Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

Christmas Melody is modern calligraphy font made by handwritten with a classic style and a touch of elegance. Christmas Melody is perfect for red wine label, vodka label, upscale packaging, wedding stationery, invitations, business cards, branding and other projects that require a touch of handwriting and luxury. Try Christmas Melody, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Vicentina has been created starting from gothic cursive calligraphy, widely used in Italy during XIV century. The ductus of Vicentina has been derived from the documents redacted by Master Domenico Dominici from Vicenza, while most of the inspiration comes from books preserved in the archives of Orvieto Cathedral (Archivi dell'Opera del Duomo di Orvieto). As a result, Vicentina takes form with an elegant, but fast and simplified ductus respect to gothic graphs, rich in ligatures and with over 400 OpenType glyphs, in perfect harmony with the rules of readability of a modern typeface.

Pendulum is the much-anticipated digitization and swashy expansion of Americana, an amazing yet long overlooked treasure from the Nebiolo foundry, circa 1945. With heavy descenders and seemingly floating ascenders emanating from one of the most classical attempts at connected upright calligraphy, never did a font have this much charm and complexity at once. To complement the beauty of the original letters, Pendulum comes with two additional sets of swashed ending lowercase we call Swings. These Swings help Pendulum become a fantastic calligraphic plate making tool, as well as a great personalizing headline font. Plenty of alternates and extra custom endings are included for extra choice and variety. The OpenType version of Pendulum comes with the Swings included in the stylistic alternates and contextual alternates features. One click of a button and you have a nice swash ending for your word, or a nice mix of swash lowercase for a calligraphic plate. Pendulum can take your design anywhere your imagination goes. Its use can efficiently vary from simple slogans to richer layouts such as music sleeves or movie posters, and everything in between.

PKG Roman Capitals is one more of Posterizer KG calligraphic fonts, based on Roman Square Capitals letterforms, also called Capitalis Monumentalis, Inscriptional Capitals, Elegant Capitals and Capitalis Quadrata from (about) 2nd century A.D. All graphemes are taken from calligraphic pages written with brush on traditional calligraphic stile, inspired by epigraphic monuments from the Roman Pantheon, Trajan’s Column, and the Arch of Titus. PKG Roman Capitals font is good guides for any who want to study the beautiful proportions of Roman Capitals. In practice, it can be useful for calligraphic sketches and imitation of Roman (European) historical manuscripts. Font contains good stylistic, morphological and metrical balanced Capitals, Small Caps and all the Latin and Cyrillic glyphs.

Newland is a blocky typeface inspired by Rudolf Koch’s calligraphic Neuland.

ITC Slimbach font is the work of California calligrapher and type designer Robert Slimbach. Inspired in part by German fonts and the work of Hermann Zapf, Slimbach created a "contemporary text font with a progressive look", combining clean serif shapes with the warmth of calligraphic forms.

Designed by calligrapher Rachel Yallop, Maybelle is pretty and proudly romantic, with delicate flourishes and a superbly handwritten, calligraphic sensibility. Drawn with a pointed pen and ink, this script boasts dainty loops and high contrast letterforms. Maybelle is available with some ligatures and alternate glyph shapes.

Introducing "Lightbond" - an exquisite blackletter Kufic typeface that fuses ancient calligraphic traditions with a contemporary twist. Inspired by the elegance and geometric precision of Kufic script, Lightbond brings a sense of mystique and cultural richness to your designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

The Strapwork is a symbolic font with the ornaments from the 16th century Mannerism era. These type of ornaments are called Strapwork and are combined with the Moreske ornament. Together they create a rich and refine style. As a prototype for this font I took the tables of ornament examples by etcher Balthasar Bos (1554). The font contains high quality vector graphics with a special attention paid to details. This collection consists of many friezes (borders). There are more than ten basic motifs and a great number of combinations. The ribbon elements are easily laid out by typing the combination of letters. The four typefaces help to combine ornaments in various tones and colors. By overlaying plants elements with ribbon elements you can get a multicolor richness and combinations variety. The font comes with a detail documentation and examples in PDF format. The Strapwork ornaments will ideally suit your needs in graphic design, textile industry or various decorations. The Strapwork font can be easily used not only in traditional approach but also in grunge stylistics, which will enrich your compositions.

EdwardEdwin a is simple but elegant rendition of a formal, calligraphic script.

ROARRR! THE STYLES -Pantera Pro is the most complete style, and although its default look is mono-rhythmic it gets really playful and crazy like the examples of the posters by just activating the Decorative Ligatures button in the Open-type Panel of Adobe Illustrator. However, I recommend using also the Glyphs Panel because there you'll find much more variants per letter. Pantera Pro is in fact, coded in a way the combination of thicknesses will always look fantastic. -Pantera Black Left, and Pantera Black Right are actually “lite” versions of Pantera Pro: They have very little Open-Type code, so what you see here is what you get. Pantera Black Left has its left strokes thick, while Pantera Black Right has its right strokes thick. -Pantera White is a lovely member in this family that looks lighter and airy, hence its name. With the feature Standard Ligatures activated (liga) the font gets very playful. -Pantera Caps is based on sign painters lettering and since it follows the same pointed brush rules as the other styles, it matches perfectly. -Pantera Claws like its name suggests, is a set of icons that were done by our dear panther. THE STORY It is said that typography can never be as expressive as calligraphy, but sometimes it can get close enough. I tend to think that calligraphic trials, in order to work well as potential fonts, need first to go through very strict filters before going digital: While calligraphy is synonym of freedom (once its rules are mastered), type-design, in the other hand, has its battlefield a little tighter and tougher. When I practice pointed brush lettering, there are so many things happening on the paper. And most of them are delicious. The ones who know my work may see that although many of my fonts are very expressive, my handmade brush trials are much more lively than them. With that in mind, this time I tried to go further and rescue more of those things that are lost in the process of thinking type when first sketches are calligraphic. I wondered if I could create something wild, hence its name Panther, by understanding the randomness that sometimes calligraphy conveys and turning it to something systemic: With Pantera, I created an ordered disorder. Like it happens a lot in many kinds of lettering styles, in order to enrich the written word the scribe mixes the thickness of the strokes and the width of the letters. Like one of my favorite mentors say (1), they make thoughtful gestures Some lively strokes go down with a thick, while some do that with a thin. Some letters are very narrow, meaning some of them will need to be very wide to compensate. Why not?. The calligrapher is always thinking on the following letters, and he/she designs in his head the combination of thicks and thins before he/she executes them. He/she knows the playful rhythm the words will have before writing them. It takes time and skill to master this and achieve graceful results. Going back to the font, in Pantera, this combination of varying thicknesses and widths of letters were Open-Type coded so the user will see satisfactory results by just enabling or disabling some buttons on the glyphs panel. I'm very pleased with the result since it’s not very easy to find fonts which play with the words' rhythm like Pantera does, following of course, a strong calligraphic base. I believe that if you were on the prowl for innovative fonts, this is your chance to go wild and get Pantera! NOTES (1) Phrase by Yves Leterme. In fact, it’s the title of a book by him. EPILOGUE Esta fuente está dedicada a mi panterita