5,203 search results (0.024 seconds)
  1. Evanescent, as suggested by its name, embodies a characteristic often associated with things that are fleeting, ethereal, or gently fading into the invisible. This font manages to encapsulate the ess...
  2. As of my last update, Grandesign Roman is not a widely recognized or standard font in the extensive libraries of typefaces used across various design platforms and projects. However, the style sugges...
  3. The MW Talon font, designed by Milkwort, is a distinctive and charismatic typeface that immediately captures attention with its unique characteristics and artistic flair. Designed to blend functional...
  4. The DIN 1451 fette Breitschrift 1936, crafted by Peter Wiegel, is a typeface steeped in historical significance and functional aesthetics. A revival of the classic industrial typeface initially devis...
  5. Gipsiero by Bumbayo Font Fabrik is a font that arrests the eye with its unique blend of whimsy and elegance. Crafted with keen attention to detail, this typeface embodies a bold and adventurous spiri...
  6. Code 128 is a high-density linear barcode symbology that is widely used in various industries for encoding alphanumeric or numeric-only data. Introduced in 1981, Code 128 has become a standard in man...
  7. Cibreo, designed by Studio Kmzero, is a font that elevates the art of typography to new heights with its unique blend of contemporary flair and classical elegance. It distinguishes itself with a harm...
  8. As of my last update in early 2023, there isn't a widely recognized or popular font specifically called "Lastman" in the vast world of typography. However, let me paint a picture for you, imagining w...
  9. As of my last update in 2023, Lakmus by Fenotype emerges as an intriguing font offering versatile usability across a wide spectrum of design projects, showcasing a blend of classical sensibilities wi...
  10. The Kremlin Samovar font by Bolt Cutter Design is an intriguing typeface that draws heavily on the rich and ornate visual traditions associated with Russian culture and history. This font skillfully ...
  11. Heading Now by Zetafonts, $39.00
    Heading Now is the new incarnation of Heading Pro, developing the original typeface family designed by Francesco Canovaro for Zetafonts into a superfamily with 160 variant combinations. Built around 10 different widths, ranging from ultra-compressed to ultra-wide, and eight weights from thin to heavy, Heading Now provides a full spectrum of sans serif type solutions to your design problems. Born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. In these widths Heading Now excels in titles and subheadings, timetables, infographics and in situations of exuberant and excessive copywriting. On the other side of the width spectrum, you can find extended width variants, ready to be used for titling where style and energy matter more than pixel or paper economy. Heading family is not only made of extreme widths: you can use the medium width range to design body text. Matching italics provide versatility in text use, as well as a dynamic display alternate to the bolder weights. Heading Now keeps the original design of Heading, but extends the width and weight range while keeping its (post) modernist attention to readability and details. Each Heading Now font includes over 1100 characters with coverage for 200+ languages using Latin, Cyrillic and Greek alphabets. A full array of open-type features is included in each weight featuring also stylistic alternates, small caps, old-style and tabular numerals and positional figures. • Suggested uses: born as a space-optimizing typeface for headers and titles, Heading Now can be used in its compressed widths to manage space on the printed page and on the screen. Perfect for contemporary branding, web design, packaging and countless other projects; • 162 styles: 8 weights + 8 italics x 10 different widths + 2 variable fonts; • 1100 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero; • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;
  12. As of my last knowledge update in April 2023, the font "Kellnear-Italic" does not exist in the widely recognized catalogues of typefaces or within mainstream typographic resources. This doesn't mean ...
  13. The font id-Kaze2OT-Light, crafted by Inoue Masaru, is a distinct and refined typeface that stands out for its delicate elegance and gentle grace. Masaru, known for his meticulous attention to detail...
  14. As of my last update in April 2023, the font "Mark" by Mike Font is not a widely recognized typeface in the design community or among the databases and collections of typography I'm familiar with. Ho...
  15. Alas, I can't access up-to-date databases or specific document collections to provide current or exclusive information on particular fonts including "GoodCityModern Plain" by Altsys Metamorphosis. Bu...
  16. As of my last update in April 2023, I must note that specific details about a font named "Kero Font" could be subject to the context in which it is being referenced, including its designer's intent, ...
