8,162 search results (0.033 seconds)
  1. Jokewood, crafted by Fontalicious, is a typeface that seemingly jumps straight out of a whimsical comic book or animated series from a bygone era, encapsulating the essence of fun and playfulness in ...
  2. Franklin Cascaes is a font that notably embodies a captivating blend of cultural heritage and artistic expression. Named after Franklin Cascaes (1908-1983), a celebrated Brazilian folklorist, artist,...
  3. The VTC-RoughedUp font by Vigilante Typeface Corporation (VTC) stands out as a distinctive typeface that captures the essence of raw, gritty, and unrefined aesthetics. The design embodies a rugged ch...
  4. The font MissingLinks, crafted by the prolific font designer Manfred Klein, is a captivating and unique typeface, infused with a blend of artistic flair and whimsical irregularities. Manfred Klein, k...
  5. The font "Waiting for the Sunrise" by Kimberly Geswein is a striking example of how typography can capture emotion and artistic expression. At its core, this font embodies a sense of anticipation and...
  6. Well, imagine if a jar of honey and a bouquet of flowers had a baby on a sunny spring afternoon. That baby would be the font "Feelin Sweet" by Ardian Nuvianto. It's like every letter was dipped in a ...
  7. Alright, picture this: The font Greghor II, conjured from the depths of the creative mind of KLoNk, rolls onto the scene with the swagger of an eccentric uncle at a family barbecue. It's not just any...
  8. Ah, the Pinstripe Limo font by Nymphont, a true enigmatic character in the grand party of typefaces! Imagine, if you will, a font that decided it didn't just want to attend the soiree of style; it wa...
  9. Ah, Argillites by RockboyStudio - the font that sounds like it could be a long-lost dinosaur species or an ancient mineral coveted by trendy interior designers! But no, it’s neither. It’s something f...
  10. The font "Chesterfield" by Afrojet is a majestic and uniquely stylized typeface that seamlessly blends vintage charm with modern sophistication. Afrojet, known for their creative ingenuity, has craft...
  11. Pavement is a contemporary font that resonates with the gritty, raw essence of urban streets and the vibrant subcultures that thrive within them. Its design captures the improvisational and unrestrai...
  12. Cyrillic Old Face, a font steeped in historical charm and artistic elegance, is a remarkable representation of the rich typographical heritage that stems from the Cyrillic script. This particular typ...
  13. Ah, Louvaine by Paul Lloyd Fonts – the typographic equivalent of that one friend who insists on wearing a monocle and top hat to every casual brunch. In the grand garden party of fonts, where Helveti...
  14. "I Still Know" stands out as a font that carries with it an aura of mystery and a distinct personality that seems to whisper secrets from the depths of its characters. Imagine each letter crafted wit...
  15. The Aaron YOFF font carries a unique charm, paying homage to the creative flourishes of handwritten script styles while blending in contemporary design elements that make it stand out in modern conte...
  16. Ah, Bubblii, the font that seems to dance right off the page! Designed by the ever-imaginative Philip Lanier, it's the typographical equivalent of a bubble bath — fun, light, and so effervescent, you...
  17. Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
  18. Imagine a font that struts onto your computer screen with the confidence of a star athlete making a triumphant touchdown, and you’ve got a pretty good picture of "Touchdown by Chloe". This isn't just...
  19. Ah, Scatterbrained Restrained by StimulEye Fonts — a name that sounds like what happens when a caffeine-addicted squirrel tries its hand at typography. This font is the charming eccentric of the font...
  20. RaveParty Offset by the creative foundry Three Mile Island is a font that captures the electric energy and dynamic spirit of the rave culture and underground parties that have captivated the hearts o...
  21. Dive into the quirky world of PEIXE FRITO, a font that might as well have swum straight out of the imaginative mind of Billy Argel, ready to add a playful splash to your designs! If fonts were a seaf...
  22. "Blackjack," crafted by the skilled hands at Fontalicious, stands as a beacon of creativity in the vast ocean of typography. This font, with its distinctive personality, is a celebration of flair and...
  23. The "MATILDAS GRADE SCHOOL HAND_DEMO_script" font, designed by Fontsandfashion, encapsulates the charm and whimsy of youthful handwriting. This font meticulously reflects the idiosyncratic nature of ...
