It is not really a font, the are more icons. Based on a grid op seven squares al 127 possibilities – filled and unfilled. Use it decorative or just for fun. There is also a dotted version.

Rangly is a square-based and rough typeface. It has graffiti inspired shapes built with wide paint rolls. The font is designed and created by Måns Grebäck in 2017, and has support for hundreds of languages.

Flatsider JNL is a simple block (square) stencil font available in both regular and oblique versions. Plain, stark and with no unwanted embellishments, Flatsider JNL gives the look of structured compliance to any stencil-based text.

Inspired by Japanese robot animations in 80s such like Gundam and Ideon, Geom Graphic is a square geometric sans serif for wide range of usage. The family give an impression similar to Eurostile but is more squared and geometric. The letterforms of Geom Graphic are designed slightly rounded to appear natural, warm and retro. This family consisting of 4 weights with matching Italics. The wide range of languages is designed targeting use for futuristic product of game, movie, logo and so on. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

This typeface was originally inspired by Art Deco lettering. During the development of the letterforms a strick DeStijl grid was imposed. The lowercase letterforms were created with the influences of rave/techno design styles. The result is a distinctly contemporary display font. The P22 Cusp Family contains 4 fonts: P22 Cusp Round, P22 Cusp Round Slant, P22 Cusp Square, P22 Cusp Square Slant. This font was designed as a display font and may be a bit taxing on the eye at smaller point sizes. The P22 Cusp family is licensed exclusively to P22 type foundry/International House of Fonts.

PT Unovis™ was designed for ParaType in 2001 by Tagir Safayev. Inspired by the shapes of lettering of the Russian Avant Garde artists of Kazimir Malevich’s circle at the beginning of the 20th century. Based on simple geometric forms. Caps only. For use in advertising and display typography.

PT Adonis™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original typeface, its characters have slightly oblong proportions, with rounded serifs and generally soft letterforms. The face is both space-saving and quite legible in small sizes. For use in text and display typography.

Mosco™ is a new decorative geometric display typeface. Cleanliness and solid. A complete set of cohesive characters (A-Z) and multilanguage characters (latin based). Develop a visual presentation that complements the style and personality of the new typeface. Perfect for any purposes such as posters, logotypes and headlines.

HU Blackout is a typeface for titles that feels like letters are trapped in a square and has a constant and very narrow inner space. It is composed of three types of family typeface to increase usability.

The Barnhart Bros. & Spindler foundry put out a caps-only face called Dante. We liked it, but felt it needed a lowercase. The result here is a rather nice square design, which has become a personal favorite.

Cool doodads from the cold war...spaceships, moderne coffee pots, boomerangs, cocktail glasses, etc. A must for decorating your cyber-bachelor pad; a requirement for the retro lounge crowd. Don't be a square, daddio, get Satellite today!

Akwe Pro™ is a professional, ultra versatile sans serif typeface characterized by excellent legibility and modern design perfect for all design purposes. It is designed for use in long and short paragraphs of text, headlines and user interfaces. Its distinctive character and carefully crafted proportions make it a great option for brand identification and logo design. Akwe Pro™ mega family consists of 164 fonts - each weight in uprights, italics and small caps versions. It has extended language support and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

CAL iWasLike™ Pro is totally for sure the amazing friendly font you need for, like, everything! Its conversational tone makes reading fun and enjoyable! Designed for friendly, paragraph reading ease on screen or medium res print, with the full set of OpenType features. It's design gives it the most even text shade for digital fonts, and has less holes in the text for easier reading. iWasLike™ is a large x-height, informal text and caption font designed to render well for Apple Quartz and Microsoft devices, low res to high res printing, with full Western Central European, and Turkish support, small caps, superiors, inferiors, fractions, as well as some special additions like music symbols, pricing feature, arrows, and two sets of circled numbers.

