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  1. Imagine waking up on a beautiful, sunny morning, feeling refreshed and eager to conquer the world. That sensation, my friend, is what encountering the font "Greatday" by Letteratom is like. It's not ...
  2. Imagine if your high school chemistry teacher decided to become a typographer, and their first project was to somehow capture the essence of every "Eureka!" moment they ever had in a font. The result...
  3. The font named "Lemonheads" is a typeface that captures the essence of whimsy, playfulness, and youthful energy. Imagine the vibrant life of a lemon — bright, zesty, and bursting with flavor. That's ...
  4. As of my last update, the font "Aircloud" by Fontone may not have been widely recognized or described in sources accessible to me, so I can't give a specific description of "Aircloud." However, I can...
  5. Ah, the Drive-Thru font by Nick Curtis, what a treat! Picture yourself cruising down a neon-lit avenue in the heart of the 1950s, rock 'n' roll blaring on the radio, and a sense of carefree adventure...
  6. Sure thing! Picture a font that captures the sweet and whimsical spirit of an all-American bakery, and you've got American Donuts by Kat Rakos. This font is like a delightful confection for your eyes...
  7. "Vanilla Boys" by StimulEye Fonts is a captivating typeface that effortlessly straddles the line between classic charm and modern flair. This font embodies a playful yet refined aesthetic, making it ...
  8. As of my last update in 2023, "Umbles" does not appear to be a widely recognized or established font within the vast landscapes of typography and design. It's possible that "Umbles" might refer to a ...
  9. The Bubblegum Superstar font is a vibrant and playful typeface that captures the essence of fun, youthfulness, and enthusiasm. Characterized by its rounded edges and exaggerated forms, the font exude...
  10. The New Cicle font, created by La Tipomatika, is a distinctive and versatile typeface that stands out for its clean lines and contemporary aesthetic. Its design is rooted in geometric shapes, which g...
  11. Billo is an enchanting and playful display font created by the unique font foundry, Fontalicious. It captures the essence of whimsy and fun, perfectly suited for projects that aim to stand out with a...
  12. Picture this: ImresDiscs by Manfred Klein is the typographical equivalent of a quirky, eccentric uncle who shows up to family gatherings wearing polka-dot ties and tells stories that seem to loop end...
  13. The Space Age font, crafted by the talented Justin Callaghan, invites us into a realm where retro-futurism and modern design sensibilities converge, creating a visual spectacle that feels both nostal...
  14. "La Chata" is a vibrant and unique font created by the talented type designer deFharo. This font is characterized by its lively and whimsical nature, capturing the essence of playful creativity and s...
  15. The Smargana typeface is a distinctive font characterized by its unique blend of tradition and modernity. With its origin steeped in a rich typographic tradition, Smargana offers a contemporary twist...
  16. The font "Jangly Walk" by PizzaDude carries a unique and playful essence that effectively captures the imagination and injects a dose of fun into any design project. Known for creating fonts that are...
  17. As of my last update in April 2023, the font named Sagan isn't a universally recognized standard typeface like Times New Roman or Arial. However, given the naming convention, it's possible to imagine...
  18. Bestermind, created by Thirtypath Studio, epitomizes modern elegance and artistic expressiveness, embodying a blend of classic charm and contemporary flair. Bestermind dives into the world of typogra...
  19. Adlanta is a sleek and contemporary font that embodies a blend of elegance and innovation within its design. It belongs to the class of sans-serif typefaces, characterized by smooth lines and minimal...
  20. The KidzOnlyTooSSK font, crafted by Southern Software, embodies a playful and whimsical character that instantly captures the essence of childlike wonder and creativity. Particularly designed to reso...
  21. As of my last update in April 2023, SERIESB is not a widely recognized or standard typeface within the vast library of fonts available to designers and typographers. This suggests that SERIESB might ...
  22. The font "Kallot" by Junkohanhero is a striking typeface that intriguingly blends contemporary design elements with a touch of vintage charm. Designed by the talented artist behind the moniker Junkoh...
  23. KR Down By The Sea by Kat Rakos is a charming and whimsical font that instantly evokes the playful and carefree vibes of a day spent by the seaside. Its design marries a sense of nostalgia with a fre...
  24. Bleeding Freaks is a font that resonates with the essence of horror, suspense, and a touch of macabre artistry. It's a font that belongs to the decorative or display category, crafted with the intent...
  25. Jasper BRK, designed by AEnigma, stands as a distinct and versatile typeface that captures the attention of both designers and viewers alike. This font belongs to the unique family of fonts created b...
  26. As of my last update in April 2023, "Clawless" is not a widely recognized or standard font available in major font libraries or typographic resources. However, crafting a conceptual description for a...
  27. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  28. As of my last update, Pouttu is a charismatic typeface created by Fenotype, a type foundry known for crafting innovative and visually appealing fonts. The essence of Pouttu lies in its seamless blend...
  29. BooBooKitty font, designed by the talented Lauren Ashpole, emanates a playful and whimsical charm that effortlessly captures the imagination of anyone beholding it. This font is a testament to Ashpol...
  30. Yoko Smile, crafted by the talented typeface designer Rémi Godefroid, is a font that exudes happiness, creativity, and flexibility. At its core, Yoko Smile represents more than just a series of lette...
  31. Denne's Aliens, crafted by the talented Denise Bentulan, stands out as an artistic font that presents a playful and imaginative twist on conventional typography. Its name alone evokes a sense of curi...
  32. Mexican Tequila, designed by Vladimir Nikolic, is a display font that captures the lively spirit and boldness of Mexico's famous spirit, tequila. The essence of this font lies in its playful yet stri...
  33. SwishButtons by Nick Curtis is a charming and captivating typeface that effortlessly weaves the whimsy of art deco inspirations with the playfulness of modern design sensibilities. Created by the tal...
  34. As of my last update in April 2023, "TwoBeers" is not a widely recognized or standard font within graphic design or typography communities. However, with the proliferation of digital fonts and the ea...
  35. El Pececito is a refreshing and whimsical font that showcases the creativity and playful spirit of its designer, deFharo. This font stands out for its unique blend of simplicity and eccentricity, mak...
  36. Docteur Atomic by Jonathan Paquette is a striking and imaginative font that encapsulates the essence of adventure and innovation, woven into the very fabric of its design. Created with a nod to the r...
  37. Hyundai, a font devised by the talented designer Samuel Park, presents a captivating blend of modernity and practicality, echoing the innovative spirit and aesthetic principles of the brand it is ali...
  38. StandingRoomOnly is a captivating display font created by Nick Curtis, a designer known for his prolific output of fonts that often encapsulate vintage or retro aesthetics. StandingRoomOnly is no exc...
  39. As of my knowledge cut-off in early 2023, there isn't a widely recognized font specifically named "Chilluns." However, allowing for the playful and laid-back connotation of the name—evocative of "chi...
  40. Sappy Mugs by Ray Larabie is a delightful and whimsically spirited font that immediately brings a smile to your face, much like the comforting warmth of your favorite coffee mug on a cool morning. Cr...
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