Mittelhorn is a clean, readable, distinctive neo-grotesque. Use it for logotypes, web, signage, or editiorial design. Make a statement and choose one of the alternate sick glyphs… Main features: The family comes in three weights and matching italics Reinterpreted numbers and punctuation Comprehensive character sets for Western and Central European language Selected alternate uppercase sick glyphs for extra character Each glyph in this family was crafted with intention and care. It is a creative yet versatile and very readable font that you can easily use on a range of applications - headlines, billboards, signage, web copy, editorial, publishing… Most of all, have fun with it!

Ristaga Script is an old-school inspired script typeface that pairs perfectly with bold and tough type. Very awesome for labels & logos. I'm starting to create typefaces to use in a branding project and I think Gibson is the missing font from my Type Collection. Perfect for use in everything from Branding, Web, Packaging, Etc. The Ristaga script features OpenType style alternatives, International binders, and support for most Western Languages included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. Thank you very much for viewing and Enjoying it.

Hello Sweets Script is a hand-brushed modern calligraphy script font, created with both pen & brush. dancing baseline with separate swashes that can be applied to the beginning and ends of all lowercase. Were painted on paper. scanned, vectorized and carefully made into a font. Hello Sweets includes several ligatures, alternates and international support for most western languages. For the separate swashes font, type lowercase a-z for the beginning swashes and end swashes (can not access to a glyphs panel. need to add swashes manually). Ideal for logo, wedding invitations, businness card, poster, merchandise, greeting cards, prints, blog banners, apparel, quotes and so much more!

Melyndra Script is a modern calligraphy font, including regular, italic and extras featuring a sleek and neat glyph. This font has a beautiful and balanced character, making it suitable for various purposes. such as written posters, wedding invitations, logos, product packaging, branding, titles, signs, labels, mugs, book covers, quotes, and others. Melyndra Script features alternative OpenType styles, ligatures, and Various International for most Western languages. To enable the alternative OpenType Stylistic, you support programs that support OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. This font is PUA encoded which means you can access all glyphs and swashes with ease! Happy designing!

Big Sur is a six-width slab serif font family with a unique look. At first glance, it is clearly in the tradition of old west style alphabets, with its chunky top and bottom strokes and serifs. But it also features a whimsical vibe in the curvy and pointed flourishes, the wavy baseline, and the swash terminals on many of the glyphs. It's a true standout with unique identifiers, and is bound to grab the eye as something new and different; yet it's traditional enough to establish a solid Western or vintage Americana style. Great for rodeo, county or state fairs, saloons, pubs & taverns, cowboy gear, and even vintage psychedelic posters.

Nauman Neue is a modern humanist sans serif typeface made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideal for web and on-screen applications. In 2021 Nauman was expanded to sixty styles, including two helpful widths condensed and semi-condensed. Included in the font are 900 characters per style, ten weights and three widths with matching italics. Opentype features consist of seven numerals variations, including inferiors, superiors, fractions, tabular, lining, and old style. It also has alternate lowercase a, e, I, M, small caps, arrows and language support covering Western, South, Central Europe and Vietnamese.

Our Smokum Pro is a western inspired slab-serif font with a little playful swagger to it. It's perfect for headlines and display uses that require a little loosened up country flair, but because of the contrast of thicks and thins, it will perform best as a WebFont at medium to large point sizes. The SmallCaps and extensive figure sets offer a little more serious tone and a wider range of design use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Vistr is a reverse-contrast display typeface inspired by western movies, infused with the tension of classic horror films. Powerful serifs, smooth curves, sharp details and an impressive contrast of strokes are unusually combined with each other. This creates a dramatic, eye-catching effect. Which is ideal for use in large sizes in titles and headlines to create a gloomy mood. This is an ALL-CAPS font. There is support for extended Latin, basic Cyrillic, and Greek. Features: – Total glyph set: 351 glyphs; – 1 style; – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; – Greek; OpenType features: – Uppercase; – Proportional numerals; – Punctuations and symbols; – Arrows; – Stylistic alternates (ss01).

Introducing a conceptual script font: Asia Impact. It's a brush handwritten typeface inspired by asian traditional calligraphy. Each letter has two shapes versions for uppercase and lowercase characters. It works both in horizontal and vertical orientation. Asia Impact is perfect for tattoo design and authentic eastern lettering.