Trebuchet™ Family, designed by Vincent Connare in 1996, is a humanist sans serif designed for easy screen readability. Trebuchet Family takes its inspiration from the sans serifs of the 1930s which had large x heights and round features intended to promote readability on signs. The typeface name is credited to a puzzle heard at Microsoft, where the question was asked, 'could you build a Trebuchet (a form of medieval catapult) to launch a person from the main campus to the consumer campus, and how™' The Trebuchet fonts are intended to be the vehicle that fires your messages across the Internet. 'Launch your message with a Trebuchet page'. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Mastro™ Sans is a contemporary humanist sans serif and the sans version of Mastro. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole. The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation. Mastro™ Sans has a total of 16 styles and it covers a large set of languages. It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more. It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

Linotype Syntax™ Letter is reminiscent of the style of the Roman Rustic capitals and is an earthy, almost snappy companion to the other Linotype Syntax™ typefaces. Instead of subtly expressing the rhythmic dynamism of handwritten letters, this face is more overt about its connections to writing movements, such as the lead-in and exiting terminals, and the organic branching of round strokes from main stems. Linotype Syntax Letter was designed especially for office communications, and it does add a warmer, more personal touch to such documents — while still combining nicely with the more formal Syntax relatives. With six weights, their matching italics, as well as small caps and old style figures, this typeface family has a total of 24 weights.

Beside Supria Sans™ , the condensed version is the second component of the Supria type system. Encompassing the same six weights and three styles as Supria Sans, and characterised by the same approach to the modernist source material, this condensed set of fonts is 20% narrower than the normal version, allowing for significant space saving economies. Used together, Supria Sans and Supria Sans Condensed become much more than just a versatile and functional workhorse – ideal for resolving complex design issues with elegance and sophistication. Supria Sans Condensed™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Few projects are outside the range of PMN Caecilia® Sans. Drawn specifically for on-screen imaging, the family benefits from a large suite of weights, each with several stylistic variations. This is a design ideally suited to building digital interfaces, complex websites, apps, games, kiosks, HTML ads and large-scale brand identities. “My goal was to create a, friendly, versatile, ageless, yet discerning typeface family that will serve the needs of many users,” says Peter Matthias Noordzij. the typeface’s designer. “It is not intended to be eye-catching, but generous: enabling numerous visual and typographical expressions.” The use of Noordzij’s earlier design, PMN Caecilia, in Amazon’s Kindle® wireless reading devices, gave him the opportunity to study the behavior of the slab serif typeface in an on-screen environment. Although based on his earlier design, Noordzij incorporated fundamental changes to optimize PMN Caecilia® Sans’ digital performance. While PMN Caecilia has proven to be a steadfast serif typeface in print and on screen, the addition of a sans serif counterpart gives designers more flexibility when creating complex hierarchies. The combination of serif and sans serif makes the PMN Caecilia family a good choice for everything from print editorial projects to complicated web sites. A broad range of typefaces pair well with PMN Caecilia Sans. Humanist serif typefaces, such as Agmena™, Dante®, and Frutiger® Serif, set up dynamic typographic harmony, while designs like ITC New Veljovic™ Masqualero™ and Perpetua®, will create a striking counterpoint. And, of course, PMN Caecilia is a natural design partner – as are other slab serif typefaces, like the Aptifer™ Slab, Joanna® Nova and Soho® families.

It has a higher uppercase structure than the normal ones. It has a condensed, rounded and squared character. It is a typeface which you can use in posters, packagings, newspaper & magazine ads, logos, banners, promo images & soccer uniforms.

The opening title card for 1940's "Two Girls on Broadway" was the basis for Ticket Booth JNL. A typical Art Deco typeface, its features include a squared letter shape with rounded corners and a thin character weight.

Metalform Gothic JNL is based on examples of stamped metal numbers used for house identification and similar purposes. The lettering is square in shape with rounded corners, perfect for text that needs to emit authoritarian messages or instructions.

A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same year that Georg Trump designed City for Berthold.

Round and square, curly and straight are contradictory in terms but aptly describe this unclassifiable typeface from Typadelic. Readable at small sizes but meant for display purposes, Hayseed will fill the bill in a variety of design applications.

Dotum™ features plain strokes similar to sans serif designs with proportional Latin characters, and works well for on-screen display such as user interfaces. This Dotum font file is 5.2 MB in size. Dotum is a trademark of Microsoft Corporation. Dotum font Character Set: Latin 1, Korean code page 949

Freesia™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Freesia UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Freesia UPC.

Cordia™ New Bold is a Thai font designed by Unity Progress and offered under license from Microsoft. The Cordia New Bold Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Cordia New.

Iris™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Iris UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Iris UPC.