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  1. Sure thing! The KR Shake font, designed by Kat Rakos, is a playful and dynamic typeface that truly brings a whimsical charm to any project it graces. Imagine the carefree joy of a sunny day or the li...
  2. The "Burgundian" font, created by Altsys Metamorphosis, embodies a distinctive blend of historical allure and modern craftsmanship, making it a fascinating subject in the realm of typography. This fo...
  3. Kremlin Starets, designed by Bolt Cutter Design, is a font that captures the essence of Russia's rich historical and cultural past. This typeface stands out with its distinctive characteristics, draw...
  4. Paternoster AH is a font that seems to capture the essence of tradition and modernity, blending them seamlessly into a design that feels both familiar and innovative. Its name, evoking the ancient "O...
  5. Sure, diving into the essence of a font named "Oneworldonefuture" designed by Dieter Schumacher is like embarking on a journey through artistry and vision. This is not just a mere collection of lette...
  6. AHDN is a unique and engaging font that captures the essence of vintage charm mixed with modern sophistication. Named with a nod to nostalgia, AHDN evokes memories of the past while fitting seamlessl...
  7. The Conduit 2 Italics BRK font, crafted by the talented designer or group known as AEnigma, is a striking example of typeface design that brings together utility with a distinct personality. This fon...
  8. The D3 Labyrinthism katakana font, created by Kat Rakos, stands as a unique and mesmerizing addition to the typographic landscape. Its design is heavily influenced by the intricate and complex pathwa...
  9. The Cast Iron font by West Wind Fonts embodies a sense of rugged durability and timeless strength, reminiscent of the era when cast iron was a fundamental material in everyday life and industrial inn...
  10. Yorktown is a distinctive font created by Dieter Steffmann, a renowned German typographer known for his prolific contribution to the realm of digital typography. With a keen eye for historical font s...
  11. The Elizabeth font, created by the versatile typeface designer David Rakowski, offers a unique blend of historical elegance and contemporary finesse. This font pays homage to the intricate calligraph...
  12. Sure, let's dive into the vibrant and quirky world of the font "Kinkee" crafted by Fontalicious. Right off the bat, it's clear that Kinkee doesn't play by the rules of conventional typography. This f...
  13. BaileysCar, crafted by the talented Ray Larabie, is a font that captures the essence of retro and modern design, blending them seamlessly into a typeface that's both nostalgic and forward-looking. Ra...
  14. Gather round, fellow digital travelers, for the tale of Verdana, the oft-overlooked hero of our screens. Born in the digital renaissance of the 1990s, Verdana was a child prodigy among fonts, designe...
  15. KR Beautiful Flowers 3, crafted by the talented Kat Rakos, is an enchanting font that captures the essence of a meticulously tended floral garden. At its core, this font represents a harmonious blend...
  16. Absolutely, I'd love to talk about the Royal Initialen font created by Dieter Steffmann! Picture this: a typeface that feels like a journey back in time, capturing the elaborate and ornate style of h...
  17. "Yukon Tech Italic," a distinctive font by Iconian Fonts, embodies a modern and adventuresome spirit, aptly resonating with technology and innovation themes. Created by Iconian Fonts, a foundry renow...
  18. The "Akademie Alte" font, crafted by the talented Marath Salychow, is a testament to the enduring elegance of classic typefaces while incorporating contemporary nuances that make it stand out. This f...
  19. Ah, the LED Counter 7 by Style-7, a font that hails from the digital age, winking at us from the not-so-distant past. Imagine, if you will, stepping into a time machine, only to find that instead of ...
  20. The Rudelsberg font, crafted by the talented type designer David Rakowski, embodies a fascinating blend of traditional charm and modern flair. This distinctive typeface carries within its letterforms...
  21. Drummon 3D by GemFonts | Graham Meade stands out in the bustling city of typography like a neon sign at a Las Vegas casino, beckoning the eyes of passersby with its undeniably bold and three-dimensio...
  22. Alba Super, designed by the foundry Fontalicious, is a distinctive and lively display font that exudes a sense of playful energy and uniqueness. It’s a part of the larger Alba family, which is known ...
  23. BastardusSans, created by the prolific font designer Manfred Klein, is a distinctive typeface that effortlessly captures an intriguing blend of historical charm and contemporary sleekness. Manfred Kl...
  24. Ah, Roskell, the font with more character than your quirky uncle at a family reunion! Crafted by the talented Dieter Steffmann, a maestro in the symphony of typefaces, Roskell pirouettes onto the sce...
  25. Droid Serif is a contemporary serif typeface family commissioned by Google and designed by Steve Matteson of Ascender Corporation. Unveiled in 2007 as part of the Droid family of fonts, it was crafte...
  26. The font "Yugoslavia" by deFharo is a distinctive typeface that draws inspiration from the complex history and cultural fusion of the region it is named after. This font is a creative interpretation ...
  27. Nineteen Ten Vienna, crafted by Apostrophic Labs, is a unique font that embodies an artistic blend of vintage elegance and contemporary sharpness, drawing its inspiration from the early 20th century ...
  28. The Saddlebag font, created by the renowned German typeface designer Dieter Steffmann, is an evocative and distinctive font that harks back to the adventurous spirit of the Wild West. Its design enca...
  29. The "Soviet" font by Iconian Fonts is a captivating and visually impactful typeface that harks back to the graphic design style prevalent in the Soviet Union during the 20th century. Designed to evok...
  30. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  31. The id-Kaiou-LightOT font, created by Inoue Masaru, represents a striking example of modern typographic design that synthesizes traditional elegance with contemporary clarity. This font is part of a ...
  32. Certainly! Millhouse, crafted by the creative minds at Sharkshock Productions, stands as a testament to the power of typography in adding character and depth to textual communication. Millhouse is no...
  33. "Calligraphy Pen" by SpideRaY heralds a return to elegant, meticulous handwriting that has graced manuscripts and documents for centuries. This font encapsulates the fluidity and expressive nature of...
  34. Avondale Outline is a distinctive font that exudes a unique blend of modernity and nostalgia, crafted by the creative minds at Apostrophic Labs. This font is part of the larger Avondale family, which...
  35. The "Iron Lounge Smart" font, crafted by the imaginative minds at PizzaDude, stands as a testament to the playful yet bold essence of contemporary typography. At its core, this font encapsulates a un...
  36. Vintage Melody Personal Use by Din Studio is a font that at first glance transports you to an era where handwritten letters were the primary means of communication, and each stroke of the pen was inf...
  37. Last Ninja by Freaky Fonts is an evocative and character-rich typeface that captures the essence of mystery and agility associated with the ancient warriors it is named after. At first glance, Last N...
  38. Quad Ultra, crafted by the innovative minds at Font Fabric, stands out as a distinct and powerful typeface designed to capture attention and make a bold statement. This typeface is characterized by i...
  39. Prepare yourself to delve into the whimsically wicked world of EvilGenius BB, a font that could only spring from the vibrant minds at Blambot Fonts. This is a font that puts on a cape, laughs maniaca...
  40. Sure! The 21 Kilobyte Salute font, crafted by Eric Perlin, is a distinctive and captivating typeface that captures the essence of digital nostalgia and the early era of personal computing in a modern...
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