The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.

American type designer Jim Parkinson created this display and sans FontFont in 1996. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Golden Gate Gothic provides advanced typographical support with features such as ligatures and stylistic alternates. It comes with proportional lining figures.

数多くの新聞社で使われてきた伝統ある「岩田新聞呉竹体」を再現した「イワタ新聞ゴシック体」と、かなを現代風にアレンジした「イワタ新聞ゴシック体新がな」があります。

モトヤ学参フォントは、字体のハネ・トメ・押え・筆順などを文部科学省の学習指導要領に準拠させて新たに制作した書体です。小学生はもとより中学生の教科書・ドリル・学参物書籍・学参資料などにも使っていただけるよう、改定常用漢字（2,136字）、人名漢字（285字）、両仮名（96字）を学習指導要領の字形に合わせています。

書き文字のような柔らかみのある丸ゴシック体です。字面が大きくラインが揃うデザインです。あたたかさや優しさ、親しみやすさを表現しやすい書体です。

American type designer Susanna Dulkinys created this display and sans FontFont in 1999. The family has 6 weights, ranging from Light to Bold and is ideally suited for festive occasions and music and nightlife. FF Letter Gothic Slang provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Mono and FF Letter Gothic Text.

This version of News Gothic contains the Vietnamese character set. Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Body Types). The most obvious differentiation can be found in the spacing. That of the Body Types is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Body Types, fine spaces were created which prevented the smear effect on acute angles in small type sizes. For a number of Body Types, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Based on Bank Gothic designed by Morris Fuller Benton in the 30th, Bank Sans Caps from Elsner+Flake offers a wide variety of weights from Light to Bold with Compressed, Semi Condensed and Condensed widths. All weights are also available with Cyrillic character sets.

Letterpress Studio -Crafted Vintage Goods Letterpress Studio includes following • 7 fonts - a textured and clean version of each • Ornaments • Catchwords • 25 Logo Templates Letterpress Studios core is seven fonts - textured and clean version of each. Fonts are designed in same proportions and work great together. Here’s a short introduction to the fonts: • Letterpress Script -A connected script with lot’s of OpenType features • Letterpress Script Bold -Bold version of Letterpress Script • Letterpress Condensed -A condensed sans-serif typeface with swash uppercase characters on • Letterpress Gothic -A sans-serif typeface with swash uppercase characters • Letterpress Sans -An extended sans-serif typeface with swash uppercase characters • Letterpress Wood -A woodcut style serif typeface with swash uppercase characters • Letterpress Black -A black woodcut style serif typeface with swash uppercase characters • Letterpress Ornaments -A set of pictograms, ornaments, borders and badges (OTF, AI & PDF) • Letterpress Catchwords -A set of over 100 woodcut-style catchwords (OTF, AI & PDF) All fonts have West European, Central European, Baltic, Turkish and Romanian character sets. Fonts come in OTF format. TTF are also available but OpenType features won’t work with them. Letterpress Templates -25 templates (AI) Letterpress Templates is a set of 25 ready made compositions with font pairings, shapes, ornaments and ready made 2-4 color schemes for each. Templates can be used as such or as a starting point for your own project. Download Letterpress Templates here.

ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling typeface. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase and added a bold to produce Font Bureau Agency, an immediately popular hit. Sensing its potential to be than just a useful condensed face, Font Bureau developed Agency into a major series offering five weights in five widths; FB 1990-95

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.