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  1. TOYZARUX font, beautifully created by Maelle Keita, embodies a playful and imaginative spirit that seems to whisk you away to a realm of creativity and fun. Its design, characterized by its whimsical...
  2. The "Ben Pioneer" font, crafted by the talented Bazhen Yurchenko, is a distinctive typeface that blends modernity with a touch of vintage charm. This font stands out due to its creative finesse and v...
  3. Caslon Antique is a decorative American typeface that was designed and released in 1894 by Berne Nadall. It is not directly related to the original Caslon font, which was designed by William Caslon i...
  4. Red Circle is a distinctive and engaging font that encapsulates the creative essence of its creator, Harold Lohner. This font takes its inspiration from the geometric shapes and simplicity of design,...
  5. BPchubby, crafted by the imaginative hands at backpacker, is a display font that embodies a playful and friendly vibe, making it a delightful visual treat. Picture walking into a cozy, whimsical bake...
  6. Dirty Ames is a font that dares you to unleash your creative instincts and bring a raw, unfiltered edge to your design projects. Picture this: each stroke and curve of Dirty Ames is infused with a se...
  7. The Handtalk font, crafted by the talented designer Måns Grebäck, is a masterpiece that conjures the aura of personal touch and creativity. Evoking the warmth and intimacy of handwritten communicatio...
  8. Julie01, by Benoît Sjöholm, represents a masterful fusion of artistic creativity and typographic innovation. At its core, Julie01 is not just a font but a narrative, a personality coming alive throug...
  9. "Young Techs" is a captivating typeface created by the prolific font foundry, Iconian Fonts, known for their wide array of distinctive and thematic typefaces. This particular font is a homage to the ...
  10. !The Troubles font, crafted by the foundry !Exclamachine, is a distinctive typeface that speaks volumes with its unique character and design flair. What sets !The Troubles apart is not just its name,...
  11. The Neighbourhood font, meticulously crafted by Andy Chung, stands as a testament to contemporary design mingled with an air of nostalgia. This serif typeface, characterized by its bold and distincti...
  12. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  13. The EmbossedGermanica font, designed by the creative talent at Paul Lloyd Fonts, is a font that truly stands out for its distinctive and evocative design. As inferred from its name, this typeface dra...
  14. As of my last update in 2023, the "Copyright Violations Nudged" font by GemFonts | Graham Meade isn't a widely recognized or popularly discussed font in mainstream typography circles, which suggests ...
  15. "Push" isn't a widely recognized or standardized font name within the vast realm of typography as of 2023. However, when referring to a font named "Push," one might imagine characteristics that embod...
  16. As of my last update in 2023, there is no widely recognized or standard font specifically named "BodinSmall." It's possible that the mention refers to a custom or less commonly known typeface, or it ...
  17. As of my last update in April 2023, "Spoonge Punk" created by Pastaza Type stands out as a distinctive addition to the typographic world. This font captures the essence of rebelliousness and innovati...
  18. As of my last update in early 2023, the font named "Insert 2 by 2 The Left Typefaces" doesn't appear to be a widely recognized or documented typeface in popular type design references or font librari...
  19. "Donnie" is a font that embodies a playful yet structured character, making it an attractive choice for a wide array of design projects. Its design straddles the line between the whimsical and the me...
  20. As of my last update in early 2023, the font named "OZH" created by Paprika Breitholtz is not broadly recognized within mainstream font databases or among widely circulated typographic resources. How...
  21. As of my last update, there isn't a widely recognized or standardized font specifically known as "Special K" within the major font directories or among prominent type designers. However, let's indulg...
  22. Ah, the jovial and whimsical world of fonts, where each typeface has its own distinct personality and charm. Nestled within this realm of typographic delights, you'll find a gem named joeHand 3, craf...
  23. Instant Soup Mix by Utopiafonts is a font that captures the essence of casual creativity and quirky charm. Envisioned and designed to bring a playful and somewhat whimsical touch to various types of ...
  24. "Just Me Again Down Here" by Kimberly Geswein stands out as a beautifully crafted font that embodies a casual and personal touch. At its heart, this font feels like a handwritten note from a friend, ...
  25. CorpusCare, designed by the prolific Canadian type designer Ray Larabie, stands out as a distinct and innovative font that marries accessibility with aesthetic appeal. Larabie, known for his vast and...
  26. As of my last update in early 2023, there isn’t a widely recognized or established font named "Arcade Fire" in the typical typography communities or font libraries. However, it's quite possible that ...
  27. As of my last update in April 2023, the font named "Campfire" might not be one of the mainstream fonts like Arial, Times New Roman, or Helvetica, leading to variants and interpretations by different ...
  28. As of my last knowledge update in April 2023, the font named "Triangler" by Tim Ko does not have a widely recognized or documented description in the major typographic and design resources available ...
  29. As of my last update, the font "Aircloud" by Fontone may not have been widely recognized or described in sources accessible to me, so I can't give a specific description of "Aircloud." However, I can...
  30. Alright, picture this: a font that decided it wanted to be the cool uncle of the comic book world, showing up at family gatherings with a leather jacket and a slight lean to one side. That, my friend...
  31. The font named "Light Emitting Diodes," designed by SpideRaY, is an intriguing and captivating typeface that draws heavily from the aesthetic and technological concept of LED (Light Emitting Diode) d...
  32. Alright, let's dive into the font HoMicIDE EFfeCt. Just from the name, you can tell this isn't your average, everyday font. It suggests a vibe that's edgy, perhaps a bit dark, yet undeniably eye-catc...
  33. As of my last update, Pouttu is a charismatic typeface created by Fenotype, a type foundry known for crafting innovative and visually appealing fonts. The essence of Pouttu lies in its seamless blend...
  34. Picture this: you've just stumbled upon a treasure trove of fonts, and there, gleaming in the midst of them all, is "More than Enough" by Kimberly Geswein. This font is like the cool breeze on a swel...
  35. Corners 2 isn't one of the mainstream fonts that you'd find popping up in your everyday text editor or design program. It's more like a hidden gem tucked away in the vast world of typography, waiting...
  36. As of my last update in April 2023, there's no widely recognized or standard font specifically named "Signboard" that's known across major font repositories or among typographic tools; however, the i...
  37. As of my last update in April 2023, if "Jano" refers to a specific font that has garnered widespread recognition or been released by a notable foundry, I unfortunately do not have detailed informatio...
  38. Haunting Attraction is not a font that can be easily overlooked. Crafted with a masterful touch, it embodies a uniquely ethereal and captivating essence that seems to draw the eye and imagination int...
  39. As of my last update in April 2023, the font named Knife Fight, crafted by the talented Damien Gosset, stands out as an intriguing typeface within the realm of graphic design. Though not extensively ...
  40. Elliott is a font that exudes a friendly and approachable charm, marrying simplicity with a touch of distinctiveness that sets it apart from other typefaces. At first glance, Elliott might seem somew...
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