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  1. Imagine diving into a world where the very concept of order is thrown out the window, and the rule book is not just ignored but shredded, burned, and then danced upon. That's the essence of Turmoil (...
  2. Ah, LaPerutaFLF, the font that decided it was too cool for the mainstream yet not quite ready for the underground indie scene. Picture this: if fonts had personalities, LaPerutaFLF would be that quie...
  3. Ah, the mighty Tabarra Shadow! Picture this: If fonts were characters at a grand costume party thrown by Typography itself, Tabarra Shadow would arrive fashionably late, decked out in its enigmatic g...
  4. Ah, "Derail," the font that decided to be the life of the graphic design party, where it loudly proclaims, "Who needs the straight and narrow path?". Imagine if a typeface had a rebellious teenage ph...
  5. Ah, the Amsterdam Graffiti font! Picture this: you're wandering the vibrant streets of Amsterdam, where the scent of fresh stroopwafels fills the air and bicycles whiz past at every turn. Suddenly, y...
  6. Ah, SF Espresso Shack by ShyFoundry, the font that sounds like it was brewed in the cozy, eclectic coffee shop tucked away in the artsy part of town. Picture this: a font that packs all the warmth of...
  7. As of my last update in April 2023, "Geared Up" might not be a widely recognized or established font within the mainstream typographic community or among popular font databases. However, given a crea...
  8. Alphabet_02, while a hypothetical creation for the purposes of this discussion, can be visualized as a font that exudes a blend of modern sophistication and artistic creativity. Picture Alphabet_02 a...
  9. Oh, okay, picture this: BattleLines by Blambot Fonts, it's like the ultimate secret weapon for your design arsenal, especially if you're about to embark on a project that's screaming for that punchy,...
  10. Ah, Bebas Neue by Dharma Type, the slender, tall glass of water of the typeface world. Picture this - if fonts were people, Bebas Neue would be that incredibly cool, unfailingly stylish friend who kn...
  11. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  12. Ah, LT Chickenhawk! Such a name evokes images of brave, intrepid fowls, doesn't it? Crafted by the creative minds at Nymphont, this font strides into your design projects with the confidence of a chi...
  13. As of my last update in April 2023, CrawfishPopsicle is not a widely recognized or specific font within mainstream font libraries or the typographic community, which suggests it might be a custom or ...
  14. As of my last update in April 2023, there isn't a widely recognized or commercially available font specifically known as "Yodle." It's possible that "Yodle" could be a custom or a less-known typeface...
  15. Ah, Brassiere by Apostrophic Labs – if fonts were garments, this one would definitely be a lacy number you'd find hidden in the mischievous corner of your wardrobe. Picture this: a font that flirts w...
  16. Ganz Egal, masterfully crafted by the enigmatic designer Nihilschiz, is not just a font; it's an adventure in typography that refuses to take itself too seriously. Picture this: if fonts were people,...
  17. Picture this: The Psiphoon BB font, a creation sprung from the whimsical mind at Blambot Fonts - a place where typefaces come to life with personality and pizzazz. Imagine if a comic book, a late-nig...
  18. Picture this: you're about to pen a love letter, the old-fashioned way. You dip your quill in ink, but instead of pressing it to parchment, you tap away at your keyboard and, voilá, out comes Jayne S...
  19. As of my last update in 2023, there isn't a widely recognized font by the name "Sanford" that's prominent in the typographic community or among mainstream font collections. However, let’s imagine wha...
  20. As of my last update in April 2023, CounselorScript is not a widely recognized or standard font, and its characteristics might not be universally agreed upon or formally documented. However, let us p...
  21. Picture this: you’re on a nostalgic trip down memory lane, or perhaps a whimsical wander through the alleys of typographic treats. There, in the neon glow of creativity and cheekiness, stands a font ...
  22. As of my last update in April 2023, there isn't a widely recognized or commercially available font specifically known as "Annon." However, the task of imagining or describing a font by this name prov...
  23. As of my last update in 2023, "Sepulcra" is not a widely recognized or established font within mainstream typographic resources or design communities. However, crafting a descriptive narrative based ...
  24. Oh, the tale of Weaver! Picture it: in the vast, swirling cosmos that is the font universe, where Serif rubs elbows with Sans Serif at the swankiest of typographical parties, and Script flows gracefu...
  25. The Sabandija ffp font by deFharo is a typographic creature that seems to have scurried out of the imagination of a whimsical artist, finding its way onto the digital canvas. Picture this: if fonts w...
  26. Certainly! Picture this: You're strolling through the whimsical alleyways of Typography Town, where the buildings stretch impossibly tall, framing the sky in slivers of blue. Suddenly, you stumble up...
  27. As of my last update in April 2023, I can't find specific details on a font named "Rubbed" by Samuel Park, which means it might be a niche or newly released font not widely cataloged in mainstream fo...
  28. Ah, the elusive and cheekily named "Liquidy Bulbous." If fonts were people, Liquidy Bulbous would be the life of the party, the one who shows up with a mischievous twinkle in their eye, ready to turn...
  29. Imagine a font that practically wraps itself in the stars and stripes, saluting every time a character is typed – this, my dear friends, is the American Flag font, the typographical equivalent of an ...
  30. Font Anastasia, with its artistic and elegant demeanor, brings a compelling presence to the world of typography. Though diverse interpretations of this font may exist due to the evolving nature of de...
  31. Ah, Lein Bold, the typeface that struts into the typographic scene with the confidence of a peacock at a bird show. Picture this: if fonts were people, Lein Bold would be that one friend who's always...
  32. Sure thing! "SCRIPT 9" isn't a standard or widely recognized font name that I'm aware of, as of my last update. However, let's dive into imagining what SCRIPT 9 could be, based on what we know about ...
  33. As of my last update in early 2023, there's no widely recognized or standard font specifically named "teaspoon" within major font libraries or amongst popular custom typeface designs. However, let me...
  34. Neck Candy is not a specific font that exists as of my last update in April 2023, so let me conjure up a whimsical and creative description of what a font named "Neck Candy" could embody, leaning int...
  35. As of my last update in early 2023, "New Wishes" by Fontles stands as a beautiful testament to creativity and elegant design in the world of typography. While I can't pull direct visuals or the lates...
  36. Mathmos Original is a distinctive font created by Levi Halmos, instilling a sense of nostalgia and futuristic vibes simultaneously. Imagine a concoction of retro science fiction aesthetics married to...
  37. Once upon a paragraph, in the mythical realm of typography, there emerged a legend from the creative foundry of deFharo – The Black Box. Picture this: if fonts were a grand dinner party, The Black Bo...
  38. Picture this: "Teen Spirit" by Steven J. Lundeen is not just a font; it's the embodiment of youth rebellion, a visual shout that echoes through the halls of high school, sticking it to the man with e...
  39. As of my last update in early 2023, there might not be a widely recognized or specific font called "Naz" that has achieved significant prominence or notoriety in the fields of typography or graphic d...
  40. As of my last update in early 2023, there isn't a widely recognized or popular font specifically called "Lastman" in the vast world of typography. However, let me paint a picture for you, imagining w...
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