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  1. Cardo - Personal use only
  2. Disoluta - Personal use only
  3. LT Staircase - 100% free
  4. Droid Sans - 100% free
  5. Lido STF - Personal use only
  6. Bellerose - Unknown license
  7. DejaVu Sans Condensed - Unknown license
  8. monofur - Unknown license
  9. Beroga Fettig - 100% free
  10. Cranberry Cyr - Unknown license
  11. Mager - Unknown license
  12. Mops - 100% free
  13. Improvisation - Unknown license
  14. Eau - 100% free
  15. Bertolt Brecht - Unknown license
  16. PTF NORDIC Rnd - Unknown license
  17. Clip - Unknown license
  18. Lamini EQ - Personal use only
  19. id-asobi_LightOT - Personal use only
  20. Retriga - Unknown license
  21. 20th Century Font - Unknown license
  22. BodinSmall - Unknown license
  23. New Cicle - Unknown license
  24. CarawayBold - Unknown license
  25. D3 Roadsterism Wide Italic - Unknown license
  26. Gainsborough - Unknown license
  27. Panther - Unknown license
  28. Perestroika - Unknown license
  29. Héloïse - Unknown license
  30. Scoglietto - Unknown license
  31. Blue Highway D Type - Unknown license
  32. Tristan - Unknown license
  33. M+ 2c - Unknown license
  34. Chachie - Personal use only
  35. Fudd - Unknown license
  36. Bulka - Unknown license
  37. Monssla by Jadatype, $12.00
    Monssla is a display font that comes with a block bold style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.
  38. School Desk JNL by Jeff Levine, $29.00
    School Desk JNL is a block-style sanserif based on die-cut cardboard letters used in classrooms during the 1940s and 1950s for making various projects and teaching children the basic shapes of letters.
  39. Dupla by Tipo Pèpel, $22.00
    When Dupla was designed, its DNA shown the best of the typographic heritage from the XIX century types, the oldest san serif known, also named as “Grotesk”, a soft synonym for bizarre, unnatural weird. XIX century Germans' eyes were surprised, astonished by the formal strangeness that provoked the mutilation of the well known serifed types. But the skeleton and DNA are barely perceptible, an invisible part of the nature of objects. We are interested in the epidermis, the outer, the visible, which directly speak to the eyes, and Dupla tells us with overwhelming presence, that is a formal, traditional type, covered with a childlike sweetness, with slight curves, epidermic, sweetening even ink’s traps up. Frutiger said that Latin alphabet letter’s minimum skeleton is like a lock where you should fit all the letters you see, but that skeleton allows many skins. We use a different skin for every specific use. And Dupla’s skin points to how generous, how friendly it is; the sweetness of the big and good-natured. They do not feel very comfortable in low-cost airplanes company’s seats, but in the proper location with enough room, they'll fill the atmosphere with kindness. Do not ask for narrow columns, or terse captions in squalid sizes; do not ask for ridiculous “small print” in dark contracts where «The party of the first part shall be known in this contract as the party of the first part …» That’s not for Dupla. Large headlines, generous width columns to cover, rude pullquotes half-breaking columns, loud exclamations, great sizes, with black weights. It’s in the insultingly generous, almost obscene use where Dupla is felt. And if you consider this a obscene, gargantuan, typographical feast, Dupla brings you everything to demonstrate that quantity does not mean less quality. Multi-language support, Latin plus full coverage, complete sets of small caps, fractions, old numerals, modern, tabular, bonds and all the “gourmet” paraphernalia that Patau has accustomed us, after many years of work. If you want to be obscene and pass the censorship, use Dupla. Hedonism is just a venial sin.
  40. 2011 Slimtype by GLC, $42.00
    This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish specific characters, plus old style numerals, ct, st and f standard ligatures. The two styles are both legible from 10-11 pts.
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