
Conspired Lovers is based on five years of love-letter writing. A font to capture the intentions of love letters more than any other font. How did the Project start? In the last five years I wrote love letters with two persons. I became used to the joy of handwriting with ink and nib on fine paper. Through practice a experimentation my style continuously refined. As life moves on, suddenly I found myself with no one to write love letters to. It's a luxury to have someone to write letters to. Missing the joy of writing and listening to Gregory Porter’s “Be Good”, the decision was made to take this 5 years of writing and make this dance on paper a font. A handwritten typeface for everyone to use. This font was created in July, 2012 and named Conspired Lovers. A font to capture and convey your message in a special way to the beloved one close to your heart. With a long practice of writing crafted into the unique design I hope that you and the recipient of your writing will soon enjoy this design. The Open-type version features 350+ glyphs including alternates and ligatures. All lowercase and most uppercase letters are connected, to create a realistic hand-writing-calligraphy on your creations. Conspired Lovers is international and supports a wide range of eastern european languages with accented letters to reach everyone in Sweden, France, Hungary and almost everywhere around the globe. A trailer for Conspired Lovers can be seen here: http://vimeo.com/haraldgeisler/conspired-lovers If you're looking for more heart related fonts also check out my other fonts.

Cotton Club remembers the fonts of the thirties of the last century and the Bodoni, but it does not present graces: it is a sans serif. It has 360 glyphs and is composed of two regular and italic styles. Cotton Club is characterized by a high contrast between thick and thin strokes. The emphasized signs give the font an essential, sharp and elegant look. The Italic style of the Cotton Club refers to handwriting and this is noticeable in the ligatures obtained with kerning. The name of the font, “Cotton Club,” refers to the famous Jazz Club in New York, in Harlem, active in the twenties and thirties, during and after Prohibition. At that time the Bodoni, in its many derivations, was widely used not only in lead composition, but also in neon signs, plaques, posters, as well as in many other applications. Redesigning a new font that brings back to those years wants to be, therefore, a tribute and a reinterpretation of the graphics of that period as well as, it is understood, to the glorious Bodoni. Supported Languages Bulgaro, Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Serbian, Swedish, Turkish. Vincenzo Crisafulli font designer Vincenzo Crisafulli graduated from the Faculty of Architecture in Palermo and works as a graphic designer. He has been designing fonts since 1996 and has published with T26 (Type-Foundry, digital foundry in Chicago-California USA): Crisafulli, Chocolat, LST, Luminaria, and Stitching; with MyFonts: Rétrospectif, Bella Copy, Jasmin and Noahs Ark.

The Swiss typewriters were famous for their unique precision. As complex digitalizations and macro shots were a start for the inspiration and studies, each character has been carefully re-crafted from the ultra high def scans of the printouts made on a special bleed-proof paper. Today’s characters such as @, euro sign and most of accents have been crafted according the original alphabet design. The idea was to digitize and keep a saving of the original typewriter including all its functions (e.g. underlining key) . It’s surprisingly very legible at small sizes. Thanks to an x-height tighter and more spaced, a glyph design less detailed and more neutral/simple than other fonts found on american or italian typewriters. The final artwork can be set at very large sizes due to the highly detailed glyph design. Swissa Piccola Regular is loaded with more than 150 glyphs created with the typewriter to avoid letter repetition in a word. This OpenType feature can be accessed through the 'discretionary ligatures' option. Plus it comes with two stylistic sets : one with an original underlining feature, another with a slashed-x feature. In which all characters are unique and also have been originally typed with the typewriter. It contains more 600 glyphs in total. The two features are separated in another two fonts (Swissa Piccola Slashed x and Underlined) in case a non OT-savvy app is used. If you wish to obtain exactly the same prints as the original Swissa Piccola typewriter, you should set your font at 11.3 pt and 19.5 pt of line spacing. The Swissa Piccola font was originally offered in a dedicated limited edition packaging.

I've been learning to read Cyrillic and Greek letters lately, mainly because I've been playing the game GeoGuessr. (If you haven't played it, I highly recommend! It plops you down somewhere in the world in Google Street View, and you have to figure out where you are.) Cyrillic shows up in so many more places than Russia! You can see it in Bulgaria, Mongolia, Serbia, Montenegro, Kyrgyzstan, and more. Because of that, I made sure to include a fun double-uppercase version of those alphabet sets in Sleepy Bear. They're styled the same way as the Latin characters: all uppercase height, with some lowercase-styled letters thrown in at that same height for a fun look for all ages. I've also made two weights of Sleepy Bear: a plump and smooth regular weight, and a lighter weight that's built to stack on top of the regular (though you can use it on its own). Just type out a word in Sleepy Bear, copy it, and then change the copy to Sleepy Bear Light. You'll get a great outline look in seconds! All characters are extensively cleaned up, with smooth curves and rounded ends. Sleepy Bear is great for all print projects, and also cuts out of all materials like a dream. It's a cute and quirky monoline font family that's great for all of your family's designs. Each font contains over 850 glyphs, and includes: - Latin and extended Latin characters to support over 100 languages; - Cyrillic and Greek double-uppercase alphabet sets; - 18 fractions; - Punctuation galore; - 38 double-letter ligatures for variety (including international pairs like KK and II); - And a half-dozen alternates for even more variety!

