8,217 search results (0.016 seconds)
  1. The HVD Poster font crafted by HVD Fonts represents a captivating fusion of aesthetic elegance and bold statement-making capability. It is a design that doesn't just convey words but does so with an ...
  2. "Wizards Magic" is a font that seems to encapsulate the enchanting essence of the mystical and magical world, inspired by the rich tapestry of fantasy literature, movies, and folklore that involve wi...
  3. Astral Groove by Imagex is a font that truly embodies a unique blend of creativity and artistic flair, capturing the essence of exploration and innovation in typography. This font stands out for its ...
  4. As of my last update in April 2023, there is no widely recognized typeface known specifically as "Blasphemy" within the graphic design or typography communities. However, I can certainly explore the ...
  5. Candy Pop! by deFharo is a distinctive and engaging font that captures the essence of fun, creativity, and dynamism. DeFharo, a Spain-based typographic designer, is known for his wide range of fonts,...
  6. The Peninsula font, crafted by the talented type designer Vladimir Nikolic, is a distinctive typeface that stands out for its unique characteristics and versatile application. This font can be catego...
  7. "KG Something to Believe In" is a font that embodies a charming balance between casual appeal and crafted elegance, a true testament to Kimberly Geswein's ability to blend personal expression with un...
  8. The KG Falling Slowly font, designed by the talented Kimberly Geswein, is a beautifully crafted typeface that captures the essence of gentle motion and delicate grace. As its name subtly suggests, th...
  9. As of my last update in April 2023, "Radion" is not a widely recognized font name within major typographic resources or font collections. However, based on the typical attributes of font naming and d...
  10. Signerica Fat is an exquisite font designed by the talented Swedish typeface designer Måns Grebäck, known for his mastery in crafting script and calligraphy fonts. This particular font falls beautifu...
  11. Temporarium, crafted by the talented Barry Schwartz, is a fascinating font that diverges from the conventional trajectory of type design. Unlike many of its counterparts, Temporarium does not solely ...
  12. Digital Counter 7, designed by the prolific foundry Style-7, is a digital font that encapsulates the essence of digital displays from the late 20th and early 21st centuries. This font is distinguishe...
  13. Given my artistic inclination and optimistic outlook, it's delightful to delve into describing a font named "Tangled". The name itself conjures images of whimsy and adventure, perhaps inspired by fai...
  14. Goth Stencil Premium, the brainchild of the talented designer Juan Casco, is a font that marries the essence of gothic design elements with the practical utility of stencil typefaces. At its core, Go...
  15. EcuyerDAX is a distinctive font that encapsulates an essence of classic elegance and timeless appeal, yet with a subtly modern twist that sets it apart from traditional script fonts. Its design intri...
  16. Cheshire Initials by Lime is a distinctive and whimsical font that immediately captures your attention with its elaborately decorative style. This font is characterized by its intricate initial lette...
  17. Heidelbe-Normal is a font that brings to mind the charm of the old world, blended seamlessly with the crispness of the modern age. This font appears as if it has captured the essence of history and p...
  18. The font "West Point" captures the essence of strength, discipline, and tradition, mirroring the values associated with its namesake, the United States Military Academy at West Point. The typeface em...
  19. The Nihilschiz Handwriting font, crafted by the designer known as nihilschiz, stands as a distinct and captivating typeface that embodies the essence of personal touch and artistic flair. This font t...
  20. The font "Anna" is an artistic labor of love created by the talented designer Keith Bates. It stands out in the realm of typography with its distinctive charm and uniqueness. This font encapsulates a...
  21. Mutter, a font conceived by the creative mind of Levi Halmos, stands as a unique testament to contemporary typography, merging artistic flair with practical functionality. At its core, Mutter embodie...
  22. The font "Ruban Dismoi Tryout" by Match Software is an intriguing typeface that captures the essence of artistic flair and sophistication. This font stands out for its unique blend of classic eleganc...
  23. The "Butterfly Chromosome AOE" font, designed by Astigmatic One Eye, is a striking testament to the imaginative and experimental spirit that defines much of modern typography. This font manages to en...
  24. As of my last update in early 2023, the font "Paddington" could either be an emerging typeface with limited exposure, or potentially you're inquiring about a relatively lesser-known or specialized de...
  25. Oldbrothers - Personal Use by Haksen Studio is a font that embodies a vintage feel with a contemporary twist, offering a unique blend of character and charm that appeals to a broad range of design pr...
  26. Drum Komputer by Channel Zero! is not just a font; it's an ode to the era of early digital experimentation and the pioneering days of electronic music and computer technology. This unique typeface em...
  27. The MUMIA DEMO VERSION font is a captivating and unique display typeface that immediately captures one's attention with its distinctive characteristics. Its design embodies a compelling blend of mode...
  28. The Agathodaimon font, created by the talented Andrew D. Taylor, is a compelling and visually striking typeface that deeply resonates with those who have a penchant for the mystical and enigmatic. It...
  29. As of my last update, Grandesign Roman is not a widely recognized or standard font in the extensive libraries of typefaces used across various design platforms and projects. However, the style sugges...
  30. As of my last update in April 2023, Ozone by José Alberto Lobos S. is a font that may not be widely recognized in mainstream font databases or repositories. However, the creation of a font named Ozon...
  31. The Vtks Espinhuda font, designed by Douglas Vitkauskas, is a creative and distinctive typeface that truly stands out in the realm of typography. Its name, "Espinhuda," suggests a spiky or thorny qua...
  32. The font named "Hendrix Demo" by The Scriptorium is a vivid encapsulation of both creativity and tribute, designed with an essence that echoes the legendary flair of Jimi Hendrix, to whom it ostensib...
  33. Lost Forever, as evocative as the name sounds, is a font that carries the weight of nostalgia, mystery, and perhaps a hint of melancholy. This typeface finds its roots deeply embedded in the world of...
  34. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  35. The font "A La Nage" by Swimming Poulp is an intriguing and artistic typeface designed to captivate and enchant its audience with a mesmerizing blend of fluidity and creativity. The name itself, whic...
  36. The Mephisto™ font by The Scriptorium is an evocative and stylistically unique typeface, designed to encapsulate a sense of historical depth and artistic flair. The name itself, Mephisto, is a nod to...
  37. As of my last update, the "SF Chrome Fenders Condensed" font from ShyFoundry Fonts (formerly known as ShyFonts) stands as a distinctive, attention-grabbing typeface that captures the essence of retro...
  38. The font id-Kaze2OT-Light, crafted by Inoue Masaru, is a distinct and refined typeface that stands out for its delicate elegance and gentle grace. Masaru, known for his meticulous attention to detail...
  39. As of my last update in April 2023, Lindau is not widely recognized as a mainstream or popular font, and it might not exist in prominent font libraries or collections. Given this, let's take a creati...
  40. "Exquisite Corpse" by Chad Savage is an evocative font that stands out due to its unique inspiration and design, encapsulating a sense of artistic collaboration and creativity tied to its namesake. T...
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