The MonaKo font by Manfred Klein is a distinctive and creative typeface that beautifully encapsulates the essence of artistic expression and modern design sensibilities. Manfred Klein, known for his ...
The CF Anarchy font by CloutierFontes is a vivid expression of freedom and rebellion. Crafted by the visionary Steve Cloutier, this font is more than just a collection of characters; it's a statement...
Oh, the Kanna-W4 font by Flop Design is like the chameleon of the design world, smoothly blending into its surroundings while still managing to stand out, much like a ninja in a tuxedo at a high scho...
Gothic Birthday Cake, a creation by the remarkably talented Bill Roach, encapsulates the essence of celebration intertwined with an intriguing gothic aesthetic. This font stands out due to its distin...
As of my last update, the font named Aswell, crafted by Unauthorized Type, may not be widely recognized in mainstream font repositories or discussions surrounding renowned typography. Unauthorized Ty...
The Kinkie font is a distinctive and whimsical typeface, characterized by its playful and somewhat flamboyant nature. Its design is a vibrant fusion of artistry and imagination, making it stand out i...
The font "The Girl Next Door" created by Kimberly Geswein has an intriguing mixture of casualness and charm, encapsulating the warmth and approachability its name suggests. Kimberly Geswein, known fo...
Alright, prepare yourself for a typographic voyage to the land of "Rational Integer" by Tepid Monkey Fonts, where numerals and letters coexist in a harmonious utopia devoid of irrationality.
Ration...
Uechi is an intriguing font, born out of collaboration and creativity. Created by American composer and typographer David Rakowski, Uechi is not just a typeface but a reflection of an artistic journe...
Morphine Jack is a font that isn't just a typography choice; it's an attitude, a character, a whisper from the early 20th century speakeasies, jazz clubs, and the underground writer's circles. Its de...
"Quick End Jerk" is a distinctive font designed by the talented Vic Fieger, a name well-recognized in the font design industry for creating a variety of unique and eye-catching typefaces. This partic...
Interplanetary Crap, crafted by the renowned typeface designer Ray Larabie, stands as a notable entry in the modern archive of unique and thematic fonts. Known for his ability to infuse personality a...
Oh, Havelseen! Imagine if your charmingly eccentric aunt, who spends her summers sailing through Europe in a hand-painted boat, decided to become a typographer. That's Havelseen for you. It's not jus...
Jadefedga[08], created by the talented designer junkohanhero, is a font that immediately captures the attention with its distinctive blend of creativity, uniqueness, and versatility. Its design is no...
Once upon a time, in the mystical land of AEnigma, there was a font that decided it didn't want to play by the rules. Its name? Bandwidth Bandless BRK. This font was the digital equivalent of that qu...
Imagine if a font went to the gym, skipped every workout except leg day, and then treated every day like a carb-loading day. Meet Fat Legs, the font that took "thick thighs save lives" as a personal ...
Bullpen 3D, designed by the prolific typeface designer Ray Larabie, is a distinct and engaging font that immediately captures attention with its bold three-dimensional appearance. This font is part o...
"The Hands of Deaf" by SpideRaY is a font that truly speaks in the silent poetry of hands. Imagine a world where the alphabet dances gracefully at the tips of fingers, where each letter is a ballet o...
Starbats, created by the talented Dieter Schumacher, is a captivating display font that stands out for its unique approach to typeface design. Unlike conventional fonts that prioritize letters and nu...
Gamegirl Classic is a charming and nostalgia-infused font that seems to teletransport its audience back to the bygone era of handheld gaming, reminiscent of the iconic Nintendo Game Boy that dominate...
The "Manic" font, crafted with meticulous attention by the talented Fran Board, stands as a testament to the blend of creativity and precision that typographic design encompasses. This font emerges n...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
As of my last update, there isn't a widely recognized font named "Naxalite." However, I can create a fictional description based on the name's historical and cultural significance. If a font were to ...
Nu School Munitions isn't a font that I can specifically reference as of my last knowledge update in early 2023, suggesting it might either be a very new, specific, custom, or possibly not widely rec...
Brushstroke Plain by Altsys Metamorphosis is a captivating font that truly embodies the spirit and essence of artistic spontaneity. This font, with its bold and fluid characteristics, seems to dance ...
Font aficionados and design enthusiasts will find it a pleasure to explore "DesignPartsOne" by the seasoned and inventive type designer, Manfred Klein. This distinctive font is less about letters and...
HYERBA by Billy Argel is a distinctive typeface that encapsulates a blend of modernity and classic elegance, making it a unique addition to the plethora of fonts available to designers and typographe...
The Janda Hide And Seek font, crafted by the talented Kimberly Geswein, is a playful and charismatic typeface that exudes a sense of whimsy and warmth. True to its name, it seems to play a delightful...
Sure! The New Alphabet font is an intriguing and avant-garde typeface with a fascinating history and purpose behind its design. Created in 1967 by Wim Crouwel, a notable figure in the Dutch graphic d...
As of my last update, there is no widely recognized or officially classified typeface named Brother Bear. However, the concept of a font named "Brother Bear" immediately invokes a specific mood and a...
Ah, LT Chickenhawk! Such a name evokes images of brave, intrepid fowls, doesn't it? Crafted by the creative minds at Nymphont, this font strides into your design projects with the confidence of a chi...
As of my last knowledge update in April 2023, the font Crakos by Phuxer Designs might not be among the broadly recognized or extensively documented typefaces in the realms of graphic design or typogr...
I'm sorry, but as of my last update in April 2023, there doesn't seem to be any information available on a font specifically named "Ishirkian" by Risket Xero. It's possible that it could be a new or ...
The font LED BOARD REVERSED, created by Paul Hustava, adopts the unique allure and characteristics of classic LED displays and signs but propels its essence in a novel direction. The characteristic f...
Ah, Brassiere by Apostrophic Labs – if fonts were garments, this one would definitely be a lacy number you'd find hidden in the mischievous corner of your wardrobe. Picture this: a font that flirts w...
Ah, the Riparo font! It's like diving into the world of quirky and eye-catching typography, a playground where creativity meets functionality. Crafted by the talented Vladimir Nikolic, Riparo doesn't...
The Bazar font by Olinda Martins is a strikingly unique typeface that embodies a blend of whimsical charm and artistic flair. At first glance, Bazar presents itself with a lively irregularity that im...
As of my last update, information about a font named "Speichel" by Vladimir Nikolic specifically may not be widely recognized or available. However, Vladimir Nikolic, an accomplished font designer kn...
The font "Hugh is Life Personal Use" by Billy Argel embodies a sense of personal touch and artistic flair, distinguishing itself through its unique characteristics and design nuances. As with many of...