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  1. Ah, Argillites by RockboyStudio - the font that sounds like it could be a long-lost dinosaur species or an ancient mineral coveted by trendy interior designers! But no, it’s neither. It’s something f...
  2. LemonCookieBold, created by Shara's Fonts, is a font that immediately evokes a sense of whimsy and sweetness, much like the delightful treat it is named after. This bold variant of the LemonCookie fo...
  3. As of my last update in April 2023, there isn't specific documentation or widespread recognition available for a font named "Space Bounce" by Cesar Alarcon. This could mean it is a niche or newly cre...
  4. Oh, nekoFont! Picture this: if fonts were a grand, elegant ball, nekoFont would be the spirited cat that sneaks in, knocks over the vases, plays with the grand chandelier, and yet, somehow, ends up b...
  5. Welcome, typographic enthusiast! Bask in the boldness of Prescript Bold, the font that decided "subtle" was a word best left in the dictionary, untouched. Picture the confident brushstrokes of an elo...
  6. JellyBelly by PizzaDude is an intriguing and playful font that embodies a sense of fun and creativity, making it a perfect choice for projects that aim to convey joy and lightheartedness. Created by ...
  7. BN-67.9010-03, at first glance, might seem like just another entry in the vast world of typography, but a closer look reveals its unique charm and potential as a creative tool for artists and designe...
  8. El&Font is not just a single typeface, but it's part of a larger collection created by the designer Jérôme Delage, with a unique trait that makes it stand out: its inclusion of graffiti style. When d...
  9. Imagining a font named "Funk" transports us into a realm where typography ceases to be merely about readability and dives headfirst into the expressive, the evocative, and the playfully rhythmic. Fun...
  10. "Parlante Tryout" by Match Software is a distinctive font that carries an air of sophistication and versatility. Given its name, "Parlante," which is suggestive of speech or verbal communication, the...
  11. Imagine a font that sneaked out of a design studio after consuming an entire pot of espresso, bouncing off the walls, and decided to throw a one-letter rave on your page. That's Outta Control Caps fo...
  12. Prepare yourself to delve into the whimsically wicked world of EvilGenius BB, a font that could only spring from the vibrant minds at Blambot Fonts. This is a font that puts on a cape, laughs maniaca...
  13. VAG-HandWritten - 100% free
  14. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  15. As of my last update in early 2023, the font named "Insert 2 by 2 The Left Typefaces" doesn't appear to be a widely recognized or documented typeface in popular type design references or font librari...
  16. As an optimistic and helpful guide on your creative journey, let me paint you a vivid picture of the font: Resurrectio Hydro.Seven.Four, a masterpiece that instantly captivates the eye and inspires t...
  17. As of my last update in April 2023, Saintharpy is not a widely recognized or standardized font in mainstream typography repositories or discussions. However, let me paint a picture of what a font wit...
  18. Sinister Plot is a font that seems to have emerged from the darkest corners of a creative mind, encapsulating a feeling of intrigue and mystery with each stroke. Its name itself evokes images of shad...
  19. As of my last update in April 2023, the font named Sagan isn't a universally recognized standard typeface like Times New Roman or Arial. However, given the naming convention, it's possible to imagine...
  20. As of my last update in April 2023, the font named Knife Fight, crafted by the talented Damien Gosset, stands out as an intriguing typeface within the realm of graphic design. Though not extensively ...
  21. As of my last update in early 2023, the Avocado font by Peter Wiegel stands out as a distinctive creation within the realm of typography, reflecting both elegance and versatility. It is important to ...
  22. As of my last update, An Creon is not a widely recognized or standard font in popular typographic resources. However, in envisioning what An Creon might be like, let's create an illustrative descript...
  23. Imagine, if you will, sneaking into a bustling cityscape deep in the heart of a neon-lit night. Everywhere you look, shimmering lights dance against the dark, outlining shapes and letters with a glow...
  24. As of my last update in April 2023, "Slurp" is a distinctive font created by Eric Djengué, embodying a unique blend of artistic flair and functional design. Eric Djengué, known for his creative prowe...
  25. Famous Cars isn't a traditional font that you might find in your computer's font list or through typical font distribution platforms. Instead, the name suggests a creative and imaginative concept lik...
  26. The VTKS Deja Vu font, designed by the talented Douglas Vitkauskas, is a remarkable representation of creativity and personal expression in typographic form. It is crafted with a distinctive touch th...
  27. As of my last update in April 2023, the "Flower_Font" does not refer to a specific, widely recognized typeface within the vast catalog of digital fonts. However, the concept of a flower font or any a...
  28. As of my last update in April 2023, if "ShakeiTup" is a relatively new or obscure font, there might not be widespread information on its specific characteristics or usage contexts. However, let's exp...
  29. Brie Light, as its name suggests, is a font that embodies a blend of lightness and elegance. This typeface falls into a sophisticated category of fonts that balance between formality and a touch of p...
  30. Close your eyes. Wait, don’t—then you won’t be able to read this. Imagine, in a world where letters not only talk but strut down the catwalk with unmatched elegance, there lives a font: Ordinatum Med...
  31. As of my last update in April 2023, without specific knowledge of a font named "Convalescence," I can still create a conceptual description based on its evocative name. The name "Convalescence" sugge...
  32. Imagine, if you will, a font that captures the whimsical essence of a sunny afternoon spent lying in the grass, musing about the mysteries of life with your best friend—a friend who just happens to b...
  33. The "PR Viking 01" font, created by Castles & Crypts, is a stylized typeface that draws significant inspiration from the historical and cultural elements of the Viking era. Designed to evoke the rugg...
  34. The Bubblegum Superstar font is a vibrant and playful typeface that captures the essence of fun, youthfulness, and enthusiasm. Characterized by its rounded edges and exaggerated forms, the font exude...
  35. As of my last update in April 2023, the font named "Cisco" by Tom Tor appears to be a less known or perhaps a custom typeface that might not be widely recognized in the mainstream typographic communi...
  36. As of my last update in April 2023, there is limited widespread recognition or documentation of a font specifically named "Rogers2". Without direct details or specifications about this font, it's cha...
  37. As of my last update, Boulder is not a widely recognized typeface in the realms of graphic design or typography, which suggests it might be a niche or a lesser-known font, or possibly even a newly cr...
  38. As of my last update in April 2023, KonQa isn't a widely recognized font name in the mainstream typography scene. However, let's dive into what makes a font like KonQa intriguing, based on its unique...
  39. As of my last update in April 2023, "Mechanical Fun" by The Font Emporium is a font inspired by the quirky and imaginative essence of machinery and technology interwoven with a sense of playfulness a...
  40. As of my last update in April 2023, the "OhMyGodStars" font by WhoAmI Design captures a playful yet enchanting essence that dazzles the eye and sparks the imagination. This font is a vibrant ode to c...
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