Express yourself in ink with tattoo-inspired Stay True™. Available as a set or individually, Stay True and companion font Stay True Open deliver your message with an edgy attitude. Pro versions of both fonts extend the character set to support Eastern European and Baltic languages.

Monotalic was created as a fun experiment, exploring better solutions for the monospaced type design. Most monospaced (fixed-width) typefaces have the same main design problem regarding the lowercase – filling the empty space around l, f, i, j and r. That usually brings the addition of slab serifs to those narrow characters, causing many monospaced fonts to look and feel alike. Monotalic solves that problem by adopting the handwritten (or cursive) form for those problematic characters, which allows them to be defined in more strokes, thus getting a better distribution of form in that fixed-width space. On the other hand, cursive writing usually lacks the legibility of a Roman (Regular upright) style, so Monotalic was created to be a hybrid, taking the best of both worlds. Monospaced fonts today are mostly used for coding. Modern code editors use colored text in order to differentiate between different kinds of code. So, in that environment there’s actually no need for traditional text styling by adding Italics, Bold or other styles, because the code lines are overstated as it is. That is why Monotalic focuses on one style only, in three widths and four weights. The weights allow users to choose the perfect contrast of text on screen, depending on their monitor resolution and background color in the editor. Movie scripts are almost exclusively set in 12pt Courier. It became the industry standard because when set in the specific “screenplay format" it helps with the breakdown of the schedule and budgeting process of the film production. Although it looks completely different, text set in Monotalic (Normal width) will take the same amount of space as Courier.

Designer Sebastian Lester describes his Neo Sans type collection as “legible without being neutral, nuanced without being fussy, and expressive without being distracting.” Featuring rounded, square sans letterforms, the Neo Sans family is available in six weights, ranging from light to ultra, with companion italics. Its forward-looking personality makes it an excellent choice for branding projects, as well as for editorial or publication design. Pair the Neo Sans collection with a serif design for interesting typographic contrast; for more direct continuity, consider the typeface's sister design—the Neo Tech family also from Lester, available in six weights with matching italics.

Introducing our newest Afire Love Font. This font is created with original hand drawn strokes for a relaxed, beautiful and elegant impression. This font also offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. In this font purchase package you will also get a special bonus package from us, namely: 1. 10 vector landing page design packages 2. cute monsters cartoon kit with vector format 3. Premium banner ad template with ppt format 4. cartoon animal ice cream pack with vector format 5. EDITABLE ESPORT logo design This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey. thank you Regards Twinletter

WALLNUTT CORPS is a cool, bold and powerful super modern unicase font, designed for maximum visual and emotional impact. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — everything that strives for being confident and yolo. Definitely has a personality!

Introducing The Checkmate - Stylish Signature is a Quality script that is written casually and quickly. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. The Checkmate is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark .

The Outlander - Design by Daily Studio This ttypeface can make your design look strong. Simple accessible on any of yor projects. Is great for headers, logos, and quotes. Comes with a full uppercase, lowercase, punctuation, and standard multilingual support. With 255 glyphs and in OTF format.

Fox Grotesque Pro is follow-up version of Fox Grotesque family. Typeface consists of ten font styles with extended support for most Latin languages plus Cyrillic. Fox Grotesque Pro release in OTF format and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions...

Mermaid Monogram Font is a perfect shaped monogram font consisting of 52 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Mermaid Monogram Font comes with font file in OTF format.

Emberclaw is a futuristic diplay font designed with uppercase characters. This font is perfect for logos, posters, product labels, or anything else. This logo is available in OTF formats. Features: Standard multi language characters, Uppercase Punctuation & Numbers, Support on Mac and Windows OS Easy to install

Cortada is the name we gave to this display font that replaces Cortada Classic. After long discussions, Laura Meseguer gave birth to this brand new form. Cortada comes now in OpenType format in order to allow a wider range of characters, including Central European character set.

Initial Monogram Font is a perfect shaped monogram font consisting of 26 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Initial Monogram Font comes with font file in OTF format.

Hand Gothic is a condensed typeface with a hand-lettering feeling, available in two weights. The fonts, provided in OpenType format, include support for most European languages and some OpenType extras : ligatures, alternate “A” and “g”, case-sensitive forms and a handful of arrows and icons.