  24. Alright, imagine a font that captures the eerie yet whimsical vibe of a Tim Burton movie, entangling the gothic with the playful in each curve and stroke. That's "Scars Before Christmas" by Juan Casc...
  25. Fette Trump-Deutsch, designed by Dieter Steffmann, is a typeface that captures the essence of traditional German craftsmanship in typography. This font stands out for its bold and robust character, r...
  26. Fraktura, designed by the talented typographer Juan Casco, is a distinct and deeply evocative font that draws its inspiration from the historical gothic script known as Fraktur. This type of script, ...
  27. The Abaddon™ font, designed and released by The Scriptorium, is a distinctive typeface that exudes a strong aura of dark fantasy and gothic elegance. Its name, inspired by a term that often reference...
  28. Milligram by Zetafonts, $35.00
    Grotesque sans typefaces: you know you won’t ever get tired of those. And any moment you decide that Vignelli was right and one Swiss font is enough, here comes a new specimen from the past inviting you to try new takes on the modernist letterforms. It's a tight and crowded design space, so design decisions are subtle and almost unnoticeable. Whoever you decide to be in the details - either God or the Devil - you surely need a taste for the infinitesimal to work with these shapes. Time design borders sandstoning shapes, in a delicate equilibrium between modernist precise ideals and the fascinating energy of old lead grotesques. The resulting typeface develops around an idiosyncratic relationship with negative space, inspired by the tight metrics modernist designers imposed on their layouts. Leaving a text optimised spacing to the text subfamily, Milligram plays with a feeling of attraction behind shapes, something brought to the extremes in the logo-oriented Milligram Macro Variant. Designed by Cosimo Lorenzo Pancini with Andrea Tartarelli, Milligram is a fine but bold homage to the Akzidenz Grotesk that never was. • Suggested uses: Milligram is a versatile type family: perfect for modern branding and logo design (Milligram Macro), for text and editorial design (Milligram Text), web design, packaging and countless other projects; • 36 styles: 7 weights + 7 italics x 3 different styles + 2 variable fonts; • 759 glyphs in each weight; • Useful OpenType features: Access All Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Scientific Inferiors, 5 Stylistic Sets, Subscript, Superscript, Tabular Figures, Slashed Zero; • 207 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), M?ori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotc?k (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük.
  29. Chucara Next by Letritas, $25.00
    Chucara next is the newest font designed by Juan Pablo De Gregorio, a typeface aimed at high readability when set in paragraphs or large chunks of text. Its predecessor "Chúcara", born in 2003, sought after increasing readability by achieving big and simple counterforms. This time around Juan Pablo went further by increasing the X-height and trimming both ascenders and descenders, thus the font appears to be much larger than it is and can be readable at smaller sizes. The DNA of the whole font is marked by the terminal of the "a" character. Juan Pablo used a specially crafted cut to design this counterform, and this shape together with the graceful and winding forms of the letter resembles the form of a horse, hence the name Chúcara, or untamed. The italic version has a 10-degree angle and a 10% condensation, making it way more streamlined than a regular italic font. The Philosophy of a larger counterform is maintained through and through in the italic variant. This version looks different not only due to its inclination, but the sheer effort put into carefully taking care of the condensation and the gestures allow the italic to enrich the texts gracefully, for the highlighting of the words stands out without affecting the grey of the paragraph. Chucara next is a typeface optimal for being used in books, newspapers, magazines, texts, printing, headlines, editorial, quotes, corporate identity, and lo res printing. The typeface has 8 weights, ranging from “thin” to “black”, and two versions: "regular" and "italic". Its 16 files contain 635 characters with small caps, stylistic sets and different kind of numbers. It supports 219 Latin-based languages, spanning through 212 different countries. Chucara next supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotc?k (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, M?ori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.
  30. Temporarium - 100% free
  31. ROBO - Personal use only
  32. Averia Serif - 100% free
  33. Old Standard TT - 100% free
  34. Lido STF - Personal use only
  35. Pecita - 100% free
  36. News Cycle - 100% free
  37. nineveh - 100% free
  38. Gentium - 100% free
  39. Justus - Unknown license
  40. Averia Sans - Unknown license
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