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  1. JF Cotswold Leaves, a creation of Jester Font Studio, stands as a captivating and distinctive font that draws inspiration from the natural elegance and intricate beauty of leaves found in the Cotswol...
  2. Rayando is a font that seems to capture the essence of creativity and spontaneity with its unique design. Picture a canvas where each character is not just a letter but a piece of art, dancing betwee...
  3. "Shit Happens" is a unique and expressive font created by the talented designer Billy Argel. This particular font encapsulates a mix of rebellion, artistry, and the unpredictable twists life often pr...
  4. The Bitsumishi font, designed by Levi Halmos, stands out prominently in the realm of typography for its strikingly modern and futuristic appeal. This typeface skilfully combines the sleekness of cont...
  5. The LT Oksana font, designed by Nymphont, is a delightful typeface that radiates charm and elegance. At first glance, LT Oksana captivates with its smooth, rounded serifs and a playful yet sophistica...
  6. CAC Shishoni Brush is a distinctive font that captures the essence of artistic freedom and expressive brush strokes. Its design reflects a raw, unrefined aesthetic that is both captivating and versat...
  7. The Mutlu font, with its name meaning "happy" in Turkish, is a script font that exudes joy and exuberance. A distinguishing feature of Mutlu is its flowing, ornate characteristics that mimic the flui...
  8. Featuring a timeless charm imbued with a sense of playful elegance, the Marketing Script font by Dieter Steffmann is a beautifully crafted typeface that captures the essence of classic handwriting. W...
  9. The 1543 Humane Jenson font, designed by Gilles Le Corre, is a tribute to the rich history of typography, blending meticulous craft and historical homage. This font is intricately designed to echo th...
  10. The "Tiny Tube" font, envisioned and created by Heather Daniel, is a whimsical and engaging typeface that captures the essence of playfulness and creativity. At its core, Tiny Tube embodies a unique ...
  11. The Lane - Cane font, crafted by the talented Graham Meade under the GemFonts foundry, stands as a testament to the art of type design that balances between functionality and aesthetic charm. This fo...
  12. The BN BenWitch Project font, crafted by Ben Nathan, stands as a distinctive typeface that draws its inspiration from the eerie and unsettling atmosphere reminiscent of horror movies and supernatural...
  13. The Drunken Sailor font, crafted by the prolific Manfred Klein, is a whimsical and playful typeface that embodies the spirit of maritime lore and the rolling waves of the sea. Its letters, with their...
  14. Feldicouth Norm by Three Mile Island is a captivating font that carries a unique charm, making it stand out among many in the realm of typography. This font is a true testament to the creativity and ...
  15. BJF Hunnybee is a delightful and charming font that instantly brings a touch of whimsy and lightheartedness to any project it graces. At first glance, the font exudes a sweet and friendly vibe, remin...
  16. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  17. The Killigrew font, crafted by the talented Paul Lloyd Fonts, is a striking typeface that seamlessly blends historical charm with contemporary design elements. This font is characterized by its bold ...
  18. Bifurk is a striking and versatile typeface that stands out for its unique blend of creativity and functionality. Characterized by its modern approach, Bifurk merges simplicity with complexity, offer...
  19. Ah, Denmark—the font, not the country—is like the cozy sweater of typography: familiar yet stylish, and incredibly versatile. Imagine its letters with a streamlined form that manages to be both crisp...
  20. Clairvaux Demo by The Scriptorium offers a sneak peek into the graceful elegance embedded in medieval scriptorium traditions. This font is inspired by the intricate calligraphy found in the manuscrip...
  21. MACIZA, designed by Pedro Pan, stands as a robust and striking display font that commands attention. Its design embodies a solid, heavy presence that suggests it's built for impact and emphasis, maki...
  22. The Dead Hardy font by Dirt2 stands out as an intriguing and bold display typeface, embodying a distinctive fusion of gothic sensibility and modern tattoo artistry. This font draws inspiration from t...
  23. Sho-Card-Caps is a distinctive typeface designed by Nick Curtis, a prolific typeface designer known for his ability to capture the essence of vintage and retro typography with a modern twist. This fo...
  24. The font "Shower Flower" by Heather Daniel is a delightful and visually engaging font that encapsulates a playful yet sophisticated essence, making it a perfect choice for a wide range of creative pr...
  25. WildWest-Normal is a font that beautifully captures the rugged spirit and unbridled adventure of the American West. This typeface is designed to evoke images of dusty trails, sprawling deserts, and t...
  26. The "404error" font is a conceptual typeface that draws inspiration from the digital era's most infamous hiccup, the "404 Not Found" error encountered on the web. This font embodies the essence of di...
  27. TypoLatinserif-Bold, a distinguished font created by the prolific German type designer Manfred Klein, is a testament to the harmonious blend of traditional elegance and modern precision. This font em...
  28. "Dot.com" by Iconian Fonts is an eclectic and modern typeface that exemplifies the digital age with its unique characteristics, blending creativity and functionality in equal measures. Designed by th...
  29. Graffito, as its name suggests, draws its inspiration from the raw, expressive energy found in street graffiti. This font is not merely a typeface; it's an artistic statement, embodying the rebelliou...
  30. Pea Lyndal, a free handwriting font from Fonts For Peas, encapsulates the charm and personality you’d expect from a thoughtfully designed personal handwriting style. Its creation, inspired by individ...
  31. The font named Paper-Mache by SpideRaY is a fascinating and playful typeface that captures the imagination with its unique aesthetic influenced by the craft it's named after. Designed with a creative...
  32. The Ecolier font is a charming and visually appealing typeface that invokes a sense of nostalgia and warmth, reminiscent of handwriting taught in primary schools across France. Its name, "Ecolier," t...
  33. The font named "Japanese Brush" is designed to emulate the aesthetics and characteristics of traditional Japanese brushwork found in calligraphy and art. Drawing from the centuries-old practice of us...
  34. **CMCorruged** by Charly Masci emerges as a delightful exploration of texture and depth within the realm of typography. This font, crafted with meticulous attention to detail, encapsulates the aesthe...
  35. Averia Sans by Dan Sayers emerges as a unique and innovative addition to the world of typography. This font, with its distinctive character and warmth, effortlessly bridges the gap between accessibil...
  36. The font named "Greek House Fathouse," created by Greek House of Fonts, stands out as a distinctive typeface steeped in the aesthetic sensibilities of Greek letter organizations, particularly those f...
  37. The "Somalove" font, crafted by the imaginative folks at Happy Lovers Town, stands out as a beacon of warmth and endearment in the realm of typography. At its heart, Somalove is a celebration of love...
  38. Tuffy, a font designed by Thatcher Ulrich, stands as an emblem of the versatile and adaptable nature that a well-crafted typeface can embody. At its core, Tuffy is a sans-serif font, characterized by...
  39. Bionic Comic by Iconian Fonts is an expressive font that captures the essence and excitement of comic book culture and narrative style. Designed with a sense of fun and dynamism, it serves as a perfe...
  40. The Barbarian font, designed by Anthony Robinson, is a striking and distinctive typeface that stands out for its robust and adventurous character. This font captures the essence of untamed wildness a...
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