  17. As of my last update in early 2023, the font named "Ptarmigan" is not one of the widely recognized or mainstream fonts, such as Helvetica, Times New Roman, or Arial, which have broad applications and...
  18. Prisma is a distinctive and stylistically unique typeface that doesn't strike a conventional note in the typographic world, making it an intriguing subject of discussion. While not part of the mainst...
  19. As an encouraging and helpful artist, let me introduce you to the intriguing world of the font known as STR, a creation that stands out for its unique characteristics and the purpose it serves within...
  20. As of my last update in April 2023, "Typography times" by Tipografia Leone Firenze does not appear to be a widely recognized or documented font. However, I can create an illustrative description imag...
  21. Wolf's Bane Expanded Italic by Iconian Fonts is not just a font; it's a voyage into the realm of the extraordinary and the distinctive, a perfect blend of the menacing and the elegant. As suggested b...
  22. As of my last update in April 2023, "Houndtime" designed by Bree Gorton may not be widely recognized within the mainstream font databases or among popular typeface discussions. However, let me create...
  23. As of my last update, Saarland, designed by Uwe Borchert, might not be a widely recognized or extensively documented font in mainstream typographic resources or among popular font libraries. However,...
  24. Given my current limitations, I can't provide real-time or copyrighted information on a specific font named "UNC" by MyFox if it exists post my knowledge cutoff in April 2023 or is otherwise not wide...
  25. As of my last update in early 2023, the font Mops, designed by Uwe Borchert, may not be widely recognized in mainstream font inventories or among the popular choices for graphic designers and typogra...
  26. As of my last update in April 2023, the font named "Sevil alias Esra Lite" is not widely recognized in mainstream typographic resources or popular font directories. That said, we can still explore an...
  27. Valley is a distinctive typeface meticulously crafted by Barry Schwartz, a designer renowned for his dedication to reviving classical typefaces for the modern age. Schwartz's work often breathes new ...
  28. As of my last update in April 2023, the font "Aviel" by Asley Cruz was not widely recognized in mainstream typographic circles or font directories. However, considering the query, I can propose a des...
  29. Imagine stepping back in time to the bustling streets of a Renaissance-era German marketplace, where the air is filled with the sound of craftsmen at work and the aroma of fresh parchment and ink. Th...
  30. The Spongy font, crafted by the renowned typeface designer Ray Larabie, is a testament to creativity and playful design in typography. Known for his extensive portfolio of unique and highly functiona...
  31. Bitstream Vera Sans is like a welcoming friend in the world of typography, offering a clean, clear, and versatile appearance that feels at home in a multitude of designs. Imagined and created by the ...
  32. Once upon a time, in a galaxy not-so-far away, nestled within the boundless universe of typography, there emerged a font that was unlike any other. It was a font so whimsical and so eccentric that it...
  33. As of my last update in April 2023, ARG219am by ARGSTUDIOS appears to be a specific font that, without direct access to or a comprehensive database on every font ever created, might not be broadly re...
  34. As of my last knowledge update in early 2023, Astro 869 isn't a recognized or widely known font within the graphic design industry or among typography enthusiasts. This could suggest that Astro 869 m...
  35. Induction, a creation by the prolific type designer Ray Larabie, is a font that delicately balances innovation with versatility, imbuing each character with a distinct personality while ensuring it r...
  36. Grunge Serifia is not a canonical font widely recognized under this name as of my last update in early 2023. However, the conceptual idea of a "Grunge Serifia" font paints a vivid image that blends t...
  37. As of my last update in April 2023, the A.Lewis font is not a widely recognized or commonly referenced typeface in public font libraries or among popular font resources. However, the crafting of a sp...
  38. ZirkleOne is not a specific font that's widely known or recognized within the realms of typography as of my last update. However, let's create an imaginative description of a font that would suit the...
  39. American Dream, as conceptualized by the designer Chloe, is a font that captures the essence of aspiration, nostalgia, and the enduring spirit of the American ethos. From the first glance, it's clear...
  40. As of my last update in 2023, "Chibaraki Now" appears to be a distinctive and imaginative font, although it's worth noting that it's not one of the mainstream or widely recognized typefaces. However,...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing