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  1. "A Theme for Murder" is a font that evokes a sense of eerie suspense and chilling mystery, reminiscent of classic horror films and novels. Designed by Chris Hansen, this distinctive typeface encapsul...
  2. The font "BONES" embodies a unique fusion of gothic allure and minimalist design, encapsulating a style that is both stark and evocatively expressive. Its character set is designed to evoke a skeleta...
  3. Ah, Rusty Sign by GemFonts, the brainchild of Graham Meade, is a font that walks the fine line between elegantly aged and outright rebellion against the sleek, clean fonts that populate our digital s...
  4. Acid Reflux, a font designed by Jason Ramirez, is a distinct and bold typeface that captures the essence of chaotic beauty and edgy creativity. Its design appears to be inspired by the unpredictable ...
  5. Once upon a playful page, there dwelt a font named Pupcat, crafted by the whimsical digital alchemist, Ray Larabie. Imagine, if you will, a bubbly concoction of letters leaping with joy across the sc...
  6. Spylord Bold, a captivating font crafted by Iconian Fonts, embodies the essence of adventure and intrigue, making it a standout choice for projects that demand a touch of mystery and authority. With ...
  7. The WC Rhesus A Bta font by WC Fonts occupies a unique niche in the realm of typography. This font, not merely a tool for communication, is an embodiment of artistic expression, vividly reflecting th...
  8. LC Chalk, although a fictional creation for the sake of this description, embodies the essence of nostalgia and creativity, merging the simplicity of handwritten notes with the rustic charm of chalkb...
  9. The PunkerChicksinLeatherJackets font by Donald Synstelien is an evocative and distinctive typeface that seemingly transports its audience straight into the heart of the punk rock scene. This font is...
  10. Well, imagine if a jar of honey and a bouquet of flowers had a baby on a sunny spring afternoon. That baby would be the font "Feelin Sweet" by Ardian Nuvianto. It's like every letter was dipped in a ...
  11. The font named Generator REX, created by the designer known as SpideRaY, is a typeface inspired by the American animated television series "Generator Rex," which aired on Cartoon Network. The series,...
  12. Alright, picture this: The font Greghor II, conjured from the depths of the creative mind of KLoNk, rolls onto the scene with the swagger of an eccentric uncle at a family barbecue. It's not just any...
  13. Mager, a term often encountered in the realm of typography, refers not to a specific typeface but to a particular weight within a font family. The word "Mager" is of German origin, meaning 'lean' or ...
  14. The TPF Senseless Strokes font, crafted by the talented Samuel Marcius, offers an intriguing journey into the realm of abstract and expressive typography. This font stands out due to its distinctive ...
  15. The Alien League font is a futuristically stylized typeface that seems to leap straight out of a science fiction narrative, embodying the essence of advanced alien technology and otherworldly enginee...
  16. Imagine a font that decided one day to get out of bed, stretch its limbs to the sky, and perform an impromptu dance routine. That's Kicking Limos for you. Created by the typographic maestro Ray Larab...
  17. Ah, LT Anomaly, the typographic equivalent of that one friend who's both effortlessly stylish and a bit eccentric, brought to us by the whimsical digital pen of Nymphont. Picture this: each letter cr...
  18. Angryblue is not just a font; it's a powerful statement wrapped in the attire of typographic artistry, courtesy of the creative mind behind the brand, Angryblue. Imagine if a rebellious punk rocker, ...
  19. Oh, the enigma that is Rusted Plastic, a font straight out of the dystopian DIY workshop of Last Soundtrack, a name that hints at its creator's possible final act in the font-making saga—an exclamati...
  20. Imagine a font that struts in with a leather jacket flung over its shoulder, slides a comb through its slick-back hair, and orders a milkshake with an extra cherry on top. That's the 50's Headline DS...
  21. Psycho Poetry is a font that truly captivates the imagination, inviting its audience into a universe where typography and creativity merge in a dance of poetic madness. Imagine each letter crafted wi...
  22. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  23. Ah, the font named "Immoral," a typographical riddle wrapped in an enigma, dressed scandalously in serifs and swashes. This is not your grandmother's font, oh no. It's the font that sneaks out at nig...
  24. Sinister Plot is a font that seems to have emerged from the darkest corners of a creative mind, encapsulating a feeling of intrigue and mystery with each stroke. Its name itself evokes images of shad...
  25. Intruder Alert, designed by the enigmatic and creative entity known as Starving-4, is not merely a font but a symphony of design that speaks volumes of its creator's ingenuity. This artistic endeavor...
  26. Ah, Bou College, the font that decided it was time to put its varsity jacket on and strut through the halls of typographical academia with a sporty swagger. Picture this: the letters, muscular and fi...
  27. Imagine, if you will, sneaking into a bustling cityscape deep in the heart of a neon-lit night. Everywhere you look, shimmering lights dance against the dark, outlining shapes and letters with a glow...
  28. "Elegancia Romantica" is a captivating font designed by Octotype, a designer known for crafting fonts that encapsulate a myriad of emotions and themes. As suggested by its name, Elegancia Romantica i...
  29. Sure, let's dive into the delightful world of "Amurg" by Sabina Chipara, shall we? Imagine if the letters you type, instead of falling in line like good little soldiers, decided to throw a little soi...
  30. As of my last update in early 2023, "Loco" is not a widely recognized or specific font within mainstream typographic resources, and it might refer to a custom or less publicized typeface. However, le...
  31. Once upon a time in a design universe far, far away, there was a font named NHL Atlanta, skating across pages with the grace of a hockey player navigating through opponents on the ice. This font, muc...
  32. Sure, let’s spin a web around the whimsically named font, Spiderfingers. Picture this: a typeface that crawled out of the dark, enchanting corner of a misunderstood arachnid’s lair, strutting its way...
  33. Imagine diving into a world where the very concept of order is thrown out the window, and the rule book is not just ignored but shredded, burned, and then danced upon. That's the essence of Turmoil (...
  34. The "HALCION PERSONAL USE" font by Billy Argel is a distinct and artistic typeface that radiates personality and character. Known for its unique blend of elegance and edginess, this font is a popular...
  35. The CONFLICT DRIPS PERSONAL USE font, designed by the esteemed artist Billy Argel, stands as a testament to the emotive power of typography. This font doesn't just capture attention; it seizes it wit...
  36. Once upon a time in the whimsical world of typography, where letters dance and serifs flirt with space, there was a font named Slicker. Crafted lovingly by the artisan wizards at WSI-Fonts, Slicker w...
  37. Grunge font, vibrant and rebellious in nature, encapsulates the raw energy and unfiltered expression of the grunge movement that exploded in the 1990s. This font family showcases a distinctive aesthe...
  38. As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
  39. Ah, diving into the realm of typefaces, are we? Let’s explore the font named Steadmanesque. Picture this: a canvas of paper embracing ink in such a manner that it seems to dance, twist, and shout fro...
  40. Locked Window, a typeface that captures the imagination and intrigue of a suspense-filled narrative, is a typographic journey through mystery and discovery. At first glimpse, this font presents itsel...
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