In his book Victorian Display Alphabets, Dan X. Solo called this specimen "Marquette". This unicase version features a complete character set, and is named after a favorite watering hole in Texas on the Guadeloupe River. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

HK Guise is a typeface with legible characters for maximum readability and legibility—perfect for interface and signage design projects. Inspired by Swiss Typographic design, HK Guise aims to be a standard go-to typeface for the adventurous graphic designer. Guise, defined literally; is an external form, appearance, or manner of presentation, typically concealing the true nature of something.

P22 Wood Type is a set of four fonts based on 19th Century American wooden printing types. Wood Type Regular is a condensed Tuscan styled font with a lower case and international character set. Wood Type Small Caps is a variation of the regular with small caps in place of the lower case. Wood Type Extras One & Two feature over 150 borders, stars, pointers, combination dashes, manicules & other decorative embellishments. Perfect for evoking 19th Century printing & Americana at its most genuine.

3D Chiseled Rock type font based on the ideas of Ancient Megalithic Structure and Stone Masonry. This Font comes in a Solid Bolder type or Outlined Type for that Chiseled Ice Block Look. Based on Hulkbusters by Dan Zadorozny.

The Roemisch type family is a historic hot metal face with left slanted weights that is used for the german cartographic map production. There are also special typefaces required like the Venus type family and Topografische Zahlentafel type family."

Jazz Gothic is a digitization and expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. This type became an instant titling classic with jazz and soul album designers; then it caught on wildly with film and television designers. Blue Note and Motown would not have been the same without this face. Jazz Gothic is a simple geometric idea, quite likely originally inspired by the heavier display weights of Futura. The resulting product is a versatile message-driver that stands quite strong and cherishes the limelight, yet shows a playful and artistic side within its curvy thick swashes and rebellious unicase forms. In the hands of a good designer, Jazz Gothic eliminates any doubt about the delivery of the message or the attractive purposeful way it is delivered. It is the kind of typeface that loves a design program's bells and whistles. Knock it out of dark or light backgrounds, shade it, mask-alize it, roughen it, stretch it, squeeze it, and the message will still stand larger than life. Jazz Gothic comes in two fonts, a main one with a full character set to accommodate the majority of Latin-based languages, and a second one that contains about 50 alternates and swashed forms. The OpenType version is a single font that has all the alternates and swashes at the disposal of the buttons of OT-savvy program palettes.