A rough sanserif titling cut by Rudolf Koch for Klingspor in 1923. The letters give the appearance of being crudely cut in wood.

Rudolf Koch’s personal form of the geometric sanserif started at the Bauhaus in 1926; this typeface was designed for Klingspor in the following year.

Paola is a redesigned, new interpretation of a typeface from Carl Rudolf Pohl. OpenType features: Central European faces Ligatures & contextual alternates Proportional & mediaeval numerals Fractions

This set reproduces over 350 of the signs contained in German typographer Rudolf Koch's "The Book of Signs," the symbols include Astrological, Christian, Medieval and Runic iconography.

In this face designed for Bauer in the twenties, Emil Rudolf Weiss used tiny serifs with many inversions and alternative forms to create the mannered texture peculiar to this form.

Bookkeeper JNL is based on the lighter weight version of R. Hunter Middleton's 'Karnak', produced in 1936 for Ludlow. "Karnak" itself was based on the geometric slab-serif "Memphis", designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, "Karnak" "was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called "Egyptians" as an exoticism by nineteenth-century type founders." Available in both regular and oblique versions, Bookkeeper JNL serves well as both a headline and text type face.

The Tes family was designed specially for a limited-edition book about Nikola Tesla and Resonance Waves. It needed to be modern and complete for a multilingual version of the book.

A heavy blackletter; Rudolf Koch’s first type from 1909. On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909. At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).

Koch Original is a revival of the original cut of Rudolf Koch's classic sans serif, Kabel , retaining its tall ascenders and art deco flavor. It is suitable for both text and display setting.

The typeface Liebelei has its roots back in 1932, when Vienna-based painter Rudolf Vogl created the poster for a movie called Liebelei after the popular play by Arthur Schnitzler. Now also available as Variable font!