The Parasight font, designed by Clearlight Fonts, embodies a unique and captivating blend of creativity and artistic exploration, tailor-made for the digital age. This typeface stands out through its...
"Frizzed BRK" by AEnigma is a distinctive font that captures the essence of creativity and eccentricity wrapped in a visual treat. Designed with a unique twist on conventional typography, this font s...
OregonDry is a font meticulously designed by Pat Snyder that evokes a distinctive and captivating essence of rustic charm and vintage appeal. This font stands out with its unique take on the serif ge...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
Ah, Denmark—the font, not the country—is like the cozy sweater of typography: familiar yet stylish, and incredibly versatile. Imagine its letters with a streamlined form that manages to be both crisp...
Commuter, a distinctive font designed by The Type Fetish, stands out for its modern and versatile aesthetic. This typeface, crafted with clarity and functionality in mind, offers a sleek and contempo...
"Dot.com" by Iconian Fonts is an eclectic and modern typeface that exemplifies the digital age with its unique characteristics, blending creativity and functionality in equal measures. Designed by th...
Bamf Bold, an offering from the prolific type foundry Iconian Fonts, is a display font that embodies strength and confidence through its design. Characterized by its bold and assertive strokes, Bamf ...
As of my last update, the font KlingonBlade created by Altsys Metamorphosis stands out as an intriguing and unique typeface directly inspired by the fictional Klingon species from the Star Trek unive...
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Prospect, as crafted by ShyFoundry, is a typeface that distinctly merges the qualities of tradition and modernity, making it versatile and adaptive to a plethora of design needs. This font is charact...
The Diablo font, much like the name suggests, embodies an aura of mystique and darkness, evoking images of ancient tomes and arcane secrets whispered in the dead of night. This font is not just a col...
Tuffy, a font designed by Thatcher Ulrich, stands as an emblem of the versatile and adaptable nature that a well-crafted typeface can embody. At its core, Tuffy is a sans-serif font, characterized by...
"Manno" is a sophisticated and versatile font that captivates with its unique blend of elegance and contemporary design. Its genesis lies in the harmonious balance between traditional typeface charac...
Nitaka, crafted by the talented designer Naoya Hirooka, emerges as a unique and compelling font that deftly blends modern flair with traditional craftsmanship. Its design intricately dances between t...
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The "Hawaii Killer" font, created by Dirt2, is a vividly distinct typeface that encapsulates a unique blend of playful menace and tropical allure. This font is not merely a collection of letters; it ...
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Imagine a font that strolled out of a whimsical art project, tip-toeing between creativity and readability with the grace of a ballet dancer. That, my dear reader, is CAC Lasko Even Weight, crafted b...
Azoft Sans, created by Sergiy Tkachenko, is a contemporary sans-serif font that exemplifies clarity, simplicity, and functionality. Its design is a harmonious blend of geometric shapes and humanist c...
Yacarena Ultra FFP is a font that stands out for its unique and captivating design, meticulously crafted by the skilled typeface designer deFharo. This font is emblematic of deFharo's commitment to c...
Prakrta is a distinctive font that effortlessly exudes an organic and natural feel, making it a fascinating choice for a wide range of design projects. At its core, Prakrta draws heavy inspiration fr...
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The GearBox font, designed by GautFonts (a pseudonym likely associated with designer Gaut Font), is a distinctive typeface that grabs attention with its unique blend of mechanical robustness and play...
Baby Font, as evocative as the name suggests, is a typeface imbued with whimsy, warmth, and the tender feel reminiscent of childhood. Designed with a gentle nod to the softness and playfulness that c...
The VTCSuperMarketSaleDisplayWired font, crafted by the imaginative minds at Vigilante Typeface Corporation, is a striking display font that captures the essence of high-energy retail environments an...
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Deportees is a remarkable font designed by the talented Ray Larabie, a prolific typographer known for his imaginative and broad-ranging font designs. Deportees captures the essence of Ray Larabie's u...
The Chave font, designed by the talented Juan Casco, stands out as a distinctive and versatile typeface that harmoniously blends classic charm with modern sensibilities. It's a font that caters to bo...
CapitalisTypOasis is a unique and charismatic font that channels the essence of classic Roman inscriptions while incorporating a modern twist. The font's design draws inspiration from the monumental ...
DepotTrapharet is a unique and captivating font that merges the essence of modernity with a touch of industrial flair. Its design is a blend of sharp and rounded elements, which create a dynamic visu...
Hibiscus is a visually captivating font, embodying a blend of modern flair and natural beauty reminiscent of the tropical flower it is named after. Its character set exhibits elegantly flowing lines ...
Shortbrush, as a font designed by Måns Grebäck, is a vivid reflection of artistic finesse and dynamism. This font essentially captures the essence of brush strokes, seamlessly blending the spontaneit...
As of my last update in April 2023, let me introduce you to Obti Sans Neue, a contemporary font created by the designer Lewis Bauer. This font leans into the modern sans-serif tradition, underscoring...