IF Kargo Sans Clean and Highly Professional. This sans serif typeface includes nine (9) weights and variable format. Aims to serve a wide variety of graphic styles, branding, logotype, packaging, ecommerce in modern way. 9 weights Variable Upper / lower case, numbers, punctuation Language support: Latin and Greek

Sage is a hand generated font with great impact. Robust and vigorous, it's great for informal, exciting design projects. Available all popular font formats, including opentype, Sage has been carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Relix, emulating the old videogame's screen fonts, that's a good font to non-formam small texts, names, logotypes, titles, headers, topics etc., developed from the original Reliant's Intellecta typeface. Big sizes of this font can be used for texts on posters, t-shirts and other surfaces.

Batang™ Korean font features a mincho (serif) stroke style. This Batang font file is 6.9 MB in size. Batang is a registered trademark of the Microsoft Corporation. Batang font Character Set: Latin 1, Korean code page 949. Batang is available in TrueType and OpenType font formats.

Introducing Author Think - Authentic Signature Script is a Quality script that is written casually and quickly. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Author Think is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

The Face2Face (F2F) series was inspired by the sound of 1990s music, personal computers, and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. The typeface F2F OCRAlexczyk is one of the Face2Face fonts in Linotype's Take Type Library. It is based on the popular computer font OCR A, which was developed by the American National Standards Institute in 1966 as a system of letters that both humans and machines could easily read. Alexander Branczyk made a more 1990s/techno version, which later became this font.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Frontpage Four is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Branczyk designed 16 of these himself."

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Burnout Chaos is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Branczyk designed 16 of these himself."

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Stefan Hauser and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Hauser and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Haakonsen is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Hauser designed two of these himself."

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Thomas Nagel and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Nagel and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F EI Dee Cons one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype. Nagel designed nine of these himself."

Legan, created by PeGGO Fonts, is a typeface with a large number of glyphs. The uppercase letters follow the classical Trajan pattern. It is designed with several geometrical proportions such as root five, divine proportion (Golden Ratio), regular square, and others, just like the Greek Trajan letters used on Trajan’s Column. The major innovation is a lowercase that is designed in accordance with the same Trajan rules. My concern for the global community is reflected by the large number of diacritics I have provided, first on the basic alphabet, then on extended latin languages, as well as ones for Cyrillic and Greek. Because it is OpenType, there are various setup possibilities including traditional ligatures, as well as various alternates. Altogether you will find this a very playful, fashionable, and elegant typeface.

The font Geomatrix is an original design by Alex Kaczun. It is a dynamic stencil interpretation based on his extremely successful Contax Pro family of geometric sans typefaces. Geomatrix is a contemporary stencil typeface based on generous proportions and clean, crisp lines.The stencil treatment is balanced visually with the stem weight of the font which creates a uniformity and harmony within the design. Geomatrix makes for easy reading and is ideal for long lines of copy. It exudes a strong sense of sophistication for a true stencil design. However, this is no ordinary stencil typeface. That's putting it mildly. Geomatrix is a font on STEROIDS! This unique OpenType font incorporates hundreds of CAPITAL alternate letter forms and glyph substitutions, automatically and on the fly, within InDesign and other Open Type applications. To turn this feature on, just typeset ALL CAPS and go into InDesign's OpenType>Stylistic Sets and select Set 1 from the menu. Turn character kerning from Metrics to Optical, adjust tracking to minus 20-30, and start typing to create some visually interesting letter substitutions and unique word combinations. Geomatrix was specifically designed to take advantage of the OpenType format, allowing the Graphic Designer a unique tool to achieve the desired degree of possible visual typographic effects. And finally, the character sets in Geomatrix have been expanded to include old-style figures and all Eastern European accented glyphs. Strap in and hold on to your seats. A revolution in new font technologies has begun! GEOMATRIX IMPORTANT PLEASE READ HOW TO ACCESS "ALTERNATE" STYLISTIC "SET 1" LETTER FORMS: Geomatrix is a unique OpenType font which incorporates hundreds of CAPITAL alternate letter forms and glyph substitutions, automatically and on the fly, within InDesign and other OpenType applications. To turn this feature on, just typeset ALL CAPS and go into InDesign\'d5s OpenType>Stylistic Sets and select "Set 1" from the menu. Turn character kerning from Metrics to Optical, adjust tracking to minus 20-30, and start typing to create some visually interesting letter substitutions and unique word combinations. This feature "stylistic set 1" can be toggled "on" or "off" anytime, allowing you to go back and forth, or select only the letters that you want to change. Geomatrix was specifically designed to take advantage of the OpenType format, allowing the Graphic Designer a unique tool to achieve the desired degree of possible visual typographic effects. And finally, the character sets in Geomatrix have been expanded to include old-style figures and all Eastern European accented glyphs. Strap in and hold on to your seats. A revolution in new font technologies has begun!

