428 search results (0.008 seconds)
  1. Riggle is a font that dances across the page with a playful yet robust energy. Imagine each letter crafted not merely to form words, but to invoke a feeling of joy and creativity. Its design leans in...
  2. Heidorn Hill crafted by Apostrophic Labs is a typeface that marries the essence of adventurism with the meticulous touch of modern design. It embodies a sense of exploration, reminiscent of a journey...
  3. The font "Basket of Hammers" created by !Exclamachine is a remarkable display of creative ingenuity that breaks away from traditional font designs. This typeface stands out with its unique name that ...
  4. WildWest-Normal is a font that beautifully captures the rugged spirit and unbridled adventure of the American West. This typeface is designed to evoke images of dusty trails, sprawling deserts, and t...
  5. Janda Siesta Sunset, crafted by the talented Kimberly Geswein, is a font that embodies a harmonious blend of relaxation and artistic flair, reminiscent of a serene sunset. This typeface captures the ...
  6. Sure thing! WhoopAss is a distinctive font created by Blambot Fonts, a company renowned for crafting unique typefaces tailored especially for comic book creators and artists. As the name suggests, Wh...
  7. The font "Chopin-Bold" evokes a sense of elegance and grandeur that is truly reminiscent of its namesake, the famed composer Frédéric Chopin. Known for his romantic-era compositions that stir the sou...
  8. Moonstar is a font that captures the imagination, twinkling like a distant galaxy in a sea of darkness. It is more than just a collection of characters; it embodies a sense of wonder and cosmic adven...
  9. "A Theme for Murder" is a font that evokes a sense of eerie suspense and chilling mystery, reminiscent of classic horror films and novels. Designed by Chris Hansen, this distinctive typeface encapsul...
  10. The font "Barbaric," designed by Chris Vile, is a striking and visually impactful typeface that carries a distinct air of raw energy and rebellious spirit. The design of Barbaric stands out through i...
  11. Imagine a font that put on its Sunday best, but with a cheeky twist, and you've got yourself Belta Bold by Antipixel. This isn't your run-of-the-mill, stiff-upper-lip typeface. No, sir! Belta Bold is...
  12. Vectroid Cosmo, conceived by the creative minds at dustBUSt Fonts, is a captivating font that transports its audience into a nostalgic yet futuristic realm. This typeface, with its roots deeply embed...
  13. Embracing the cosmos’ boundless beauty, Stargazers is a font that transcends traditional design to capture the essence of midnight dreams and the sparkle of distant stars. It is not just a typeface b...
  14. Ah, Cable by Phuxer Designs, the font that purportedly could tie the digital world together, or so it claimed, with a wink and a nudge. Imagine if a 1980s sci-fi movie and a contemporary digital art ...
  15. Seized Future, crafted by the talented Justin Callaghan, is an emblem of modern creativity melded with an adventurous spirit. At its core, Seized Future carries the essence of a futuristic vision, en...
  16. Zorque, designed by the prolific typeface designer Ray Larabie, is a font that packs quite the visual punch. It blends futuristic sensibilities with a dash of whimsy, making it stand out in a sea of ...
  17. The font "Waiting for the Sunrise" by Kimberly Geswein is a striking example of how typography can capture emotion and artistic expression. At its core, this font embodies a sense of anticipation and...
  18. Featured Item, brought to life by the creative minds at Font Diner, carries an unmistakable charm that harkens back to the golden era of mid-20th century American advertising. Picture a lively diner ...
  19. "Seeing Stars" by Blue Vinyl Fonts is a distinctive typeface that captures the whimsical and enchanting essence of the celestial wonders it is named after. The font stands out for its unique approach...
  20. Alright, let's dive into GUNJU by Akihiro OYA, a font that really has its own unique charm and character. At first glance, GUNJU strikes you with its combination of modernity and tradition. It has th...
  21. Imagine a font that decided one day to get out of bed, stretch its limbs to the sky, and perform an impromptu dance routine. That's Kicking Limos for you. Created by the typographic maestro Ray Larab...
  22. Mother VP by VP Creative Shop, $20.00
    Introducing Mother Serif Typeface - 5 fonts Mother is named after all the moms and children left behind. This typeface is feminine, fragile typeface with 5 fonts loaded with ligature glyphs, alternates and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Mother is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Light Regular Medium Bold Black ligature glyphs ab ac ad ae ag ai al am an ap ar as at au ba be bi bl bo br ca cc ce ch ci cl co cr cs ct cu da de di do dr ea ec ed ee ei el em en eo ep er es et eu fa fb ffb fh ffh fj fk ffk ft fft ga gi gl gn go gr ha he hi ho hy ic id ie il im in io ip ir is it iv ka ke la le li ll lo lu ma me mi mo mp na nc nd ni no nt oc od ol om op or os ot ou pa pe pi po ra rc rd re ri ro sh si sm sp su ta te th ti to tr ts tt ul um un ur us ut ff fi fl ffi ffl st alternates Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!
