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  1. DIN Next Devanagari by Monotype, $103.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  2. DIN Next Cyrillic by Monotype, $65.00
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  3. DIN Next Paneuropean by Monotype, $92.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  4. "Just Realize" is a font designed by Kimberly Geswein, a typeface designer known for her wide range of both playful and serious fonts that add a personal touch to any project. As with many of Kimberl...
  5. The Telegrama font, crafted by the design house YOFonts, is a modern sans-serif typeface with a distinct character that combines functionality with a touch of industrial charm. Its design is inspired...
  6. Picture it: a font that stalks the night, looming from the shadowy corners of design like the legendary vampire it's named after. "Nosferatu," conjured into being by the creative blood magicians at K...
  7. LC Chalk, although a fictional creation for the sake of this description, embodies the essence of nostalgia and creativity, merging the simplicity of handwritten notes with the rustic charm of chalkb...
  8. LoosieScript is an enchanting script font that offers a delightful blend of classic calligraphy with contemporary flair. Its design is characterized by fluid, expressive strokes that simulate the ele...
  9. Font in a Red Suit by Utopiafonts is an intriguing and uniquely named typeface that instantly catches attention not just for its name but for its distinctive design qualities as well. This font embod...
  10. Lupus Blight is a distinctive and evocative font designed by the talented Graham Meade under the auspices of GemFonts. This typeface stands out for its unique character design that strikes a balance ...
  11. The IndochineNF font, crafted by the talented type designer Nick Curtis, stands as a vibrant testament to the allure and timeless beauty of early 20th-century typefaces, with a unique flair that draw...
  12. The Arggh @$*# Lite font, crafted by GemFonts and the talented Graham Meade, stands out distinctly in the realm of typography for its imaginative and playful design. This font encapsulates the essenc...
  13. As of my last update in April 2023, Mod by FontFabric is a distinctive typeface that reflects a harmonious blend of modernity and functionality, making it a standout choice for various design project...
  14. The Notice2Std font, designed by the talented Denis A. Serikov, is a typeface that manages to capture attention through its unique blend of classical charm and contemporary flair. At first glance, No...
  15. The D3 Circuitism Oblique font, created by the entity or individual known by the designation D3, presents a unique and visually striking typeface that’s designed to capture the essence of electronic ...
  16. The "Harsh language AC" font, crafted by the well-known type designer PizzaDude, stands out as an exceptional typeface with a unique personality and creative finesse. This font family is distinguishe...
  17. DS Goose is a unique and eye-catching font designed by the talented Nikolay Dubina. Characterized by its whimsical and playful design, DS Goose injects a sense of fun and creativity into any project ...
  18. The VTC-RoughedUp font by Vigilante Typeface Corporation (VTC) stands out as a distinctive typeface that captures the essence of raw, gritty, and unrefined aesthetics. The design embodies a rugged ch...
  19. The Cactus Sandwich Plain font by FontMesa is a versatile and charming typeface that carries a distinctive personality, blending the rustic charm of the American Southwest with the readability and fu...
  20. Americanic, created by GemFonts and the talented typographer Graham Meade, is a font that encapsulates the spirit of American typography with a contemporary twist. This typeface stands out for its bo...
  21. As of my last update, the font named "Badgery" doesn't appear to be a widely recognized or specific typeface in the vast collection of commercial and free fonts available in the graphic design world....
  22. The "Cain" font is designed to capture a balance between rugged boldness and refined sophistication, making it an intriguing choice for various design projects. It has a contemporary feel with a hint...
  23. The font Potrzebie, crafted by Patrick Broderick, is an intriguing typeface that showcases a unique blend of style and personality. It draws inspiration from a mix of retro and contemporary design el...
  24. Hey there! Let me tell you about a super cool font called Vacaciones. This creation is from the imaginative mind of deFharo, a Spanish type designer known for crafting fonts with unique personalities...
  25. Well, imagine if a jar of honey and a bouquet of flowers had a baby on a sunny spring afternoon. That baby would be the font "Feelin Sweet" by Ardian Nuvianto. It's like every letter was dipped in a ...
  26. Imagine a font that strides into the room with the confidence of a heavyweight champion, yet possesses the gentle touch of a calligrapher. That's Tabarra Black by deFharo for you. Crafted by the tale...
  27. Cardo is a classic yet sophisticated serif typeface that was designed with a clear purpose in mind: to create a font that is highly suitable for academic and professional contexts, particularly those...
  28. As of my last update in April 2023, Jacinto Sans, a creation of WhoAmI Design, manifests as a unique blend of function and creativity within the typographic realm. This typeface stands out as a refin...
  29. Allow me to introduce you to the unsung hero of the typography world, Uecker, carefully crafted by the typographic maestro, Allen R. Walden. Imagine a font that decided to put on its Sunday best, but...
  30. The Reprise Stamp font is an intriguing and distinct typeface created by Avid Technology, a leader in the creation of technology and tools for music and video content creators. Exuding a vintage char...
  31. The font "Odstemplik" by Gluk is a unique and visually engaging typeface that captures the attention of both designers and viewers alike. Its creator, Gluk (whose real name is Paweł Burgiel), has mas...
  32. The Holitter Spike font, created by Holitter Studios, is a distinctive and bold typeface that immediately grabs attention. It's a font that stands out due to its unique characteristics and the creati...
  33. The WetPaint font, conceived by Richard William Mueller, is a dynamic and lively typeface that emulates the appearance and energy of hand-painted brush strokes. Its distinctive character is derived f...
  34. Scrogglet, designed by Kimberly Geswein, is a distinctive font that showcases its unique personality through its playful and slightly whimsical design. Kimberly Geswein, known for her ability to craf...
  35. As of my last update in early 2023, Jelek is a distinctive font created by h8machin3, a name that hints at its designer's inclination towards unique and possibly tech-inspired aesthetics. The name "J...
  36. Alright, picture this: The font Greghor II, conjured from the depths of the creative mind of KLoNk, rolls onto the scene with the swagger of an eccentric uncle at a family barbecue. It's not just any...
  37. Baumarkt, a distinctive font crafted by the talented Dieter Schumacher, is a visual symphony that marries functionality with artistic flair, evoking the spirit of innovation and creativity. This type...
  38. Circuitry, a font crafted by the talented Matthew Desmond, is a fascinating testament to the seamless harmony between technology and artistry. This typeface stands out for its unique inspiration draw...
  39. FuturaPress: if fonts had a personality, FuturaPress would be the cool, vintage bike-riding hipster who prefers vinyl records over digital music. Designed as an homage to the classic clean lines of i...
  40. The font named "Escheresk," crafted by Tobias Sommer (who is also known in the design world by his handle, ShyFonts), is a fascinating homage to the incredible work of M.C. Escher, a Dutch graphic ar...
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