphy ductus and each calligraphy masters by studying from decoration to lettering books. This was the key for the logic of Aphrodite Slim’s behavior. The new concept of Aphrodite Slim Pro was to join diverse styles of calligraphy in one in order to achieve an autonomous expressiveness, in fact, this is what calligraphy aims to, and we agreed to bring those ideals to the world of typography: It is justifiable to be inspired in hundred-year-old calligraphies, but it is even better if the results you obtain have a plus. A personal plus. During the creation process we were wondering whether it was possible to mix certain strokes of such rigid styles as uncial, (Li·n’s favourite style), with strokes of the copperplate, (Sav’s favourite style), and also to take and mix cualities of cancelleresca cursiva, formata and moderna; finally giving our creation a roman-transition italic look. So Aphrodite Slim takes ideals and aspects from those formal styles, following its own logic though, and emphasizing the fact of being a decorative typography. Calligraphy masters of our past are who we are in debt with. They are the cause we have lovely letters now. They have been spontaneous at the moment of creation, what differs from the type-designers of nowadays, whose spontaneity is more limited. Digital faces that we are used to see these days are a result of long hours of optical adjustments, grids, macros and inspirations of other existing typography, but without personal contributions. Aphrodite Slim wants to refute this. Its mission is to rescue de spontaneity of the artesanal lettering in order to obtain unique words; those which only calligraphy masters of our past or lettering artists of our present could give us. We have worked hard to achieve this, making Aphrodite the most universal font we could: It was necessary to study the most common words, focalizing more in the ones referring to “sensitivity”, of four of the most spoken languages in the world. Aphrodite Slim has an enormous quantity of decorative characters and special ligatures for phrases and words in English, French, Spanish and German. (See English, Français, Español, Deutsch PDF in the gallery section). We promise there is no existing type that decorates/ligates glyphs and words like Aphrodite Slim does: It is the first time a font like this really considers its purpose. -The way glyphs are ligated is insane- : Aphrodite Slim rescues some ideals of persons like Jan van den Velde (Italian cancilleresca writing of XVI Century) who understands ascenders and descenders as possibilities to beautify the lines of writing with curved strokes that seem to be dancing above and below of the words. This master also creates ascenders and descenders even where they are not necessary, on letters that do not actually need them: Aphrodite Slim takes this ideal. The font counts with a wide range of glyphs that seem not to be satisfied with its more primitive form and prefer to extreme their parts to be decorative. It also existed masters of calligraphy like José de Casanova of XVII Century, who, with a magnificant skill and a really personal mark, had the particularity of ligating words that were actually separated with spaces. This is another innovative feature in Aphrodite Slim. An investigation of the most common beginnings and endings words of the English language was done. Having that feature activated (discretionary ligatures), common words will start to ligate or to be decorated even when they are separated by spaces. Impossible to forget Francesco Periccioli of XVII Century and our experience us designers to face with works of him: His letters, that today are included in the group of cancellerescas modernas, have been a direct inspiration to the oldstyle figures and historical forms variables in Aphrodite Slim. Giovanni Antonio Tagliente (XVI Century) and his particular way of making tails and diagonals longer than usual, qualities that our creation reflects too. Finally, our adventures in Biblioteca Nacional and Barrio San Telmo, Buenos Aires, were essential for us to make Aphrodite Slim more complete and interesting: Sav did an excellent work when studying how the decorative miscellanea and swirls of early XX century were. She also investigated what particularities made those roman titling characters look antique so she could rescue some ideals for the oldstyle figures and historical forms variables. This also leaded her to create the ornaments variable in Aphrodite Slim. We are really proud of presenting Aphrodite Slim Pro, a typography that was the result of days and nights of working hard, because we do love what we do; and we are glad we are living in a present that gives us the possibility to spread this kind of art, because that is the way we consider our job: Aphrodite Slim Pro is Art. Hope you can appreciate the enormous work this type has. Features. Aphrodite Slim Pro is the most complete variable. It includes more than 1000 glyphs. Thanks to the Open-Type programming, it counts with a easy way to change/alternate glyphs if the application in which the font is used supports this. The variables contained in Aphrodite Slim Pro are also offered separately. Aphrodite Slim Text: It is the variable for lines and paragraphs. Thus it is the least ornamental and the most accurate to achieve a satisfying legibility. It has the Standard Ligatures feature in order to improve the possible conflicts some glyphs could have by others. Aphrodite Slim Contextual: It is the one that makes emphasis in decorating. It has the particularity of ligating/decorating words of common use in English, French, Spanish and German. It also has the quality of ligating common beginnings and endings of the common words in English. Aphrodite Slim Stylistic: With similar features of Slim Contextual. It includes a set of decorative numbers for a display use. Aphrodite Slim Swash: This one has special beginnings and endings to decorate words. Aphrodite Slim Endings: It makes words look as a signature. Aphrodite Slim Historical: It adds an antique look to the written word. It also has the special historical ligature function. Aphrodite Slim Titling: This one is the most decorative. Its copperplate inspired ornaments give words a special color, in order to handle the quantity of decoration, it comes with the standard ligature feature, which has the most common ligatures plus others that make decorative swirls not to be conflictive. Aphrodite Slim Ornaments: A set of 52 ornaments. Aphrodite Slim Pro includes all this features plus the Stylistic Set 1; Stylistic Set 2 and the possibility of Slashed Zero. We recommend you to check out the gallery in order to see all these features in action.
CoasterPoster by Nick Curtis stands as a tribute to the vibrant and boisterous spirit of vintage amusement parks and circuses, encapsulating the essence of fun and excitement through its design. As y...
Topaz, as one might imagine when hearing the name, boasts an elegance and clarity reminiscent of the gemstone itself. It is not just a font; it's an embodiment of sophistication and versatility, desi...
Ah, Bou College, the font that decided it was time to put its varsity jacket on and strut through the halls of typographical academia with a sporty swagger. Picture this: the letters, muscular and fi...
SimpleType by Fenotype is an artful embodiment of minimalist aesthetics blended with pragmatic functionality in the realm of typography. Crafted by the esteemed Fenotype, a foundry known for their in...
The "Etaoin Shrdlu" font, crafted by the designer known as SpideRaY, is a compelling tribute to the history and legacy of typographic design and typesetting. The name itself, "Etaoin Shrdlu," origina...
Oriental View by Lime is a unique font that encapsulates the essence and beauty of East Asian calligraphy within the framework of contemporary typeface design. It stands out for its elegant mixture o...
As of my last update, MW BISHOP by milkwort is a font that embodies a unique blend of traditional elegance and contemporary creativity, a reflection of milkwort's innovative approach to typography. M...
Beth Ellen is a unique font that harnesses the essence of heartfelt, handwritten correspondence. Designed by Rob Jelinski, this font captures the intimate and personal touch often found in handwritte...
Kreepshow 'Frigid' is a unique and visually captivating font that seems to have been carefully crafted to evoke a sense of chilling suspense, perfect for uses that require a touch of the eerie or the...
The "AprendizCaligrafico" font by Intellecta Design embodies a delicate balance between elegance and expressiveness, capturing the essence of traditional calligraphy while infusing it with a contempo...