Art into type In 2008, Fontsmith were approached by their friend, Jon Scott, to investigate whether a typeface could assume the aesthetic of one artist’s body of work. Jon’s not-for-profit charity, Measure, was organising an event for the artist, Conrad Shawcross, whose giant mechanical installation, entitled Chord, was going on public display in the long-disused Kingsway tram tunnel in Holborn. Chord explores the way we perceive time, as either a line or a cycle. Two enormous machines with dozens of rotating arms and moving in opposite directions, weave rope with almost infinite slowness. An unusual brief Phil Garnham visited Conrad in his Hackney studio to get a feel for his work and ideas. “Conrad is a very clever and philosophical guy. He struggled to see how typeface design had any relevance to him and his art. This was going to be a challenge.” The artist presented the type designer with a pile of rope and a huge diagram of sketches and mathematical workings. “This was, in essence, my brief.” Phil developed three concepts, the simplest of which ticked all the boxes. “The idea of the strokes in the letterforms appearing and ending at peaks or points of origin fitted perfectly with Conrad’s idea of time occurring and ending at two ends of the sculpture.” Two versions Phil planned modules for two versions of the typeface: one with five lines in the letterforms and one with seven. He then drew the modules on-screen and twisted and turned them to build the machine that is FS Conrad. “This is not a simple headline typeface,” says Phil. “It’s not a rigid structure. It has varying character widths, and it’s informed by real typographic insight and proportions so that it actually works as piece of functioning, harmonious type.”

Gevher is a grotesque based font family that the product of a meticulous work that spread over 2 years. It differs from other grotesque fonts with its very soft angular turns to the rounded forms and its daring ink traps. The rigid and stable structure is balanced by deep ink traps and unusual opposite angle at the joints. Thus it has a more humanistic expression. It has 3 widths: Condensed, Narrow and Normal. It consists of 8 main weights and their compatible italics, totally has 48 styles. Therefore, it provides a wide range of usage practices. It offers creative "contextual alternates" for the best reading experience. Ideal for every editorial design, packaging, corporate identity, brand, application, web and desktop usages.

The first design of Elensans consisted of 4 styles that are including two weights and their italics which I designed in my student years in 2002. It was designed with a little Art Nouveau style touch with inspired by classical geometric based fonts such as Friz Quadrata and Eras. It was updated with according to the orientations of the day in 2012 and eventually it took its final form with actual touches in 2020. The family has 18 weights, ranging from Thin to Black in normal styles and including their italics. It is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Drawn by Tony Stan, ITC Garamond was first released in 1975 in Book and Ultra weights only. These were intended as display faces to complement existing text designs from other foundries. (In fact, many of ITC’s interpretations of traditional typefaces began as display counterparts for existing text designs.) These first weights of ITC Garamond became so popular, however, that ITC released the Light and Bold weights and a suite of condensed faces in 1977. Now, the complete ITC Garamond family features sixteen members: four weights of roman and italic in normal width and four weights of roman and italic in companion condensed versions. The family resemblance is there, but ITC Garamond’s unique provenance gives it an unmistakable, one-of-a-kind appeal.

Road Stencil is a font based on painted street markings. The letters are stretched roughly six times their normal height so that when viewed from an angle, the text is seen as proportional. If you're looking to Photoshop a street scene, this is your font. This is an all caps font, but the letters were copied to lower-case for convenience. In these forms, I've preferred to use horizontal and diagonal dividers instead of verticals which can weaken the fonts readability. This font embodies a pleasant aesthetic while maintaining a coherent and believable feel. Check out the 'Rough' version of this font, which has more of a 'drawn on asphalt' look. The rough version's lower case letters have eroded alternates.