Monotalic was created as a fun experiment, exploring better solutions for the monospaced type design. Most monospaced (fixed-width) typefaces have the same main design problem regarding the lowercase – filling the empty space around l, f, i, j and r. That usually brings the addition of slab serifs to those narrow characters, causing many monospaced fonts to look and feel alike. Monotalic solves that problem by adopting the handwritten (or cursive) form for those problematic characters, which allows them to be defined in more strokes, thus getting a better distribution of form in that fixed-width space. On the other hand, cursive writing usually lacks the legibility of a Roman (Regular upright) style, so Monotalic was created to be a hybrid, taking the best of both worlds. Monospaced fonts today are mostly used for coding. Modern code editors use colored text in order to differentiate between different kinds of code. So, in that environment there’s actually no need for traditional text styling by adding Italics, Bold or other styles, because the code lines are overstated as it is. That is why Monotalic focuses on one style only, in three widths and four weights. The weights allow users to choose the perfect contrast of text on screen, depending on their monitor resolution and background color in the editor. Movie scripts are almost exclusively set in 12pt Courier. It became the industry standard because when set in the specific “screenplay format" it helps with the breakdown of the schedule and budgeting process of the film production. Although it looks completely different, text set in Monotalic (Normal width) will take the same amount of space as Courier.

WALLNUTT CORPS is a cool, bold and powerful super modern unicase font, designed for maximum visual and emotional impact. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — everything that strives for being confident and yolo. Definitely has a personality!

Introducing The Checkmate - Stylish Signature is a Quality script that is written casually and quickly. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. The Checkmate is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark .

The Outlander - Design by Daily Studio This ttypeface can make your design look strong. Simple accessible on any of yor projects. Is great for headers, logos, and quotes. Comes with a full uppercase, lowercase, punctuation, and standard multilingual support. With 255 glyphs and in OTF format.

Fox Grotesque Pro is follow-up version of Fox Grotesque family. Typeface consists of ten font styles with extended support for most Latin languages plus Cyrillic. Fox Grotesque Pro release in OTF format and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions...

Mermaid Monogram Font is a perfect shaped monogram font consisting of 52 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Mermaid Monogram Font comes with font file in OTF format.

Emberclaw is a futuristic diplay font designed with uppercase characters. This font is perfect for logos, posters, product labels, or anything else. This logo is available in OTF formats. Features: Standard multi language characters, Uppercase Punctuation & Numbers, Support on Mac and Windows OS Easy to install

Cortada is the name we gave to this display font that replaces Cortada Classic. After long discussions, Laura Meseguer gave birth to this brand new form. Cortada comes now in OpenType format in order to allow a wider range of characters, including Central European character set.

Initial Monogram Font is a perfect shaped monogram font consisting of 26 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Initial Monogram Font comes with font file in OTF format.

Hand Gothic is a condensed typeface with a hand-lettering feeling, available in two weights. The fonts, provided in OpenType format, include support for most European languages and some OpenType extras : ligatures, alternate “A” and “g”, case-sensitive forms and a handful of arrows and icons.

IF Kargo Sans Clean and Highly Professional. This sans serif typeface includes nine (9) weights and variable format. Aims to serve a wide variety of graphic styles, branding, logotype, packaging, ecommerce in modern way. 9 weights Variable Upper / lower case, numbers, punctuation Language support: Latin and Greek

Sage is a hand generated font with great impact. Robust and vigorous, it's great for informal, exciting design projects. Available all popular font formats, including opentype, Sage has been carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Relix, emulating the old videogame's screen fonts, that's a good font to non-formam small texts, names, logotypes, titles, headers, topics etc., developed from the original Reliant's Intellecta typeface. Big sizes of this font can be used for texts on posters, t-shirts and other surfaces.

Batang™ Korean font features a mincho (serif) stroke style. This Batang font file is 6.9 MB in size. Batang is a registered trademark of the Microsoft Corporation. Batang font Character Set: Latin 1, Korean code page 949. Batang is available in TrueType and OpenType font formats.