  23. PB Capitalis Rustica IVc by Paweł Burgiel, $32.00
    PB Capitalis Rustica IVc is a font face designed for imitate latin writing style found in manuscripts from 1st to 9th century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.) and historical characters (overlined Roman numerals, I-longa, historical ligatures for "nomina sacra" and "notae communes"). OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints. Use of OpenType features to get historical characters: ïTo get "I-longa" use Stylistic Alternates for: "I"(U+0049), "i"(U+0069), "dotless i"(U+0131). ïTo get "nomina sacra" use Historical Ligatures and write uppercase letters: DS for: "Deus", DMS or DNS for: "Dominus" EPS for: "Episcopus", IHS for: "Iesus", PBR for: "Presbiter", SCS for: "Sanctus", SPS for: "Spiritus", XPS for: "Christus". ïTo get "notae communes" use Historical Ligatures and write: B(U+0042) + "middle dot"(U+00B7) for: "-BUS", Q(U+0051) + "middle dot"(U+00B7) for: "-QUE". ïTo get "scriptio continua" (writing without words separation) use Historical Forms (regular spaces are replaced by zero width spaces between words). ïTo get "middle dot" for separate words use Stylistic Set 1 (regular spaces are replaced by middle dot between words).
  24. As of my last update in April 2023, the font named "Campfire" might not be one of the mainstream fonts like Arial, Times New Roman, or Helvetica, leading to variants and interpretations by different ...
  25. Ah, Harrington, the font that dresses for dinner! Imagine if the 19th century decided to take up typography, and right before it put on its top hat, it scribbled down the essence of its spirit. That,...
  26. The Pilsen Plakat font, crafted by the talented Dieter Steffmann, is a remarkable typeface that stands out for its distinctive characteristics and historical connections. This font manages to capture...
  27. Oh, strap in, because we're about to ride the waves and catch the wind with the "Surfing & Kiteboarding" font by Cataleya Butcher. Picture this: You're at the beach, the sun is setting, painting the ...
  28. Certainly! Imagine stepping into a disco in the 1970s, but instead of dancing, everyone is gracefully swaying in loops and whorls, their movements smooth, connected, and oh-so stylish. That's the ess...
  29. Cetus is a font that embodies the fluidity and vastness of the ocean. Inspired by its namesake, the whale constellation in the night sky, Cetus is both majestic and mysterious, offering a deep dive i...
  30. Ah, the enigmatic DomoAregato font by Dieter Schumacher, a typographic creation that looks like it belongs in a neon-lit cyberpunk cityscape as much as in a cozy, retro computer lab. Picture this: th...
  31. Ah, the ever-so-futuristic and slightly otherworldly font known as Nasalization, crafted by the visionary Ray Larabie, is like the Vespa scooter of typography: quirky, stylish, and with a hint of ret...
  32. Teatral is an intriguing typeface designed by Tobias Sommer, who is also known by his online alias "Shasta." This particular font is a testament to the convergence of artistic flair and typographic f...
  33. Plakative Grotesk, designed by Uwe Borchert, stands as a testament to the power of typographic expression in conveying direct and impactful messages through design. As suggested by its name, with "Pl...
  34. The Flying Saucer font by Vladimir Nikolic is an intriguing and captivating typeface, which seems to draw its inspiration from the retro-futuristic aesthetics associated with the mid-20th-century fas...
  35. "Flying Colours Don't Run" is a captivating font that truly embodies the essence of resilience and vibrant expressiveness, as hinted by its distinctive name. Although I don't possess direct access to...
  36. Starbats, created by the talented Dieter Schumacher, is a captivating display font that stands out for its unique approach to typeface design. Unlike conventional fonts that prioritize letters and nu...
  37. Brassens by Typorium, $53.00
    Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.
  38. Ah, the Grandiose Grantham! Crafted by the whimsical hands of Paul Lloyd Fonts, Grantham is not your average character (pun intended) in the world of typography. Imagine if the letters decided to thr...
  39. Deco Pimp by David Kerkhoff is a font that effortlessly marries the extravagance of Art Deco with modern design sensibilities, resulting in a typographic experience that is as lush and daring as it i...
  40. Valium is an imaginatively crafted font that exudes an enigmatic yet eminently approachable vibe, reminiscent of the tranquil effects its namesake may suggest. Though not a standard font you'd find i...
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