Winnetka JNL was inspired by Cooley Antique Tuscan Condensed - a printer's wood type manufactured in 1859 by J.G. Cooley. Given an additional hand-made treatment, the lettering resembles characters made from cut paper.

Eucaliptus Companion with rounded corners.

This typeface incorporates round smooth corners and distinct design elements in several characters like 'a, g, k, m', without compromising legibility. In order to retain its sharpness, inner corners as well as junction points were left steep. This is a balanced typeface which works very well in long texts at small point sizes. Since its first release it has been used in numerous magazines, advertising campaigns and corporate applications. Handbook Pro comes loaded with a number of special features. The family consists of 14 fonts -from black to extra thin- including true italics. It supports 21 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. There is also a set of very interesting stylistic alternates which can be used to add a refreshing flair to your designs. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Georges Peignot designed Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715–1790) although its style had little to do with that of the copper artist’s. The font displays a curious mix of style elements and could be placed as a part of the typographical Neorenaissance movement. Cochin is especially large and wide and was very popular at the beginning of the 20th century.

Opal Bulgarian is a humanistic sans serif typeface of a modern type, inspired by the famous Optima typeface (designed by Hermann Zapf). Opal Bulgarian consists of 2 weights and corresponding italics. Opal Bulgarian is suitable for body texts; for titles; for corporate identity. Opal Bulgarian continues the design of Opal BulgarianCYR, designed in 1992 by Zhivko Stankulov. In compare to Opal BulgarianCYR the new font family Opal Bulgarian has more glyphs and cover more languages. A number of shortcomings in the construction of the glyphs have been eliminated, and the design as a whole has been updated. Opal Bulgarian is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

HS Gold is based on some modern lines of Naskh calligraphy which supports Arabic, Persian and Latin with a Sans Serif with subtle round on stems and corners. The typeface has been optimized for corporate identity work, editorial design and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested. It features swash, ligatures and swash ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of two weights (regular and bold) which can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes and projects.

Bastion is an ultra-bold text-style font derived from some turn of the century hand lettered signage. It is characteristic of the very bold lettering used in a lot of advertising and product packaging in the early 1900s, a style of lettering which was also the inspiration for the Cooper font, though we think Bastion has a much more attractive overall look.

Dime Store is a font inspired by childhood memories of dime stores in downtowns and shopping malls in the 1970s. The font was tweaked and digitized by Bob Alonso, who also digitized Breauhare’s Cooper Goodtime font. Dime Store is a cool, hip, nostalgic way of creating a decorative display, and at times it seems to have a slightly futuristic look, too.

Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly probable that Benton did the adaptation for both weights. Packard Old Style Pro contains all the high-end features expected in a quality OpenType Pro font.

Introducing Kangmas, a nostalgic retro serif font with regular and true italic style. This font has rounded serif inspired by all the retro aesthetics making a comeback and the awesome classic "Cooper Black" typeface, but includes more modern letter shapes in it. The combination make it has a nostalgic retro vibes and also gives modern looks at the same time.