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  1. Brawl font, as its name suggests, brings to the forefront a typeface that is bold, dynamic, and carries an energetic feel, suitable for projects that demand attention. Imagine a font that encapsulate...
  2. "Outer Planet Janet" is a distinctive and charming font crafted by the talented typeface designer Kimberly Geswein. Its playful spirit and inventive design make it stand out in a sea of typography, s...
  3. Puritan Alternate by Dieter Steffmann is a testament to the intricate beauty and timeless appeal found within the realm of typographic art. Dieter Steffmann, a revered figure in type design, crafted ...
  4. The Hennigar font is a heavy and bold sans-serif typeface, specifically classified as a Neo Grotesque Sans. It is intended for a variety of publishing solutions, including large, impactful displays l...
  5. "Action Is" is a font designed to inspire movement and dynamism. Its design embodies the essence of action and motion, suggesting a forward-thinking attitude and an urgent push towards execution. Unl...
  6. The font "Certified" by Dieter Schumacher is a distinctive typeface that radiates a bold and authoritative presence, reflecting the design philosophy and attention to detail characteristic of Schumac...
  7. Quarter Braille by Echopraxium, $20.00
    Presentation QuarterBraille (Abbreviated as "QB" thereafter) is a decorative, steganographic and lattice font. Its core design concept is that Braille dots are represented as "quarters of a square"[1]. This is illustrated by posters 1 and 2 (NB: these glyph parts will be called "QB dots" thereafter). The other glyph parts (see poster 3) are purely decorative and meaningless in terms of Braille dots encoding[2]. All glyph parts are meant to generate a wide variety of patterns from horizontal and vertical combinations of glyphs. There is also a graphic convention to differentiate uppercase from lowercase letters with the presence or absence of shape subparts (in the "endings", "quarter of a circle with a ring" and "quarter of a diamond with a small square in the middle") like shown by poster 4. This font is suitable for very short texts (e.g. logos, acronyms, quotes, ambigrams, pangrams, palindromes, etc...) but on the other hand it may be used for steganographic purpose like geocaching as well as fictive alphabets (e.g. Alien/SciFi/Fantasy/Antique civilizations). Posters 1. Font Logo: the displayed text is " Quarter " followed by " Braille". There's a rainbow layer above the text to highlight the "QB dots", this is achieved by A..Z glyphs with "only QB dots" (codes 230..255) 2. Anatomy of a Glyph (L) and "QB Dots" (quarters of a square) 3. Glyphs Parts: Square and Cross (Inverted square), Circle and Inverted Circle (with or without the small circle in the middle), Diamond (with or without the small square in the middle), Inverted Square and Circle, Shape combos, Ending 4. Uppercase vs Lowercase (tiny shape subparts are shown in red) 5. Sample 1: Bathroom sink with QB tiles on the credence 6. Sample 2: Hands knuckle tatoos: "LOVE/HATE"[4] 7. Sample 3: Poker Hand: pocket Aces. It's an Ace of Hearts (Ah) on the left and an Ace of Spades (As) on the right. Like in regular cards, the card value (e.g. Ah) is displayed twice: at the top and rotated by 180 degrees at the bottom. This poster also illustrates that QB could be used to print embossed playing cards with tactile and visual display of card values. 8. Sample 4: Pangram: "Adept quick jog over frozen blue whisky mix" 9. Sample 5: Latin Magic Square: "SATOR AREPO TENET OPERA ROTAS" (NB: for compensation of the 2/3 glyph ratio, letters on each line are separated by a space: "S A T O R", ...). 10. Sample 6: Quote of Mahatma Gandhi: "Learn as if you will live forever, live like you will die tomorrow.". This is also a demonstration of border glyphs combinations. 11. Sample 7: Steganography use case: the text is a sequence of 64 aminoacids (1 Letter notation), this protein was described in a research paper "The complete Aminoacid sequence of an amyloid fibril protein AA of unusual size (64 residues) 1975". 12. Sample 8: Border Glyphs with the provided styles and mixed styles. The words are the same than in poster 9 ("SATOR AREPO TENET OPERA ROTAS"). Despite the 2/3 glyph ratio, the "TENET cross" was achieved by both inserting spaces in horizontally ("T ENE T") and by using the "thin borders glyphs". Notes a. Border glyphs[3] are meant to enhance the esthetics of text samples displayed with QB b. Special characters (e.g. *$()[].,;:&@# ...) are provided and follow the NABCC (North American Braille Computer Code) convention. c. A..Z Glyphs with only the "QB dots" are provided as demonstrated by posters 1 and 2 (A/N: this was very useful to create them). d. Glyph Map: 32..64: Special characters - 161..187: "Thin variant" of Border glyphs, 192..229: Border glyphs, 230..255: A..Z with only the "QB dots" - Codes 176 an 181 are "regular SPACE" (empty glyph). Footnotes 1. There is indeed two shapes which represent the braille dot: the "quarter of a square" and the "quarter of a cross". It's because a cross may be considered as an "inverted square" because the square corners are merged in the center. 2. That's why the SPACE glyph is only made of decorative/meaningless glyph parts (i.e. no "QB dots"). 3. For other fonts with border glyphs, please take a look at my other "decorative Braille fonts" (GoBraille, HexBraille, KernigBraille, StackBraille, MaBraille, DiamondBraille, LorraineBraille). 4. LOVE/HATE knuckle tatoos are inspired by the anthology scene from "The Night of the Hunter" movie (Charles Laughton 1955), it also appearead in "Do The Right Thing" movie (Spike Lee 1989). Disclaimer This font is not appropriate and not meant to print text documents in Braille for the blind readers audience.
  8. Fioritura by Michael Rafailyk, $11.00
    Fioritura is a floral display typeface inspired by Sandro Botticelli's "Primavera" ("Spring") and Guiseppe Arcimboldo's "The Four Seasons" paintings. Fioritura means flowering in Italian, and the character composition consists of stems, leaves, flowers, and flying pollen. Scripts: Latin, Greek, Cyrillic. Language count: 480+. Glyph count: 1103. Kerning: 936 class pairs. Hinting: Not applied. Contextual Alternates: AA BB CC DD EE FF GG LL MM NN OO PP RR SS TT ZZ aa bb cc dd ee ff gg ll mm nn oo pp rr ss tt zz. To keep the writing natural, every second of two frequently repeated letters is automatically replaced by its alternative version. Turned on by default. Contextual Alternates: ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps mode. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: ABCDEFGLMNOPRSTZ abcdefglmnoprstz. Supported languages: Abenaki, Abron, Acheron, Achinese, Achuar-Shiwiar, Adamawa Fulfulde, Adangme, Afar, Afrikaans (Latin), Aghem, Aguaruna, Aja, Akan, Albanian, Alsatian, Amahuaca, Amarakaeri, Amis, Andaandi (Dongolawi), Anuta, Ao Naga, Apinayé, Arabela, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asháninka, Asturian, Asu, Atayal, Awa-Cuaiquer, Awetí, Aymara, Azerbaijani (Latin, Cyrillic), Baatonum, Bafia, Bagirmi Fulfulde, Balinese, Balkan Romani, Bambara (Latin), Baoulé, Bari, Basaa, Bashkir (Latin), Basque, Batak (Latin), Belarusian (Latin, Cyrillic), Bemba, Bena, Biali, Bikol, Bini, Bislama, Boko, Bora, Borgu Fulfulde, Bouna Kulango, Bosnian, Breton, Buginese (Latin), Bulgarian, Buryat, Bushi, Candoshi-Shapra, Cape Verdean Creole, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Chachi, Chamorro, Chavacano, Chayahuita, Chechen, Chewa (Latin), Chickasaw, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Colognian, Cornish, Corsican, Creek (Muscogee), Croatian, Czech, Dagaare, Dagbani, Danish, Dawan, Dehu, Delaware, Dendi, Dholuo, Dimli, Dinka, Ditammari, Drehu, Duala, Dutch, Dungan, Dyula, Embu, English, Erzya, Ese Ejja, Esperanto, Estonian, Ewe, Ewondo, Falam Chin, Fanti, Faroese, Fijian, Filipino, Finnish, Folkspraak, Fon, French, Friulian, Frisian, Fula, Gagauz (Latin), Galician, Ga’anda, Garifuna, Gen, Genoese, German, Gikuyu, Gilbertese, Gonja, Gooniyandi, Greek, Greenlandic (Kalaallisut), Guadeloupean Creole, Guarani, Gusii (Latin), Gwich’in, Haitian, Hakha Chin (Latin), Hän, Hani, Hausa (Latin), Hawaiian, Hiligaynon, Ho-Chunk, Hopi, Hotcąk (Latin), Huastec, Hungarian, Icelandic, Ido, Igbo (Latin), Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Ixcatlán Mazatec, Jamaican, Javanese (Latin), Jèrriais, Jola, Kabuverdianu, Kabiyè, Kabuverdianu, Kabyle (Latin), Kaingang, Kako, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kalmyk (Cyrillic), Kamba, Kanuri, Kaonde, Kapampangan (Latin), Kaqchikel, Karachay (Cyrillic), Karakalpak (Latin), Karelian, Kashubian, Kazakh, Kekchí, Kenzi, Khalkha (Cyrillic), Khasi, Khoekhoe, K’iche’, Kikuyu, Kimbundu, Kinyarwanda (Ruanda), Kiribati, Kirmanjki, Kirundi (Rundi), Kissi, Kituba, Klingon, Kölsch, Kongo, Konzo, Koyra Chiini, Koyraboro Senni, Kpelle, Krio, Kuanyama, Kumyk, Kurdish, Kven Finnish, Kwasio, Kyrgyz (Cyrillic), Ladin, Ladino, Lakota, Lamnso’, Langi, Latgalian, Latin, Latino sine Flexione, Latvian, Ligurian, Limba, Lingala, Lithuanian, Lobi, Lojban, Lombard, Low German, Lozi, Luba-Katanga, Luba-Lulua, Luo, Luxembourgish, Luyia, Maasai, Maasina Fulfulde, Macedonian, Machame, Madurese (Latin), Makhuwa, Makonde, Makwe, Malagasy (Latin), Malaysian Malay (Latin), Maltese, Mam, Maninkakan, Manx, Maore Comorian, Māori, Mapudungun, Marquesan, Marshallese, Masai, Matsés, Mauritian Creole, Mbelime, Megleno-Romanian, Mende, Meriam Mir, Meru, Meta’ (Latin), Metlatónoc Mixtec, Mezquital Otomi, Mi’kmaq, Minangkabau, Mirandese, Mískito, Miyobe, Mizo, Mohawk, Moksha, Moldovan, Mongolian (Cyrillic), Montagnais, Montenegrin (Latin, Cyrillic), Mossi, Mundang, Munsee, Murrinh-Patha, Murui Huitoto, Mwani, Naga Pidgin, Nagamese Creole, Nahuatl, Nama, Nateni, Navajo, Ndebele, Ndonga, Neapolitan, Ngazidja Comorian, Ngiemboon, Ngiyambaa, Ngomba, Nigerian Fulfulde, Niuean, Nobiin, Nomatsiguenga, Noongar, Norwegian (Bokmål, Nynorsk), Novial, Nuer, Nyamwezi, Nyanja, Nyankole, Nyemba, Nzima, Occidental (Interlingue), Occitan, Ojitlán Chinantec, Old Icelandic, Old Norse, Onĕipŏt, Oromo, Oroqen, Oshiwambo (Ovambo), Ossetian (Latin, Cyrillic), Otuho, Páez, Palauan, Paluan, Pampanga, Papantla Totonac, Papiamentu, Pedi, Picard, Pichis Ashéninka, Piedmontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Prussian, Pulaar, Pular, Purepecha, Qiandong Miao, Quechua, Rarotongan, Romani, Romanian, Romansh, Rombo, Rotokas, Russian, Rusyn, Rwa, Sakha, Samburu, Sami (Inari, Lule, Northern, Southern, Pite, Skolt, Ume), Samoan, Sango, Sangu, Saramaccan, Sardinian, Scottish Gaelic, Secoya, Sena, Serbian, Seri, Seychellois Creole, Shambala, Sharanahua, Shawnee, Shilluk, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Siona, Slovak, Slovene (Slovenian), Slovio (Latin), Soga, Somali, Soninke, Sorbian (Lower, Upper), Sotho (Nothern, Southern), Spanish, Sranan, Sukuma, Sundanese (Latin), Susu, Swahili, Swazi, Swedish, Swiss German, Tachelhit (Latin), Tagalog, Tahitian, Taita, Tajik (Cyrillic), Talysh, Tasawaq, Tatar (Cyrillic, Latin), Tedim Chin, Teso, Tetum, Ticuna, Timne, Tiv, Toba, Tojolabal, Tok Pisin, Tokelauan, Tonga, Tongan, Tosk, Totontepec Mixe, Tsafiki, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin, Cyrillic), Tuvaluan, Tuvan, Twi, Tzeltal, Tzotzil, Uab Meto, Ukrainian, Ulithian, Umbundu, Urarina, Uyghur (Cyrillic), Uzbek (Latin, Cyrillic), Vai, Venda, Venetian, Veps, Vietnamese, Volapük, Võro, Vunjo, Waama, Waci Gbe, Wallisian, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waorani, Waray, Warlpiri, Wasa, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof (Latin), Xavante, Xhosa, Xwela Gbe, Yagua, Yanesha’, Yangben, Yanomamö, Yao, Yapese, Yindjibarndi, Yoruba (Latin), Yucateco, Záparo, Zapotec, Zarma, Zazaki, Zulu, Zuni. The promo images used photos of Cottonbro, Maria Lindsey from Pexels, and Andreea Popa, Wyron A from Unsplash.
  9. The Brontoburger font, designed by Sharkshock, is primarily classified as a Display Sans-Serif and Hand Display typeface. The font family is defined by a loose and laid-back appea...
  10. Sure! Klarissa is an intriguing font designed by Dieter Steffmann, a talented typographer known for his revival of historical typefaces and his original designs. This font stands out for its intricat...
  11. "Deutsche Zierschrift," crafted by the revered typeface designer Dieter Steffmann, stands as a testament to the intricate beauty and time-honored traditions of German calligraphic art. This font capt...
  12. Marked Fool by Dustin Norlander is a distinctive font that captures the essence of creativity and whimsicality. Designed with an artistic touch, each character in the Marked Fool font seems to dance ...
  13. Imagine a font that decided to wake up one morning, pull on its intergalactic superhero suit, and dive headfirst into an epic adventure across multiple dimensions. Ladies and gentlemen, meet *Battlef...
  14. Sure thing! "84 Rock!" by Jonathan Paquette is a font that captures the rebellious spirit and raw energy of the 1980s rock scene. This display font is characterized by its bold, edgy design that seem...
  15. Beast Impacted is a striking typeface that grabs attention with its bold and impactful presence. It belongs to the category of display fonts, designed primarily for use in headlines, posters, logos, ...
  16. Alright, imagine a font that captures the eerie yet whimsical vibe of a Tim Burton movie, entangling the gothic with the playful in each curve and stroke. That's "Scars Before Christmas" by Juan Casc...
  17. Alright! Imagine you're flipping through an old-school comic book or gazing at a vintage poster at a quirky market. The bold, eye-catching letters that scream for your attention? That vibe is pretty ...
  18. The Victor Moscoso font, crafted by Keith Bates, is an homage to the distinctive and revolutionary art style of Victor Moscoso, a pivotal figure in the psychedelic art movement of the 1960s. Moscoso,...
