Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.

Juga font is a classic retro game-themed font, this font is adjusted so it doesn't look pixelated, and is more modern to use at this time.

The Phosphor font was designed by Jakob Erbar and released in 1930. This inline headline face was designed to look like glowing letters, hence its name Phosphor.

Giglio Rosso is a decorative typeface with a floral design. The font is named giglio rosso, “red lily,” because it is inspired by the symbol of Florence.

This baby's got a fancy look to it. I personally used it for the nameplate at my frontdoor. You oughta do the same for your frontdoor too!

Gothic Bold Condensed, first shown in 1889 by Hamilton wooden type founders. With lowercase. Gothic Bold Expanded.

Bouteilles is French for bottles. No fancy name this time, just bottles. You’re probably wondering why I chose this name… Well, I was taking out the glass (in Holland we recycle just about everything, glass, paper, plastic, metal, garden and kitchen waste, etc.), which included a number of French wine bottles. As I was throwing them into the underground container one block from where I live, I realised that the word Bouteilles actually sounds great and it would be a nice name for a font! Yes, it is that simple! Bouteilles is a nice brush font I made with my trusted Chinese ink and a really worn brush I found. It comes with all the diacritics you need plus two sets of alternates, which you can play with!

The name African Gold is associated with Johannesburg, the "City of Gold"; (the Zulu name for Johannesburg is eGoli). The font was so named for two reasons: the intricate African patterns within the characters of the font suggest the shafts and tunnels of a gold mine, and, as with a gold mine, the richness lies within. African Gold is a display font that is best used at larger sizes, however, it contains a full character set with all accents, special characters, diacritical marks and all the characters are carefully spaced and kerned. The numerals are mono-spaced so that they will line up correctly in columns of figures. The letters of the alphabet are spaced according to their width and are carefully kerned to create an attractive appearance.

When Baka and Baka Too did very well commercially (Baka was named the Best Cursive Rough Script in 2005), I shied away from doing rough, handwritten scripts in fear as being seen as a one-trick-pony. A few years have passed and some early sumi-e brush ‘doodles’ kept appealing to me. I initially thought this new font would just fall under the Baka mantle and just become a new sibling, but as brush hit paper over and over again, the letters took on a different personality from Baka. This new font was turning out to be far more expressive, smooth and rough, tasty but sticky. This dichotomy demanded a new name. The rough and smooth texture suggested the name Fugu—oddly delicate while rough and functional.