Extraordinary impact and visual conspicuousness. Poipoi is a super 3D sans family for posters, logos and all display. The basic idea is not a brand new. The Stacking type system has been used since before wood type age. As you imagined, colored wood type(woodcut), many other engravings and contemporary printer machine print many colors separately with different printing plates for each color. Poipoi uses the same system for 3d effect. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layer. Poipoi "Standard" style is the base of this font family. You can add effects by stacking Highlight and shadow layers. Stacked layers in different color make the text in 3D. Instruction 1. Type your text as you like. 2. Set font-name "Poipoi" and font-style "Standard" 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer twice (One for Highlight, one for Shadow). 4'. The layer order should be Highlight, Standard, and Shadow from top to bottom. 5. Set font-style and color of "Highlight" and "Shadow" layers. 6. Adjust tracking if you need. (Please use same tracking value for all 3 layers.) For further detail, https://www.dropbox.com/s/xymis7dh5hwxn9q/Poipoi.pdf Poipoi Standard, Highlighted, and shadowed style can be used solely. Rounded terminals add soft, cute, and casual impressions to your design. Spec: Over 400 glyphs! Basic Latin ✓ Western Europe ✓ Central Europe ✓ South Eastern Europe ✓ Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 ✓ Adobe Latin 3 ✓ Almost all Latins are covered.
The AndironOutline font by Nick Curtis is a distinctive typeface that draws its inspiration from vintage styles, blending them with contemporary flair to produce a fresh and engaging aesthetic. Its d...
As of my last update in April 2023, without direct information on a specific typeface designated as "13_Fletcher," I can fabricate a creative description based around the intriguing elements the name...
Blackout is a distinct and captivating font created by the talented designer Tyler Finck. It stands out for its bold and unconventional style, offering a dramatic departure from traditional typefaces...
Brave New Era (outline) G98 by GemFonts | Graham Meade is an intriguing font that embodies the spirit of exploration and innovation. Designed by the adept font artist Graham Meade under the banner of...
Ah, Bou College, the font that decided it was time to put its varsity jacket on and strut through the halls of typographical academia with a sporty swagger. Picture this: the letters, muscular and fi...
As of my last update in April 2023, there is no widespread or well-known font specifically recognized by the name "CAITLYN." However, envisioning a font named "CAITLYN" allows for a creative and imag...
ColorTube, created by Bulgarian designer Ivan Filipov, is a vibrant and visually engaging font that is as playful as it is functional. It is an epitome of creativity, designed to bring color and life...
As of my last update, there isn't a widely recognized font explicitly named "Playtoy" within mainstream design resources or typographic libraries. However, the fantasy or imaginative concept of a fon...
Edge Of Madness, crafted by the whimsically named designer Darrell Flood, is a font that refuses to take itself too seriously. Picture this: the letters are holding a wild party, and sanity was defin...
The font "It Lives In The Swamp BRK" by Ænigma is an evocative typeface that seems to drip with the mysterious and primeval essence of swamplands. Designed with a distinct flair that channels the unt...
Mouser Outline by Sharkshock Productions is a distinctive font that captures the imagination through its unique design and playful character. Its overall appearance is influenced by the concept of ou...
Once upon a time in a design universe far, far away, there was a font named NHL Atlanta, skating across pages with the grace of a hockey player navigating through opponents on the ice. This font, muc...
Imagine waking up on a beautiful, sunny morning, feeling refreshed and eager to conquer the world. That sensation, my friend, is what encountering the font "Greatday" by Letteratom is like. It's not ...
The font named "Set Fire to the Rain" by Kimberly Geswein is an embodiment of expressive creativity and a palpable emotional resonance. Designed by Kimberly Geswein, a designer known for her diverse ...
Sturkopf Grotesk, designed by Uwe Borchert, is an intriguing addition to the vast world of typefaces. Its design distinguishes itself by threading the fine line between stoic traditionalism and bold ...
Ah, the Frankfurt font, crafted by the distinguished Alan Carr, not to be confused with the British comedian of the same name—though one could argue that Mr. Carr's creation brings its own form of vi...
Ah, KG Seven Sixteen, a font that confidently saunters into the world of typography, tipping its hat with a cheeky grin. Crafted by the whimsical wand of Kimberly Geswein, it's as if this font was sp...
The We2000 font, conceived and crafted by Tom Tor, is a distinct typeface that captures the essence of both retro and futuristic design, effortlessly bridging the gap between the dawn of the millenni...
The font Wonton emerges as a distinct and captivating typeface, infusing an eclectic mix of modernity and tradition into the world of typography. Its design is notably inspired by the hand-lettering ...
Pea Nicole is a font that possesses a charming, handcrafted aesthetic, making it a delightful choice for a variety of design projects that aim to evoke a personal and intimate feel. Its whimsical nat...
As of my last update, the "British Outline Majuscules" isn't a universally recognized or widely used font name in the vast world of typography. However, given the descriptive nature of the name, we c...
Locked Window, a typeface that captures the imagination and intrigue of a suspense-filled narrative, is a typographic journey through mystery and discovery. At first glimpse, this font presents itsel...
Imagine a font that decides to escape the mundane life of letters trapped on a dusty chalkboard, embarking on a dazzling journey into the neon-filled nights of a sci-fi metropolis. That font would be...
Ah, Café Pop! Imagine strolling through a bustling city street where the aroma of freshly brewed coffee fills the air, jazz music dances around your ears, and the promise of intriguing conversations ...
Ah, the Amsterdam Graffiti font! Picture this: you're wandering the vibrant streets of Amsterdam, where the scent of fresh stroopwafels fills the air and bicycles whiz past at every turn. Suddenly, y...
Bric-a-Braque, a font designed by the talented Nick Curtis, embodies the spirit of playful creativity and intricate artistry, standing out as an exemplar of how type can both communicate and captivat...
Imagine if your high school chemistry teacher decided to become a typographer, and their first project was to somehow capture the essence of every "Eureka!" moment they ever had in a font. The result...
Alright, picture this: Zekton Free, a font that looks like it moonlights as a futuristic secret agent. Designed by the font wizard Ray Larabie, this typeface isn't just another font in the crowd. Oh ...
Charon's Obol by David Kerkhoff is a distinctive typeface that embodies a blend of historical allure and modern versatility, making it a unique addition to any design project that seeks to evoke emot...
Allow me to introduce you to the enchanting world of Dreamspeak, a font that could charm the socks off a centipede - not that they wear any, but let's not get bogged down by the details. Dreamspeak i...

I am thrilled to unveil my latest creation, the Elio & Oliver font family. Inspired by the timeless elegance and undeniable allure of Italy, this sans serif typeface captures the essence of sophistication and refinement. Named after the main protagonists of the beloved novel "Call Me by Your Name," Elio & Oliver is a testament to the power of passion, beauty, and the transcendent experiences that shape our lives. Just like their story, this font aims to evoke emotions and create a lasting impression. With nine meticulously crafted weights ranging from the delicate Ultra Light to the bold intensity of Black, Elio & Oliver offers a spectrum of possibilities. Each weight is thoughtfully designed to ensure versatility and harmonious visual aesthetics across various design projects. Intricate and purposeful, the font pack boasts over 30 ligatures that seamlessly combine letters, elevating the fluidity and legibility of your typography. These ligatures add an extra touch of sophistication to your designs, making them truly stand out. Recognizing the importance of language diversity, Elio & Oliver is equipped with full language support, enabling you to effortlessly communicate your message to a global audience. From English to Italian, French to Spanish, and beyond, this font embraces the richness and cultural nuances of different languages. Whether you're working on editorial layouts, branding projects, or digital interfaces, Elio & Oliver will infuse your designs with an air of refined elegance. It is the embodiment of style and grace, effortlessly capturing attention and leaving a lasting impression on viewers. Step into the world of Elio & Oliver, where every letter tells a story and every curve is a testament to the power of design. It's time to elevate your creative projects and evoke the spirit of Italian chicness with this exquisite typeface. Discover Elio & Oliver and let your designs speak the language of timeless elegance. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Elio & Oliver - Elegant Sans Serif Includes: Elio & Oliver Font Family - 9 Font Weights - From Ultra Light to Black Elio & Oliver Variable Font Over 30 ligatures and alternate letters Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!

High atop the mountain of fonts, a new structure has been raised--one solid and strong against the challenges of time. Civane is a victorious conqueror among fonts, standing above the clutter and the mundane. Its firm structure joins effortlessly with graceful calligraphy in a new flowing, inscriptional typeface. Civane is inspired by monuments of great civilizations, whose lofty inscriptions remain chiseled into the very stones and columns of their structures. The font’s medium contrast with its flared stroke ends lead the reader to feel the solemn presence found in these great obelisks and shrines. Even Civane’s thinnest weight holds a quiet power over its audience. Still, its classic lines provide a beautiful flow between the strong letters, allowing the reader’s eye to move easily across the page. Civane supports OpenType features and comes with upright italics, alternates, ligatures, old-fashioned figures, titling and small caps. Preview all these features in the interactive PDF manual. The font family has 48 fonts, with three widths and eight weights. The font family also includes glyphs for 72 languages; over 550 glyphs per font stand ready for you to command throughout your design. Civane is built for advertising and display typesetting as well as title and small text, making it an excellent choice for websites as well as flyers and packaging. Use it for defining your brand or for creating designs that evoke academia, militaria, monuments, automobiles, signs, and so on. Its 48 well-designed fonts are well-equipped to help you leave your mark on history. Production assistance from Lucas Azevedo and ikern.