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  1. DNNR - Personal use only
  2. Brimborion - 100% free
  3. MAWNS' Serif - Personal use only
  4. Doris PP - 100% free
  5. Fibel Nord - Unknown license
  6. Albertino - Personal use only
  7. KG Payphone - Personal use only
  8. Europe Underground - Personal use only
  9. Gilgongo - Unknown license
  10. BN-67.9010-03 - Unknown license
  11. Drogowskaz - 100% free
  12. Chopin-Bold - Unknown license
  13. Korneuburg Slab Regular - Personal use only
  14. SelznickNormal - 100% free
  15. cibreo - Personal use only
  16. Lousitania - Unknown license
  17. 404error - Unknown license
  18. COM4t Sans Medium - Unknown license
  19. PKP - Unknown license
  20. Berolina - 100% free
  21. Grandesign Roman - Unknown license
  22. River Avenue - Unknown license
  23. Brassiere - Unknown license
  24. Tasmin Ref - Unknown license
  25. winob - Unknown license
  26. Concielian Break - Unknown license
  27. Albatross - Unknown license
  28. Jumbo - 100% free
  29. 11.20 - Unknown license
  30. Clearblock circular - Unknown license
  31. Dreamspeak - Unknown license
  32. Ubahn - 100% free
  33. Venus Rising - Unknown license
  34. Bunken Tech Sans Wide by Buntype, $49.00
    The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. •See other members of the Superfamily: Bunken Tech Sans •For further details, view the Specimen PDF. Bunken Tech Sans Wide follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans Wide stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 16 styles with widths ranging from Light to Heavy with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) standard (Std) and Small Caps (SC) edition with a different range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans Wide is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 16 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold -UltraBold -Heavy and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...
  35. Bensonhurst JNL by Jeff Levine, $29.00
    The model for Bensonhurst JNL was a 1930s-era hand-lettered WPA (Works Project Administration) poster for the play "Hell Bent For Heaven". Although the basic style is a classic Art Deco "thick and thin" format, the design (in certain characters) starts to take on the feel of a 1970s revival style. With this in mind, Bensonhurst JNL is a bit of a hybrid between the 1930s and the 1970s.
  36. Tierra Script by Corradine Fonts, $15.00
    Tierra Script is a connected script typeface with a simple structure and organic contour. Its naivety and fluency makes it easy to read and close to everyone. The system has two main styles, one more formal than the other, then could be used in a wide diversity of designs applying the appropriate look. Also has other features, like swashes, alternative characters and contextual replacements. All that features are supported by a careful Open Type programmation, then is just needed to play a little with the font to obtain lovely words and phrases. Some features are present in all the fonts but the "Plus" version contains all of them.
  37. Hyugos by Fateh.Lab, $20.00
    Hyugos is a condensed type of font that has a different character from the previous condensed font, Hyugos has a strong but soft character, with a cheerful and fresh theme, supported by 24 choices of font types. Hyugos is able to answer your current needs who are designing something great. Its weight is superior in posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to see it.
  38. Segina by Creativemedialab, $22.00
    Segina combines a high-contrast serif with a modern psychedelic font that is slightly wavy unique, and attractive. Segina consists of two Regular and Display options, each containing six weights from thin to Black. And also variable format with two axes, weight, and optical size. Segina has alternative characters that can be combined to create a beautiful heading, title or logotype.
  39. Stoopid Markers by Gassstype, $28.00
    Here comes a New font, Stoopid Markers is a Bold Market Typeface that is written casually and quickly. these strong Letters are made with Market Typeface on Procreate. Then crafted carefully drawn into a vector format. That is why Stoopid Markers has a charming, authentic, and relaxed characteristic more natural look to your text with a more natural look to your text.
  40. Tale by Suomi, $25.00
    Tale is an experiment to convert the script-style calligraphy into bitmap format. The two variants have the same dimensions, but (as the naming suggests), Forty has double amount of pixels in it when compared to Twenty. Both variants have hand made bitmaps to compliment these correlating point sizes, and you can always get the appropriate bitmaps by multiplying by two.
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