1,861 search results (0.032 seconds)
  1. Husky Stash, a distinctive font created by the renowned type designer Ray Larabie, is a vivid embodiment of creativity and flair. This typeface exudes a playful yet sophisticated spirit, making it a ...
  2. The Fh_Perception font, crafted by the design entity known as Fictionalhead, stands as a notable example of modern typography that combines aesthetic appeal with functional versatility. This font is ...
  3. Corporate HQ, designed by the talented Vic Fieger, is a font that embodies a unique blend of professionalism and creativity. Reflecting the essence of corporate identity with a twist of individuality...
  4. Amerika, designed by Apostrophic Labs, is a distinctive font that captures the essence of innovation and creativity. It embodies a blend of modernity and tradition, presenting itself through an excit...
  5. The KR Leafy font, created by the talented Kat Rakos, beautifully captures the essence of nature in its design, making it a distinctive choice for a wide array of creative projects. Its uniqueness li...
  6. Tozuna is a captivating font meticulously designed by Alberto Rodriguez. It embodies a balance between modernity and tradition, offering a fresh perspective on typeface design. Tozuna stands out for ...
  7. Rasstapp 1.0 is a captivating font that immediately draws you in with its unique blend of modern and retro vibes, reminiscent of both futuristic aspirations and a nod to nostalgic script styles. Its ...
  8. Chain_Reaction is a compelling font that effortlessly walks the line between chaos and structure, evoking feelings of creativity bursting at the seams. Its design intricately combines elements of unp...
  9. The LT Oksana font, designed by Nymphont, is a delightful typeface that radiates charm and elegance. At first glance, LT Oksana captivates with its smooth, rounded serifs and a playful yet sophistica...
  10. As of my last update in April 2023, the font named "Midiet" crafted by YOFonts presents a unique blend of artistic elegance and modern flair, catering to a wide range of design needs. This font stand...
  11. The Lizzie font is a captivating script typeface that embodies the essence of personal handwriting with a touch of elegance and sophistication. It is characterized by its fluid, graceful lines and or...
  12. As a creation of Tattoo Woo, the Quasari font is an exquisite display of the artistic finesse and bold creativity that defines the designer's portfolio. It is imbued with a sense of fluid motion and ...
  13. The Mutlu font, with its name meaning "happy" in Turkish, is a script font that exudes joy and exuberance. A distinguishing feature of Mutlu is its flowing, ornate characteristics that mimic the flui...
  14. The Occoluchi Minicaps font, carefully crafted by GemFonts | Graham Meade, stands out as a testament to the playful yet functional aspect of type design. This font encapsulates a whimsical spirit whi...
  15. MicroMieps is a distinctive typeface that captures the essence of precision, clarity, and modernity, making it a stand-out choice for various design and typographical projects. Characterized by its c...
  16. Cantabile, a font crafted by the talented Harold Lohner, is a distinguished typeface that lives up to its musical name, evoking a smooth and lyrical quality akin to the way a Cantabile passage in mus...
  17. Arctic is a font that embodies the chill, pristine vastness of its namesake, while also encapsulating warmth and approachability. Imagine the sharp, clean lines of ice formations and the fluid, organ...
  18. Ankora, crafted by the creative minds at Apostrophic Labs, embodies a unique blend of artistry and functionality in its design. Apostrophic Labs, known for their innovative and free-spirited approach...
  19. AB UltraChic, as the name suggests, is a font striking in its elegance and modernity. Crafted carefully by Redfonts, a design entity known for its innovative approach to typography, this font manages...
  20. The 1543 Humane Jenson font, designed by Gilles Le Corre, is a tribute to the rich history of typography, blending meticulous craft and historical homage. This font is intricately designed to echo th...
  21. The Drunken Sailor font, crafted by the prolific Manfred Klein, is a whimsical and playful typeface that embodies the spirit of maritime lore and the rolling waves of the sea. Its letters, with their...
  22. Feldicouth Norm by Three Mile Island is a captivating font that carries a unique charm, making it stand out among many in the realm of typography. This font is a true testament to the creativity and ...
  23. The Victor Moscoso font, crafted by Keith Bates, is an homage to the distinctive and revolutionary art style of Victor Moscoso, a pivotal figure in the psychedelic art movement of the 1960s. Moscoso,...
  24. DS Thompson, crafted by the talented Nikolay Dubina, is a font that radiates a distinctive blend of charm, functionality, and historical resonance. Imbued with an aura of nostalgia and elegance, this...
  25. SF Espionage Light, crafted by ShyFoundry, stands as a testament to the world of sleek, contemporary typefaces designed with precision and a nod towards covert operations and the mystique of spy cult...