Introducing Author Think - Authentic Signature Script is a Quality script that is written casually and quickly. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Author Think is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Contains over 130 symbols based on the Western astrology system - it features the 12 zodiac signs, the 12 astrology symbols, the 12 corresponding planets, along with the 30 phases of the moon and charting signs. NOTE: this font comes with an interpretation guide in pdf format.

Introducing our newest Afire Love Font. This font is created with original hand drawn strokes for a relaxed, beautiful and elegant impression. This font also offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. In this font purchase package you will also get a special bonus package from us, namely: 1. 10 vector landing page design packages 2. cute monsters cartoon kit with vector format 3. Premium banner ad template with ppt format 4. cartoon animal ice cream pack with vector format 5. EDITABLE ESPORT logo design This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey. thank you Regards Twinletter

Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred years ago at the time of Pythagoras in the Gortyn Code, by the Imperial Romans, notably in the tomb of the Scipios, by classical revival architects in eighteenth century London, which formed the basis for Caslon’s first sanserif typeface in 1817. Some aspects of the Geometric sanserif survived in the flood of Gothics that followed, particularly in the work of Vincent Figgins. In 1927, stimulated by the Bauhaus experiments in geometric form and the Ludwig & Mayer typeface Erbar, Paul Renner sketched a set of Bauhaus forms; working from these, the professional letter design office at Bauer reinvented the sanserif based on strokes of even weight, perfect circles and isosceles triangles and brought the Universal Alphabet and Erbar to their definitive typographic form. Futura became the most popular sanserif of the middle years of the twentieth century. Ironically, given its generic past, Futura is the only typeface to have been granted registration under copyright as an original work of art, and, further irony, given the key part played by the Bauer letter design office, the full copyright belongs to Renner and his heirs. This decision in a Frankfurt court implies that a further small group of older typefaces may also be covered by copyright in Germany, particularly those designed for Stempel by Hermann Zapf. This situation appears to be limited to this small group of faces in this one country, although protection of designers’ rights in newer typefaces is now possible in France and Germany through legislation deriving from the 1973 Vienna Treaty for the protection of typefaces. Mergenthaler’s Spartan is a close copy of Futura; Ludlow’s Tempo is less close. Functional yet friendly, logical yet not overintellectual, German yet anti-Nazi... with hindsight the choice of Futura as Volkswagen’s ad font since the 1960s looks inevitable.

Textus Receptus is a historical revival based on the Roman and Greek types used by Johann Bebel (and later also Michael Isengrin) in Basel in the 1520s. The Roman is a low-contrast medium-to-heavy Venetian reminiscent of Jenson or Golden Type. The unusual polytonic Greek, not previously digitized, is lighter in weight and supplied with all the ligatures and variants of the original. Yet when used without historial forms the Greek has a surprisingly contemporary feel: it’s quirky and playful as a display face, but still easily legible in running text. Bebel’s Greek extended and refined the one used for the first printed Greek New Testament, Desiderius Erasmus’ Novum Instrumentum Omne, published in Basel in 1516 by Johann Froben. The name of the font was chosen in honor of this edition, which was so influential that it was later called the Textus Receptus (the “received text”), serving as the basis for Luther’s German Bible in 1522 and much subsequent scholarship for over 300 years. Following 16th century practice, Textus Receptus contains 130 ligatures and stylistic alternates for Greek, accessible either with OpenType features or with five stylistic sets. The Greek capitals, often printed bare in early editions, have been equipped with accents and breathings for proper polytonic or monotonic typesetting. The Roman includes both standard and historical ligatures along with the abbreviations and diacritics typically employed in early printed Latin. For expanded language coverage it has the entire unicode Latin Extended‑A range and part of Latin Extended-B. The capital A is surmounted by a horizontal stroke, as in some 16th century Italian designs, and the hyphen and question mark have both modern and historical form variants. Mark-to-base positioning correctly renders fifty combining diacritics, and with mark-to-mark positioning the most common diacritics may be stacked, permitting, for example, accents and breathings on top of length-marked vowels. Numerals include old-style, proportional lining and tabular lining. For further details, please download the 31-page Textus Receptus User Guide.