  19. Thanks for creating this font. Is there a way to customize a job description? I am not seeing any job titles for the audio department and need to add that to a poster. I'm also thinking there may be ...
  20. The "Octin College Free" font, designed by the prolific type designer Ray Larabie, is part of the Octin series of fonts, which includes various styles catering to different themes and requirements. T...
  21. The Zentenar Zier font, crafted by Dieter Steffmann, is a true spectacle of typographic artistry that beautifully marries the historical with the contemporary. Steffmann, known for his inspiring abil...
  22. The Gabrielle font, crafted by the renowned German typographer Dieter Steffmann, is a quintessential representation of Steffmann's dedication to reviving classic typefaces and adding his unique twist...
  23. Carnivalee Freakshow, designed by Chris Hansen, is a distinctive and charming font that harkens back to the early 20th century and the ambiance of old carnival and circus posters. This font captures ...
  24. The "Hawaii Killer" font, created by Dirt2, is a vividly distinct typeface that encapsulates a unique blend of playful menace and tropical allure. This font is not merely a collection of letters; it ...
  25. The "VTKS Distress" font is a creation by Douglas Vitkauskas that stands out for its unique essence of roughness and wear-and-tear. This font encapsulates the visual aesthetics of something that has ...
  26. Wacamóler Caps by deFharo is a distinctive typeface that transports you to the heart of a Western adventure with its bold and dynamic design. This captivating display font is remarkable for its playf...
  27. The font GoudyThirty-DemiBold, crafted by Dieter Steffmann, is a remarkable tribute to the type design legacy of Frederic W. Goudy, one of the most prominent American type designers of the 20th centu...
  28. The Headshop font by Smoke Wire is a visually captivating font that draws inspiration from the psychedelic era of the 1960s and 1970s. It embodies the spirit of freedom, creativity, and experimentati...
  29. Eight Track program 4 is a distinctive font that carries the groovy and unapologetic essence of the 1970s. Designed by Fontalicious, this font encapsulates the nostalgia of an era known for its bold ...
  30. Franken's-SteinA, designed by Nick Curtis, could very well be described as the mad scientist's version of a typeface, borrowing its thematic inspiration from the eerie, patchwork world of Frankenstei...
  31. The "Soviet" font by Iconian Fonts is a captivating and visually impactful typeface that harks back to the graphic design style prevalent in the Soviet Union during the 20th century. Designed to evok...
  32. The font "Back In The USSR DL" is an evocative typeface crafted by Duncan Long, an artist renowned for his multifaceted creativity, encompassing illustrations, writing, and graphic design. This font ...
  33. The Cowboys 2.0 font is a bold slab-serif typeface explicitly designed in the Western style. It is a titling display font intended for applications such as t-shirts, log...
  34. The PunkerChicksinLeatherJackets font by Donald Synstelien is an evocative and distinctive typeface that seemingly transports its audience straight into the heart of the punk rock scene. This font is...
  35. The Cruickshank font, designed by Dieter Steffmann, captures the essence of historical elegance and timeless appeal, making it a unique addition to any typography enthusiast's collection. Steffmann, ...
  36. Outlaw by Billy Argel is a distinctive font that embodies a bold and rebellious spirit. It is a typeface that immediately captures attention due to its unique style and character. The design of Outla...
  37. Hang the DJ by PizzaDude is a strikingly unique and irresistibly edgy font that stands out for its bold and expressive characteristics. Crafted with a strong sense of individuality, it embodies a ble...
  38. Venturing into the wild, imaginative world of typography, we find the JFJungleRock font by Jester Font Studio, a creation that encapsulates the untamed essence of adventure and the whimsical allure o...
  39. Kremlin Georgian I 3D, crafted by Bolt Cutter Design, is a font that intriguingly melds the historical with a contemporary 3D twist, making it a unique specimen in the realm of typography. Originatin...
  40. Ballade, a captivating typeface designed by Dieter Steffmann, is a font that transports its audience back in time through its stylistic elements and ornamental flair. Steffmann, known for his prolifi...
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