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  1. Altrincham by URW Type Foundry, $39.99
    Back when shop window decoration was done with a brush, every window designer had his own style. In this vein the sans serif Altrincham was created. But even as a text font, it has stood the test of time, since it is very easy to read even in smaller point sizes, thanks to its relatively large x-height. With the Altrincham Condensed and Altrincham Wide Bold two other fonts have been created to perfectly complement the font family.
  2. Ginga> - Personal use only
  3. Gretoon Highlight - Personal use only
  4. SoulCalibuR - 100% free
  5. gAbAcHiTA FFP - Personal use only
  6. Tribal Dragon - Personal use only
  7. Night Club 70s - Personal use only
  8. Ruthless Wreckin TWO - Personal use only
  9. MKorsair - 100% free
  10. Alba Super - Personal use only
  11. JFJungleRock - Unknown license
  12. Brother Bear - 100% free
  13. CMCorruged - 100% free
  14. IRR3V3RSIBL3 - Unknown license
  15. aaaiight! - Unknown license
  16. Bamf - Unknown license
  17. SPARKS MADE US - Personal use only
  18. font twelve - Personal use only
  19. HVD Peace - Unknown license
  20. Project Z - Personal use only
  21. Cubiculo Gallery) - Personal use only
  22. Kid Kosmic - Personal use only
  23. Sweeep - Unknown license
  24. CMSquish - 100% free
  25. Stargazers - Unknown license
  26. Besign - 100% free
  27. Shot - Unknown license
  28. Karloff - Unknown license
  29. Gothic Alarm Clock - Unknown license
  30. Achilles - Unknown license
  31. QuickQuick - Unknown license
  32. Vila Morena - Unknown license
  33. Tetris - Unknown license
  34. TNG Monitors - Unknown license
  35. Vaguely Repulsive - Unknown license
  36. Meier Kapitalis by Elsner+Flake, $39.00
    As a late work the “Meier Kapitalis” forms an arch within the typographic creations of the Swiss type designer Hans Meier who died in 2014. The first sketches of this typeface can be found in the teaching manual “The Development of Script and Type” (German: “Die Schriftentwicklung”; French “Le développement des caractères”) which was published in 1994, however, under the title “Roman Lapidary, 1st Century”. The booklet was first published by the Syntax Press, Cham, Switzerland and contains an introduction by Max Caflisch in which he writes: „The present work, „The Development of Script and Type“ is a concise, authoritative textbook, concentrating on the essentials in a wide survey from ancient Greek inscriptions to the printer’s typefaces of the present day. His (Meier’s) 72 varieties of letterforms enable the student or general reader to understand the history of script and type, while more than 60 of his own calligraphic specimens provide excellent models for all who practice this art.“ Unfortunately, the “Meier Kapitalis” is one of the few typeface families in this publication which has been digitized. It was to be the last type project fully realized by Meier. In cooperation with Elsner+Flake, the typeface family was developed and expanded and now contains the four cuts: Roman, Medium, Demi Bold and Bold with either a complement of characters for 78 Latin-based languages (EL=EuropaPlus) or in West-Layout.
  37. Ongunkan Lepontic Script by Runic World Tamgacı, $45.00
    Lepontic is an ancient Alpine Celtic language that was spoken in parts of Rhaetia and Cisalpine Gaul (now Northern Italy) between 550 and 100 BC. Lepontic is attested in inscriptions found in an area centered on Lugano, Switzerland, and including the Lake Como and Lake Maggiore areas of Italy. While some recent scholarship (e.g. Eska 1998) has tended to consider Lepontic simply as an early outlying form of Gaulish and closely akin to other, later attestations of Gaulish in Italy (Cisalpine Gaulish), some scholars (notably Lejeune 1971) continue to view it as a distinct Continental Celtic language. In this latter view, the earlier inscriptions found within a 50 km radius of Lugano are considered Lepontic, while the later ones, to the immediate south of this area, are considered Cisalpine Gaulish. Lepontic was assimilated first by Gaulish, with the settlement of Gallic tribes north of the River Po, and then by Latin, after the Roman Republic gained control over Gallia Cisalpina during the late 2nd and 1st century BC
  38. Margaux by Scholtz Fonts, $19.95
    Margaux is an elegant, smooth, disciplined italic font, based on French fonts of the early 20th century. It evokes Paris in her heyday - culture, romance, and sophistication. Margaux is beautifully crafted, with simple, neat lower case characters, and upper case characters that are elegant but decoratively curled. This font lends itself to the creation of romantic adverts, wedding stationery, greeting cards, theatre posters, romantic book covers, certificates. Margaux has all the features usually included in a fully professional font. Language support includes all European character sets.
  39. Bluestar by Melvastype, $29.00
    Bluestar is a roundhand script with modern touch. It has round terminals and quite low stroke contrast. It has five weights in upright and italic styles. Bluestar has two sets of capital letters; one is more basic and subtle and the other (Stylistic Set 1) is bigger and fancier. Bluestar has also lots of alternates for ascender, descenders, end swashes etc. to give a good amount of possibilities to play with and make some unique designs. It also has few options for tails and underlines.
  40. Juviya by RagamKata, $14.00
    Juviya is a Elegant Serif Typeface , unique & nostalgic typeface I like so much that I wanted to make it super personal, so that is why the Juviya is in the name. The main font is a serif, which in regular and italic looks cool, chic & fashionably elegant. Each font version comes with over 24 alternates of uppercase character set. It also includes full language support, punctuation, numerals and detailed instructions how to use alternate letters most of the apps on your computer, as well as in Canva.
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