  26. Teimer Std by Suitcase Type Foundry, $75.00
    Typographer and graphic designer Pavel Teimer (1935-1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather than Bodoni. He re-evaluated these archetypes in an individual way, adjusting both height and width proportions and modifying details in the strokes, thus effectively breaking away from the historical models he used as a starting point. Teimer's antiqua has less contrast; the overall construction of the characters is softer and more lively. The proportions of the italics are rather wide, making them stand out by their calm and measured rhythm. This was defined by the purpose of the typeface, as it was to be utilised for two-character matrices. The long serifs are a typical feature noticeable throughout the complete family of fonts. In 1967, a full set of basic glyphs, numerals and diacritics of Teimer's antiqua was submitted to the Czechoslovak Grafotechna type foundry. However, the face was never cast. At the beginning of 2005 we decided to rehabilitate this hidden gem of Czech typography. We used the booklet "Teimer's antiqua - a design of modern type roman and italics", written by Jan Solpera and Kl‡ra Kv’zov‡ in 1992, as a template for digitisation. The specimen contains an elementary set of roman and italics, including numerals and ampersands. After studying the specimen, we decided to make certain adjustments to the construction of the character shapes. We slightly corrected the proportions of the typeface, cut and broadened the serifs, and slightly strengthened the hair strokes. In the upper case we made some significant changes in the end serifs of round strokes in C, G and S, and the J was redrawn from the scratch. The top diagonal arm of the K was made to connect with the vertical stem, while the tail of Q has received a more expressive tail. The stronger hairlines are yet more apparent in the lower case, which is why we needed to further intervene in the construction of the actual character shapes. The drawing of the f is new, with more tension at the top of the character, and the overall shape of the g is better balanced. We also added an ear to the j, and curves in the r have become more fluent. To emphasise the compact character of the family, the lining numerals were thoroughly redrawn, with the finials being replaced by vertical serifs. The original character of the numerals was preserved in the new set of old-style figures. To make the uppercase italics as compact as possible, they were based on the roman cut rather than on the original design. The slope of lowercase italics needed to be harmonised. The actual letter forms are still broader than the characters in the original design, and the changes in construction are more noticeable. The lower case b gained a bottom serif, the f has a more traditional shape as it is no longer constricted by the demands of two-matrice casting, the g was redrawn and is a single storey design now. The serifs on one side of the descenders of the p and q were removed, the r is broader and more open. The construction of s, v, w, x, y, and z is now more compact and better balanced. Because Teimer was designed to make optimal use of the OpenType format, it was deemed necessary to add a significant amount of new glyphs. The present character set of one font comprisess over 780 glyphs, including accented characters for typesetting of common Latin script languages, small caps and a set of ligatures, tabular, proportional, old style and lining, superscript and fraction numerals. It also contains a number of special characters, such as arrows, circles, squares, boxed numerals, and ornaments. Because of its fine and light construction, the original digitised design remained the lightest of the family. Several heavier weights were added, with the family now comprising Light, Light Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold, and Bold Italic.
  27. Blank Manuscript by Aah Yes, $14.95
    Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave
  28. The font Swanky and Moo Moo is a playful and whimsical typeface created by Kimberly Geswein, a notable figure in the world of typography known for her diverse and expressive fonts. This particular fo...
  29. Heidorn Hill crafted by Apostrophic Labs is a typeface that marries the essence of adventurism with the meticulous touch of modern design. It embodies a sense of exploration, reminiscent of a journey...
  30. The font "Shower Flower" by Heather Daniel is a delightful and visually engaging font that encapsulates a playful yet sophisticated essence, making it a perfect choice for a wide range of creative pr...
  31. The "Soul Of Holitter Alternative" font, crafted with artistic expertise by Holitter Studios, is a font that exudes a unique blend of charisma and versatility, distinguishing itself from the multitud...
  32. The Moebius font by Peter Wiegel is a unique and fascinating display typeface that stands out due to its distinctive characteristics and visual appeal. It is named after Jean Giraud, who was famously...
  33. The font "Effortless" by Tup Wanders is a beautifully crafted typeface that truly lives up to its name. It embodies a sense of simplicity and fluidity that makes text appear as if it's been effortles...
  34. The "404error" font is a conceptual typeface that draws inspiration from the digital era's most infamous hiccup, the "404 Not Found" error encountered on the web. This font embodies the essence of di...
  35. TypoLatinserif-Bold, a distinguished font created by the prolific German type designer Manfred Klein, is a testament to the harmonious blend of traditional elegance and modern precision. This font em...
  36. Commuter, a distinctive font designed by The Type Fetish, stands out for its modern and versatile aesthetic. This typeface, crafted with clarity and functionality in mind, offers a sleek and contempo...
  37. The Sun n Moon font is an enchanting typeface designed to capture the whimsical essence of celestial bodies, harmoniously mingling the warmth of the sun with the tranquility of the moon. At its core,...
  38. Sion, a distinctive typeface crafted by the talented David Pache, stands as a testament to modern design blending with functionality. This font reflects Pache's meticulous attention to detail and his...
  39. Pea Lyndal, a free handwriting font from Fonts For Peas, encapsulates the charm and personality you’d expect from a thoughtfully designed personal handwriting style. Its creation, inspired by individ...
  40. The Opera-Lyrics-Smooth font, crafted by Dennis Bathory-Kitsz, embodying a unique blend of classic elegance and contemporary flair, serves not just as a tool for text display but as an artistic expre...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing